The London-based student has won the opportunity to shadow Laura Pannack on an exclusive BJP portraiture commission
The prominent photo editor Patrick Witty was publicly accused of sexual misconduct on 29 January, in a report published on Vox.com by the journalist AJ Chavar. In his report, Chavar stated that Witty, who has worked at National Geographic, Time, Wired, and the New York Times, was investigated for sexual misconduct by National Geographic last Autumn; Chavar’s story added testimonies by women photographers, some anonymous but two named. In response, Witty has released this statement to the media, via his lawyer Stephen B. Pershing.
“I’m deeply sorry that some of my past behavior has been hurtful to women.
“I was raised by six powerful women – five older sisters and my mother, now 86 – who taught me to respect women and to fight for women. I’ve advocated and championed women’s advancement as photographers and editors my entire career.
“With firm conviction, I deny that I’ve ever engaged in any behavior that amounts to sexual aggression. I also strongly deny ever insinuating that I would give someone professional help – or withhold it – on condition of sexual favors or romantic interest. I’ve never been accused of wrongdoing of any kind in the workplace, so I was shocked and dismayed when I first learned of the accusations against me.
He’s a huge name in the industry, having worked at National Geographic, Time, Wired, and the New York Times (where he was part of a Pulitzer-winning team). But yesterday Patrick Witty was the subject of a long story published on Vox.com, which alleged he was investigated by National Geographic for sexual misconduct last Autumn. The story went on to add that more than 20 people had come forward to Vox.com to report experiencing, witnessing, or hearing corroboratory reports of his inappropriate behaviour.
Situated on the harbour in the Stadsgårdskajen district of Stockholm is the privately-owned and commercially-run photography centre Fotografiska. A self-styled museum housed in an impressive and beautifully-renovated former customs house, built in 1906 in the Art Nouveau style, Fotografiska opened in 2010, and has since exhibited the work of renowned photographers such as Annie Leibovitz, Joel-Peter Witkin, Anders Petersen, Sarah Moon and Christer Strömholm, to name but a few. Two of the most recent solo exhibitions were of the photojournalist Paul Hansen and the fashion and art photographer Viviane Sassen. Such is the success of Fotografiska that the museum is now set to open two new galleries, with others planned for the future. New York will be first, then London – and the plans for London would make the world’s largest photography gallery.
There is something frantic about David Brandon Geeting’s photography. In his latest collection, Amusement Park, the Greenpoint, Brooklyn-based artist creates a mood that is exhilarating and vibrant, but also verging on collapse, as though its tether could snap at any moment. Where his 2015 book, Infinite Power, was energetic and kinetic, with Amusement Park he’s aiming for “information overload”. “I’m not afraid of making people confused or dizzy,” he says. “I wanted it to be an onslaught of colours and forms and things that don’t make sense.”
It’s one of the most interesting prizes for emerging photography, with previous winners including Sølve Sundsbo, Anouk Kruithof, and Lorenzo Vitturi – it’s the Grand prix du jury photographie at the International Festival of Fashion, Photography and Fashion Accessories in Hyères and the 2018 finalists are: Eva O’Leary (Ireland, USA), Teresa Eng (Canada), Pascale Arnaud (France), Laetitia Bica (Belgium), Sarah Mei Herman (Netherlands), Allyssa Heuse (Philippines, France), Jaakko Kahilaniemi (Finland), Csilla Klenyánszki (Hungary), Sanna Lehto (Finland), and Aurélie Scouarnec (France). The ten shortlisted photographers will present their work at a group show at the Villa Noailles from 26 April-27 May; the winner will be announced during the festival, which takes place from 26-30 April.
When he joined Tate Modern in 2009 he was Tate’s very first photography curator – but now Simon Baker is on the move, succeeding Jean-Luc Monterosso as the director of the Maison Européenne de la Photographie in Paris. Monterosso, who founded the MEP back in 1996, will leave the institution on 31 March. The news comes just weeks after Shoair Mavlian, assistant curator at Tate Modern, announced she was leaving the institution to become Photoworks’ new director. In October 2017 Kate Bush joined Tate Britain as its adjunct curator of photography, however, responsible for “researching and building the collection of British photography and curating exhibitions and displays”. In September 2017, Tate announced that it had acquired Martin Parr’s 12,000-strong photobook collection, making it one of the leading institutional collectors in this field.
British Journal of Photography is a thoroughly international publication, dedicated to showcasing the best of photography from around the world.
Robin de Puy’s new series, Randy, started on a 2015 road trip across the US, after she spotted him by chance in Ely, Nevada, and she asked if she could take his photograph. Back in The Netherlands she found he stuck in her mind, and returned to see him at the end of 2016, in February 2017, and in May 2017, taking “hundreds” of portraits. An exhibition of this work, which includes photographs and videos, is on show at the Bonnefantenmuseum in Maastricht from 26 January-13 May; Hannibal also recently published the series as a photobook.
Shot in peoples’ homes, these intimate portraits and their accompanying captions show how refugees and their hosts in Britain have learned to live together – and how both have benefitted from the arrangement. From a Syrian teenager who found a new home in Epsom to a 72-year-old Eritrean who evaded life on the streets thanks to a Birmingham couple, the collection shows acts of compassion – but also the human face of a refugee crisis so often portrayed in negative stereotypes. These refugees have brought warmth and happiness to their new homes, say the hosts involved in the project. “Even after everything he has been through he is such a gentle soul and such a lovely, positive person,” says Shoshana of Faraj, a devout young Muslim forced to flee Aleppo and now living with her and her family in Cambridge.