20 Jun 2009
National Photography Symposium open for business
Diane Smyth
Financial Times photography critic Francis Hodgson got Redeye's National Photography Symposium off to a flying start this morning with a fascinating opening address on photography's place in British culture. Pointing out that London, unlike other major capitals such as Paris and New York, lacks a national photography museum and that there isn't a single full time photography critic on a UK newspaper, he urged those working in photography to do more to raise its profile.
'Photography is a great deal more important than our shared culture is able to identify,' he stated. 'It is absolutely the medium of the 21st Century and the "problem" of digital has been absorbed quite easily. Yet we, as professionals in the UK, have not been able to articulate how it matters across the board. We lost Photo London and photography continues to be marginalised in our museums and universities. Photography is absolutely not marginal, it is the most important medium.
'The UK lags behind France, Germany and the US in the shared appreciation of photography, and we are actually falling further back. I was at a picture conference at a very well-respected monthly magazine in London recently where the level of discussion was literally "This is great" and "This is shit", and what was "great" was what had been signed by Rankin, because nobody could be bothered to look beyond the signature. We haven't made sure that attention is paid to our discipline in the way that it is to poetry, novels or TV. But we need to do so because otherwise the business will go elsewhere.'
Comments
Why is anything Rankin put's his name too good? Because he can afford to be made good and pays a team of people to do so. Mere mortals just starting out actually have to think 24/7 about how to launch ourselves, how to look and set us apart from the rest. Photography education in the UK is bigger than ever before and yet it is still the same images year in year out. I may not be coherent with my photography, but there is a world out there and moods change in a second so do my influences. As does our photography I always try to push myself to do something new. London we need something thats not signed by Rankin or Dazed. But who has the money to step on up and change this. I know I would love to.
"Photography education in the UK is bigger than ever before"
In technical F.E. college courses and some camera clubs, perhaps. But one might have hoped that things would have moved on since the 1970s. There is no sustained education in 'photographic seeing' and creative project photography before A-level, and then only in small specialist courses. If a student then wants to go on to study the culture and history of photography at degree level there are no courses in the UK, and only two or three options at Masters level.
Please note that the symposium was the University of Bolton in partnership with Redeye and Chethams Library
Also if I am not mistaken Francis Hodgson's comment was that England
( not London) did not have a dedicated National Museum of Photography like other countrys and as far as I am aware New York is not a capital city.
Ian Beesley
Course leader MA photography
University of Bolton
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