One year after the collapse of Franke & Heidecke, the maker of the Rolleiflex and Hy6 medium format camera body, a group of employees continue to produce the legendary products. BJP talks with Hans Hartje, who spearheaded the rebirth
Author: Olivier Laurent
06 Oct 2010 Tags: Franke & heideckeMedium format cameras
Franke & Heidecke had a long history in photography before it closed down in 2009. It had been founded by Paul Franke and Reinhold Heidecke in 1920 to produce the legendary Rolleiflex series of cameras – as well as the Hy6 camera body. But, in early 2009, a few months after it had welcomed a new investor, the firm filed for insolvency. And a few months later, in July, it went bankrupt and closed down.
But, contrary to widespread belief, the legacy of Franke & Heidecke has survived. Late last year, with a registered capital of €25,200, DHW Fototechnik was born. The goal? To resume the production and sale of cameras and other optical instruments that had made Franke & Heidecke famous.
“When the company went bankrupt, a lawyer was appointed by the court to settle all accounts,” Hans Hartje, director of DHW Fototechnik, tells BJP in an exclusive interview. Hartje was a former partner and managing director of Franke & Heidecke. “We had the idea that the company could survive and continue to produce and sell these kinds of products. And we started work right away.”
While Franke & Heidecke used to employ more than 130 persons, DHW Fototechnik is working with a streamlined team of up to 50 employees. But, Hartje tells BJP, they are still able to manufacture “all the products that Franke & Heidecke used to produce, and we are quite successful.”
This year, DHW Fototechnik was able to attend the Photokina trade show, presenting new and established products. “We’ve relaunched the Rollei 35 camera,” says Hartje. “It’s now sold on customer request at a very attractive price. We’re also producing twin-lens cameras. There is still a big demand for those. In fact, we had to shift some people from one assembly line to this one.”
However, while Franke & Heidecke was famous for the Rolleiflex cameras, its most recent success was the Rolleiflex Hy6 camera body, which formed an integral part of Sinar’s and Leaf’s medium format strategies. In fact, when Franke & Heidecke went bankrupt, both companies went through turmoil. Sinar lost the support of its major financial sponsor – Jenoptik –, while Phase One acquired Leaf. Both firms dropped the Hy6 (or AFi, as Leaf named it) from their product lines.
But, Hartje tells BJP that his company is continuing the production of the Hy6. “When a camera such as this one comes onto the market, you have to look at the feedback and often redesign parts of it depending on that feedback,” he says. “Nobody took care of that in the past. When we decided that we would continue to produce the Hy6, we made an analysis of the camera body to see what we could change. Now, I’m convinced that the product is excellent and still has a chance as a hybrid camera.”
The Hy6 can accept both digital and analog backs from a wide variety of manufacturers – such as Sinar, Leaf and others.
The new Hy6 as redesigned by DHW Fototechnik looks like its predecessor and provides the same quality of images, but, says Hartje, “we’ve changed what’s inside. And, we have stock, so there is no waiting list – we know how many pieces we can sell each year and produce them accordingly.”
One year on, DHW Fototechnik is thriving. “At Photokina, we’ve received a lot of orders, more than expected – which shows that we were right in our decision to continue production.” However, the company still needs to gain a profile equivalent to that of its predecessor. Franke & Heidecke had a long history of involvement with photography, and while DHW Fototechnik is, on paper, Franke & Heidecke, it still needs to reach the end users – which it intends to do mostly by itself.
“In Europe, all countries used to have their own distributors,” says Hartje. “Now, we’re talking directly to the dealers. We still have distributors in China, Japan and Korea. In the US and in Russia, we have our own salesmen. China is now our biggest market. They have 1.3bl people. That makes for a lot of photographers. And they know the brand quite well.”
But, he adds, “the US market has changed. It’s different. There aren’t a lot of dealers left, and the one that still exist don’t want to hold stock. It’s too expensive for them. So, we mostly deal directly with the end users via mail order.”
For more details, visit www.dhw-fototechnik.de.
Eventually I would come to read a review such as yours and I am very thankful for it. This is what so many of us needed to read and understand. For many of us out here we will solidly anticipate our future camera!
I made an inquiry months ago and never ever got any reply. I have wrote again to explain a number of things to this new company that "wants to reach out to the end user" that their approach basically alienates potential users.
I have now become disinterested in a company that, even now, has a useless web sight! This site does not communicate even one sentence as to their position as a manufacturer or assistance to consumers as to any status that they may have as a viable company.
So all the information I obtained comes from web explorations and the happenstance of cliking. If there are no dealers in the USA, ask them to look at their service and attention to details. If, as you say they are reaching out to the end user, why has is it said [Photokina interview] the North American market is not to be served? There are further remarks that all the cameras have been pre-sold. To dealers I expect, so as to prevent consumers from getting a fair price, or even buying direct from the company in Germany. There are many comments about being ignored in correspondence both mail and e-mail [which is supposed to be 24 hours].
All I needed was the experience of a simple explanation, a polite reply, an earnest attempt to keep me informed perhaps. But No!
This little 'scolding' by myself should, perhaps, help other potential purchasers to either believe I am being too sensitive, or, for them-selves to be extra cautious.
On a better note, I wish them the success of good business politeness and practice. I also wish all the camera enthusiasts a wonderful experience with their new cameras.
Thank you.
do people acutally take photos with the new TLR
I Love, love love my old rolleiflex F. Why have they ignored the market for a cheap 3.5 planar with no bells ans whistles that actual photographers and artists will still use. I would pay $2000 now for a new slower rolleiflex. $5600+ for a cheaper made FX model. eat shit rollei.
Sheer joy to the ears-Rollei's flagship cameras-the F series from the 60-70s.
Rightly so,all you need is a box with a lens and shutter around your neck,an exposure meter and away you go.
David Bailey found this out years ago-why make things feeling a ton weight and needing a degree in working the equipment.
..Oh! and needing a third mortgage to pay for it..
It got me through life very simply with my years in the picture media,every picture a winner with a good old Rollei.
God Bless you dear friend...
Thank heavens for that wonderful bit of news! As someone who regularly uses all models of MF Rolleis plus (when I have to) the Hasselblad V range, I can only attest to the superior quality of the Franke & Heidecke legacy. They are so superior to their Swedish counterparts that it makes me wonder why anyone would ever opt for the clunky cube over the elegant TLR or 6008? No problems with fussy magazines that leak light like a tea sieve. Fully customizable automation and a wonderful ranges of superb glass. The Rolleis are every photographer's dream-come-true.
That grip at the side of the HY6 has spoiled the beauty of the Camera. It makes
the Camera UGLY.
A little smaller Camera without that Ugly
grip would improve sales
The camera was impressing when I held it the first time. The grip was nice and it felt pretty solid overall.
The problem was, I believe, that no advertising was seen anywhere.
I think it needed more time and many a little facelift on the outside. Maby choose one brand for the house would stop people from wondering who made it then advertise it in the open.
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