Industrial workers returning home after a day's work at the nearby coal-fired power station and steel plant. The newly built cooling tower (which can be seen in the distance) is part of the factory's recent attempt to increase its capacity. China is one of the world's largest producers and consumers of both coke fuel (coal) and steel. Tonghua, Jilin Province, China, 2006. Image copyright Ian Teh and Panos Pictures.
Panos Pictures has launched an international call for submissions from photographers who want to join the agency
Author: Diane Smyth
17 Nov 2010 Tags: Agency profileDocumentaryPhotojournalism
Do you want to join the agency that represents Stephan Vanfletern, Paul Lowe and George Georgiou? If so, Panos Pictures wants to hear from you.
The London-based agency has launched an international call for submissions from photojournalists and documentary photographers. Photographers have until 01 March 2011 to send three of their stories plus a short text about themselves on a single CD to SUBMISSIONS, Panos Pictures, 1 Honduras Street, London EC1Y 0TH. The images will be judged by two members of staff at Panos and two Panos Profile photographers, and the final decision will be announced at the end of April. For more information about submitting your work, click here.
Panos represents 76 photographers in its Network and 22 in its Profile group, including more than 25 World Press Photo Winners. The agency specialises in "global social issues", and helps photographers put together books, exhibitions and multimedia projects as well as traditional stories, and also licenses stock images. The agency works with clients such as the FT Magazine and Amnesty International, and takes a commission of 25% on commissions that it wins for photographers and 50% on stock image sales.
Panos is happy to receive multimedia projects in its submissions and is particularly keen to see work by photographers from Africa, Asia, Latin America and the Middle East but will make its final decision based solely on the quality of the work submitted, says Adrian Evans, director of Panos. "We might take on six photographers, we might take on none," he says. "It entirely depends. But we want to see work that tells a strong story, as so many projects just don't. That's why we've asked photographers to submit a text stating basically who they are, what they want to say, and who they want to say it to."
Another dinosaur agency puts out the begging bowl and dresses it up like they're doing you a big favour.
That doesn't seem an entirely fair comment in this case. Aren't they the photo agency partner of the Panos London charity? http://www.panos.org.uk
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