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On Post-Production: Delving into the practices of 3 critically-acclaimed photographers

In this new series, we spoke to three very different photographers about their post-production workflows, practices and ideals. See the still lifes by groundbreaking artist Klaus Pichler, portraits by the world-renowned Dean Chalkley, who has shot the likes of Daft Punk and Dizzee Rascal, and step into a surreal new world beautifully crafted by Simen Johan. See the articles below:

On Post-Production, Part 1: Klaus Pichler on bringing together analogue and digital techniques

The first in the series taking you behind the image. Photographer Klaus Pichler shares his secret recipe for post production and his creative know-how.

Read Klaus’ feature here.

© Klaus Pichler

© Klaus Pichler

On Post-Production, Part 2: An insight into photographer Dean Chalkley’s workflow

In the second instalment of this series, Dean Chalkley talks authenticity, why having fun making pictures is important to him, and how post-processing is a means to an end.

Read Dean’s feature here.

Daft Punk : ©Dean Chalkley / NME / Time Inc (UK)

Daft Punk © Dean Chalkley / NME / Time Inc (UK)

On Post-Production, Part 3: Inside the fantastical world of photographer Simen Johan

In the third instalment of this series which looks at post-processing in the photographer’s workflow, Simen Johan talks about how he creates his beguiling images and why digital capture and the best modern imaging software gives him the freedom he craves.

Read Simen’s feature here.

Untitled #174 © Simen Johan

Untitled #174 © Simen Johan

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