Fine Art, Interviews, Photobooks, Projects, Uncategorized

A hallucinatory take on wild desert beauty in Chloe Sells’ book Flamingo

Paralax © Chloe Sells

Faced with the difficult reality of her husband's illness, the photographer found solace in the harsh but beautiful landscape of Botswana's Makgadikgadi Salt Pans, and has now published a book of the work

“Seventeen years later and after all that life giveth and taketh away, it is the wildness of the region that attracts me most,” writes artist Chloe Sells of Botswana, the place where she shot her latest book Flamingo. “Botswana is one of the last great completely wild, untouched and quiet corners of the earth.”

In particular she was attracted to Botswana’s Makgadikgadi Salt Pans, in the heart of the Kalahari Desert, a strange and harsh, yet beautiful landscape. “I didn’t know that part of Botswana very well,” Sells admits, “but I had visited many times and been amazed by the Makgadikgadi Salt Pans; I knew I wanted to spend more time there.”

“The atmosphere in that part of the desert is quiet and lonely,” she writes. “It is inhospitable for most humans and many animals. It is a reflective place, and I feel very free when I am there.”

For Sells, the open space offered the chance to reflect on something very difficult – the fact that her husband was dying. Returning again and again to shoot in the Makgadikgadi Salt Pans and Sua Pan, she saw how the landscape changed with the seasons, and life at its most elemental. “In this environment survival is only for the fittest,” she says. “The birds come and they go.”

Find me there © Chloe Sells

The salt pans are famous for their flamingos, but while Sells saw them for herself, they don’t feature in the images. “I just had bad luck,” she says. “Not only that, but flamingos got the memo; they hate humans. If you walk one step towards them, they walk one step away. Plus, they fly and the area is vast; most of it cannot be accessed by vehicle, only through huge tracts of sticky, thick mud. Unless I was going to become a National Geographic photographer, build a hide and live out there for a couple of weeks at a time, flamingos were not to be mine.”

“…The conditions on the Pans are harsh. The wind howls, the rain drives, the sun beats down ferociously and you are Lilliputian in the cosmic order of the Makgadikgadi. I made the pictures at sunset and sunrise. I tried to catch the full moon, which would mean the sun would set at the same time the moon would rise and then the following morning on the opposite side of the sky, the moon would set as the sun would rise. This was not only wonderful to photograph, it is also a perfect, monthly celestial event.”

After photographing with an analogue large format camera in Botswana, Sells brought her film back to London and spent months working on her images in the darkroom. Standing full days on her feet, she worked tirelessly to conjure something from thin air – a physically challenging process. “I often think about images for days or weeks before beginning on them. It is a long process of experimentation. Sometimes the results are fruitful and others fruitless. Loss is part of the process.”

Chloe Sells’ Flamingo, published by GOST Books

Chloe Sells’ Flamingo, published by GOST Books

Tactility is very important to Sells. “I use ink, markers and paint on the surface with the same thought process in mind,” she says. “I am somehow trying to complete the image through making marks on them. Of course the processes that I use bring the images away from the “truth” of what the place looks like, but they are then inscribed with what I believe the place feels like too.”

The work itself was presented in three exhibitions – one at the Michael Hoppen Gallery – and now a book (her second monograph), which includes distinct cut-out shapes running throughout. “Each outcome was slightly different,” says Sells. “The book gave me the opportunity to create an object out of the experience. I love the fact that allows for the viewer to interact with the pictures and create their own experience.

“Making a book like this is very much about following your gut, because you have no idea what it will look like until the end,” she adds. “It is a journey in itself.”

Flamingo by Chloe Sells is published by GOST Books www.gostbooks.com. More of Sells’ work can be seen on her Instagram @studiochloesells or via her gallery  www.michaelhoppengallery.com

Untitled © Chloe Sells

On the Turning Away © Chloe Sells

Soujourn © Chloe Sells

Shaking the Memory © Chloe Sells

The Whisperers © Chloe Sells