Month: March 2017

On show: Nico Krijno’s The Fluid Right Edge

Known for working with brightly-coloured, very obviously retouched still life images, it’s easy to identify Nico Krijno with the new wave of work spearheaded by Lucas Blalock and Sam Falls. He agrees with a non-committal “I guess” but says that, based out on a farm near Cape Town and brought up in a small town by the Boschberg Mountains, he’s more used to doing his own thing. “It’s like totally isolated out there!” he tells me in Beetles + Huxley Gallery, the smart Mayfair space currently showing his work. “There aren’t the institutions, there are no bookshops, zero. I’m here to soak up some culture. “But I think if you’re isolated, you’re not exposed to everything that’s going on in London, you have to go inward,” he adds. “And that’s important.” Born in South Africa in 1981, Krijno never studied photography. Interested in writing and plays he studied theatre and film-making in Cape Town, before deciding his ideas were getting lost in “the hierarchy of all the people” on set and swapping onto stills. He …

2017-05-09T12:36:29+00:00

Musuk Nolte’s Open Mourning remembers Peru’s ‘disappeared’

“I think politics affects every decision in daily life – it’s hard to remain on the sidelines,” says Musuk Nolte. “For me, photography is a visual element to work on these very complex issues. “With all the problems we have in our country, we have the responsibility to leave a visual document,” continues the photographer, who was born in Mexico in 1988 but is now a naturalised Peruvian.”I felt the desire to leave a document of what was going on, that it could serve as a visual and historical record. It was my way of relating to my country, but it’s important that this work also has an impact outside the community.” A documentary photographer focused on social and political issues, he has been just nominated to join the prestigious Joop Swart Masterclass organised by the World Press Photo, and won a scholarship from the Magnum Foundation to finish his project Open Mourning. It’s a series tackling a difficult episode in Peruvian history – the conflict between the State and a terrorist group called Sendero Luminoso between the late 1980s to the 2000s, …

2017-03-30T10:50:21+00:00

On show at Format: Poulomi Basu’s A Ritual of Exile

It’s illegal, and a tradition that puts women at great risk, but despite this has been normalised, accepted and passed down through generations. In parts of Nepal, a practice called Chhaupadi dictates that women who are menstruating, and those who experience bleeding after childbirth, must live in makeshift huts because they are considered impure and therefore untouchable. Exiled by their communities and families, the women are refused access to water and toilets and must eat food scraps, fed to them as though they were animals. They are exposed in every sense, vulnerable to rape, abduction and assault, and even death from asphyxiation caused by the fires they are forced to light in their tiny, inadequately ventilated huts. In 2013, photojournalist Poulomi Basu travelled to Surkhet District in a remote region of Nepal to meet and photograph some of these women, assisted on the ground by the charity WaterAid. Appalled and outraged by what she saw, she vowed to return. “The first trip was so short and I was frustrated because I realised the scale of …

2017-05-09T12:37:00+00:00

Breakthrough Awards: Jan McCullough one year later

It was while leafing through a 1950s manual for military wives she’d found in a secondhand shop that photographer Jan McCullough came up with the title for Home Instruction Manual. The innovative project, which explores the concept of the ideal home, scooped the Northern Ireland-based photographer first prize in the Graduate – Series category of last year’s BJP‘s Breakthrough Awards. Renting an empty home for a month, she decorated it according to contemporary DIY advice she found online and photographed the results in a deadpan, deliberately amateurish style. For the Breakthrough group show in East London’s Truman Brewery, McCullough decided to include a huge roll printed with this advice alongside her pictures. Showing her work in this way kickstarted an interest in more experimental exhibition strategies, and McCullough has discovered “an enthusiasm for the possibilities of a physical installation in a gallery context”. “I’m interested in developing this aspect of my practice, considering new ways to present my work specific to its subject,” she continues. “I want to play around with how my installations could …

2017-05-08T15:30:24+00:00

Festival review: what’s hot at Format

In August of 2016, at the International Geological Congress in Cape Town, one of the world’s leading scientists declared we were living at the dawn of a new geological epoch – the human-influenced age. This new era, termed Anthropocene, replaces the current epoch, the Holocene, the 12,000 years of stable climate since during which all human civilisation developed. Format International Photography Festival in Derby, the UK’s largest photography festival, opened this weekend for its eighth edition, aiming to explore this notion of the Anthropocene by asking photographers to respond to the word “habitat”. Featuring more than 200 international artists and photographers across 30 exhibitions, the biennial is situated across independent cinema and exhibition spaces such as Quad, University of Derby and the Derby Museum and Art Gallery. The festival’s flagship exhibition, titled Ahead Still Lies Our Future, is on show at art space Derby Quad, and features work by ten photographers, brought together by curators Hester Keijser and festival director Louise Clements. “I wanted to offer up experiences concerning the complexity of our existence on …

2017-03-28T11:46:25+00:00

Exhibition: Mother River by Yan Wang Preston

Yan Wang Preston’s Mother River is both a physical odyssey through China and a metaphor for its evolution, travelling from the traditional culture still seen to be seen at its source through to the rampant modernisation approaching its mouth. “Modernisation is reaching everywhere in China, although in Tibet the degree of modernisation is not the same as in Shanghai,” Wang Preston tells BJP. “I wanted my pictures to document this gradual change along the river’s journey.” Born in China, Wang Preston originally studied Clinical Medicine in Shanghai – a family choice which she had never felt passionate about, she says. She worked as an anaesthetist for three years after graduating, but eventually quit took a break to go rock climbing. “During this process, I met a British climber and ended up marrying him,” she says. “I knew that I’d come to live in the UK at some point.” Making the move in 2005, she found that “the prospect of living a new life in a new country presented itself as an opportunity to choose my own destiny”. A keen …

2017-05-09T12:38:18+00:00

Q&A: Marco Pietracupa on his new book, Shapeshifter

Born in the Italian South Tyrol in 1967, Marco Pietracupa moved to Milan in the early 1990s, where he studied at the Italian Institute of Photography and swiftly started working in the art and fashion industries. His work has been published by L’Officiel, L’Uomo Vogue, Harper’s Bazaar, Wallpaper and Rolling Stone, and he has also shown at Vice’s Milan Gallery, the Brownstone Foundation in Paris, the Asni Gallery in Addis Ababa, among others. He recently published his first monograph, Shapeshifter, with Yard Press.  BJP: How did you get into photography? MP: My passion started a long time ago, when I was very young. I felt the need to communicate in some unique way, with my own language. Photography seemed to me the best medium to express myself. BJP: How did you get into fashion photography? MP: I studied at the Istituto Italiano di Fotografia (Italian Institute of Photography) in Milan, which has a fashion photography course. Fashion’s visual aesthetic was shifting to a style similar to mine at the time and, even though I was new to …

2017-05-09T12:38:56+00:00

On show at Format: John MacLean’s Hometown

John MacLean’s Hometown project has its origins in his childhood fascination with great historical leaders such as Gandhi, Churchill, Stalin and Mao. As he got older, he kept his interest in biographies, but became more drawn to the lives of artists. “I started reading artists’ biographies and the genesis of this project was asking myself why I feel connected to some artists and not to others,” he says. “That gave me the idea of writing down a list of my art heroes, my mentors by proxy, who have kept me inspired along the way.” It also gave him the notion of visiting the places in which those artists grew up to see how – or if – these locations influenced their later work, with the added challenge of trying to capture that influence photographically. “The project is about the places these artists spent their formative years aged six to 12, the years where they’re absorbing everything in their environment – the years that, in this fantasy documentary, are translated into the adult artist’s work.” MacLean compiled …

2017-03-22T13:13:25+00:00

Q&A: Roger Ballen’s new show The Theatre of Apparitions

The photographer of the psyche, Roger Ballen, is in London to show his latest work, The Theatre of Apparitions, the first time he’s exhibited the series. Based in South Africa since the early 1980’s, the New York-born photographer has worked in photography for over thirty years, starting with ‘straight’ documentary but latterly moving into more abstract forms representing the relationship between human and beast, and harking back to the ancient shamanistic visions and symbols which he believes are embedded in us all.  The Theatre of Apparitions is inspired by hand-drawn carvings he saw on blacked-out windows in a women’s prison in South Africa. “The images occupy a perceptual realm – a fragmented world of part – objects where fears of annihilation and chaotic perceptions merge reality and fantasy, self and other,” says Ballen. “These silhouettes are flickering archetypes originating from the collective unconscious of human kind.” BJP: This work is quite different to what you have done before, what inspired it? RB: At the beginning of 2005, I was making a video in a women’s prison in South Africa, in Johannesburg. I went into one of the cells, and …

2017-03-22T13:05:44+00:00

BJP Staff