Traditionally taking the idea of a “journey” as its theme, Cortona On The Move has now abandoned this metaphor for a new task – reflecting on the past while theorising on the future. “We are taking the motto ‘on the move’ to keep our eyes open and see what’s happening out there,” explained creative director Arianna Rinaldo to BJP
” I always feel like I am (metaphorically, and sometimes physically) skipping or hopping around a person waiting for the moment I get something interesting from them, waiting for the moment it goes from being quite ordinary to being something powerful or compelling.” Jo Metson Scott, a winner in BJP’s Portrait of Britain 2016, shares how to capture the perfect moment –
Now in its 10th year, the Prix Levallois is one of the leading prizes for young photographers, and its latest list of 15 nominees includes Antoine Bruy, Bieke Depoorter, Michal Luczak, Leslie Moquin, Alexey Shlyk, and Maria Sturm & Cemre Yesil
Katrin Streicher’s series, Night Time Tremors, tells the story of a city being slowly swallowed by the ground. Located inside the Arctic Circle in Sweden, Kiruna was built on one of the largest iron ore deposits in the world, and sits on top of a network of mines
“In Neverland I reject the notion that a photograph or a photographer is able to capture the truth,” says Iggy Smalls. “I have a hard time grasping the definition of truth, and though I do not deny the power that images have to move us, this project will hopefully move you to question what is staged or otherwise manipulated, and what coincidentally really just happened.”
Of the many adjectives you could use to describe large-format film photography, affordable isn’t the first that springs to mind. But one Brighton based start-up is on a mission to change that. Hot on the success of their £250 4×5 camera, which they financed through crowdfunding, the Intrepid Camera Company has today launched their Kickstarter for an 8×10 model. Intrepid’s founder-director Maxim Grew had the idea for the camera while mid-way through an undergraduate degree in Product Design at the University of Sussex. He’d become increasingly fascinated by the format beloved of photography greats from Ansel Adams to Gregory Crewdson for its magical, contemplative process and the incredible visual quality of images it produces. However, on finding that his student loan didn’t stretch to the several thousand pounds it can cost to buy a camera, he started experimenting with building one himself. “I was making these really simple things – essentially just boxes with lenses on the end, using instant film and using photographic paper to make paper negatives,” he remembers. Originally Grew’s vision was …
How do you shoot a great portrait? It’s all about connection, says Dan Wilton, one of the Portrait of Britain winners last year. “Sometimes that can be hard – especially with very short shoots – but that’s one of the challenges and one of the reasons I love it so much.”
BJP is proud to present the Book Dummy Award, a new competition run in partnership with La Fábrica and Photo London.
The award offers one winner the chance to have his or her book published, in a print run of at least 1000 copies, and have it showcased through La Fabrica’s sales catalogue, presented an exhibited at festivals and fairs such as Photo London 2018 and PHotoESPAÑA 2018, and submitted to the most important photography competitions around the world.
Despite an order for his deportation issued on 11 May, Mathieu Depardon remains in Turkish custody, his only contact with the outside world via his lawyer, Emine Şeker – who now has informed RSF that he began a protest hunger strike on 21 May
Nick Thornton Jones and Warren Du Preez, the London-based experimental photographers, call their work “the de-familiarisation of surrealism”. In Immortal, their beautifully-produced new series of photobooks, the pair explore this idea with portraits of the human form shot with a dizzying intensity of colour and lights, as if we’re seeing, printed on paper, a fevered dream. “We were fed up of everything being watered down and diluted. It feels like everything’s hyper-referential,” Du Preez says of the genesis of the project when we meet in their Bethnal Green studio. “The editorial and art world can feel like a pool of brown mud to me. There’s a lack of process to a lot of art out there now and for two process junkies, that can feel quite depressing.” “It’s important to make your own stuff,” says Thornton Jones. “People don’t do that anymore; they sample everyone else’s and call it their own. They’re not inventing and making stuff. It’s an era defined by mass appropriation. So this series was born out of a sense of frustration …