Government funding cuts and changes within the media industry have led the Sheffield College to cut the last National Council for the Training of Journalists course for photojournalism in the UK
Author: Olivier Laurent
17 Jun 2010 Tags: Photojournalism
Run by Norton College in Sheffield, the NCTJ-accredited press photography and photojournalism course has formed some of today's best photojournalists and rising stars such as Dan Chung and Simon Roberts. The course is led by Paul Delmar, who will be retiring this year.
Paul Sanders, picture editor of The Times unofficially announced the cut one his Facebook page last Tuesday, writing: "Sad day for news photography. The Sheffield Nctj course is officially dead. Cut because of a lack of funding. The end of an era."
In a statement released to BJP, Andrew Cropley, principal of Norton College, part of The Sheffield College, says: “The future of the press photography and photojournalism block release and full time courses is currently being reviewed following government funding cuts to adult courses, a fall in the number of applications to this course and changes within the media industry."
However, he adds, "the college is currently considering various options, as we recognise this is a unique, highly valued and prestigious training course. Previously, the course has been part subsidised though government funding and students have paid for part of the course costs, approximately £1500. The college is exploring if the course can continue to be delivered from September 2010 with students paying all of the fee, approximately £3500 to £4000, and on the condition there is sufficient demand.”
According to NCTJ, the press photographers’ and photojournalists’ qualifications "consist of four exams and a portfolio assessment," with students and photographers learning "general photographic knowledge: practical application and technical proficiency in stills and video photography; photographic practice: basic approaches to using the stills and video camera, to assignments and to captioning in print and online; media law for photographers: general reporting relevant to photographers including contempt, copyright, confidentiality, reporting restrictions, courts and the law; and photographers’ portfolio: a record of training and experience which demonstrates skills and techniques in stills and video photography."
For more information on the NCTJ course, visit www.nctj.com.
I did the full-time course in 94/95 and I will be sorry to see it go. Paul Delmar should get more credit than he does for turning out so many great photographers over the years...
Of course it is a sad day. I know many photographers who have passed through the doors of Sheffield, as I am sure do many others. Many readers of BJP will know Norton well.
But with the industry itself seemingly bent on self destruction, by laying off Journalists is if that were the only way to profitability, there would seem little point in training people to serve an industry that in the nicest possible way is at least terminally ill, and to many observers already on its death bed.
The industry itself has been telling us there is no future in newspapers, and boy is it doing its best to prove the point. How many went at Mirror Group?
I remember when every National newspaper had scores of photographers on staff, and hundreds of contract and regular stringers. Now papers struggle to occupy a dozen photographic contributors and prefer to take all images from syndicated feeds.
I ceased taking newspapers seriously as clients when they had not raised their rates for the fifteenth successive year. What other profession would tolerate suppliers being paid the same rate (or less) in 2010 as was paid in 1994?
Sure Pete, you're right, of course. But what is needed is a structure for the few (and indeed fewer) who do work for newspapers, magazines etc. Quality training is important, now more than ever, when everyone thinks they are a photographer/photojournalist/media source. We have seen recently too many examples of photographers running away with themselves, distorting stories, imagery, and ethics. Basic fundamentals and best practice as taught by the NCTJ course are invaluable. Even if there were only 10 press togs left in the country, I'd sleep better knowing I could trust them and that they had been well 'brought up'.
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