Wen, 2011 by Jasper Clarke © Jasper Clarke
Five photographers have been shortlisted in this year's Taylor Wessing Photographic Portrait Prize, run by the National Portrait Gallery
Author: Olivier Laurent
14 Sep 2011 Tags: National portrait gallery portrait prizeAwardExhibitions
"For the first time ever," five photographers have been shortlisted for the £12,000 Taylor Wessing Photographic Portrait Prize.
The photographers are Jasper Clarke, David Knight, Dona Schwartz, Jooney Woodward and Jill Wooster. In a statement, Sandy Nairne, director of the National Portrait Gallery, says: "Five great portraits emerged from closely argued discussion amongst the judges, and from another outstanding international submission for the Taylor Wessing Photographic Portrait Prize."
The First Prize winner, which will be announced in November, will receive £12,000. The Second Prize comes with £2500 cash reward, while the Third Prize, Fourth Prize, and Fifth Prize winners receive £1500, £1000 and £500 respectively.
The five shortlisted portrait, which were selected from among more than 6000 entries from 2506 photographers, will go on show at the National Portrait Gallery from 10 November until 12 February 2012. The exhibition will also include a selection of 60 other portraits.
For the third year running, one photographer from the exhibition will receive an Elle Magazine commission to shoot a feature story.
For more details, visit www.npg.org.uk.

Harriet and Gentleman Jack, 2010 by Jooney Woodward © Jooney Woodward

Of Lili, 2011 by Jill Wooster © Jill Wooster

Christina and Mark, 14 months, 2011 by Dona Schwartz © Dona Schwartz

Andie, 2010 by David Knight © David Knight.
Sorry, but I'm a little underwhelmed. Is it me? Am I missing something here?
I apologise in advance but I thought a portrait, especially one thats in the running for a big cash prize, should take the breath away, should it not?
These are not even technically superior and except for the first one of the asian painter, do not tell a story at all. The subjects have no expression...like their faces are a mask. There is no shading or the use of contrast to bring out subtle nuances. In most, the lighting is not controlled, nor do I get a feeing of artistic richness.
Sorry, that's the way I see it. Anyone else?
Sorry, but I'm a little underwhelmed. Is it me? Am I missing something here?
I apologise in advance but I thought a portrait, especially one thats in the running for a big cash prize, should take the breath away, should it not?
These are not even technically superior and except for the first one of the asian painter, do not tell a story at all. The subjects have no expression...like their faces are a mask. There is no shading or the use of contrast to bring out subtle nuances. In most, the lighting is not controlled, nor do I get a feeing of artistic richness.
Sorry, that's the way I see it. Anyone else?
I am speechless, is this really the best of the best ? The first photo has some merit but the others are simply snaps that are poor and show absolutely no talent or creativity at all.
Where is the creativity of light, natural or other wise, what happen to composition or context ? I'm sure those talented portrait photographers out in the real world are falling about with shear hysteria at this sad collection, I know the photography forums are awash with laughter. 12k to the winner............... best deal ever :) A little underwhelmed Steven, that's an understatement.
The first portrait is excellent, I think. But as for the others, it's the same old story year in, year out. School of Bland has been the dominant portrait fashion for some time now. Still, seeing this sort of work winning prizes does get the heart beating faster, no?
First image is fine all the others you could see at any photography undergrad degree show!
First image is fine all the others you could see at any photography undergrad degree show!
The more things change the more they stay the same.
The first shot is fine. But the others? More flat portraits heralded as the cream of contemporary photography. Don't get me wrong, I don't blame the other photographers for trying - really, I don't. It's only by shooting more that you improve - but I seriously wonder about the judging.
It`s been this way for some years now. The vacant blank stare, neutral lighting and general blandness. Not sure what it`s about or why it`s still so `in` . baffling. not that i`m bitter about them rejecting my superb non bland portrait of Bill Bailey or anything! :)
http://archive.nigelhillier.com/gallery-list
The first image is worthy of merit.
The snapshots do not belong with the first.
Is this a joke?
I hope not.
This is a joke, isn't it? This is the best??? Taylor Wessing officially jumped the shark!
Yet again this competition is showcasing 'glum'.
What's so clever about asking subjects to stand there usually facing flat to the lens, often with their arms dangling lifeless by their sides and usually with a glum facial expression?
Admittedly it must take a certain amount of effort to remove all colour and human interest from the subject. But why is this succeeding? Can the judges honestly explain it?
This prize is unlikely to inspire the public. Compared with the painted portrait prize exhibited at the same gallery, photography is being given a bad name.
(As with other comments here I agree that the first image is acceptably interesting. But I say that only by comparison with the other pictures here - it's still a glum lifeless expression winning the day.)
The shortlisted selection have a sameness
and are devoid of soul or personality.
I reckon a software program picked them
out to save paying the judges!
I've been watching this award for some time and the comments above about sum up for many what seems, on the face of it, to be something of an underwhelming annual batch of images; the 1st one has, as mentioned, some merit, so let's hope it wins!
Week-in, week-out, I see some great portraits in the papers, especially the weekend broadsheets. But this award always leaves me scratching my head somewhat, trying to better understand what it is that the judges are looking for and why certain portraits win through.It's a lot of £££, and yet seems to leave people cold and unmoved. Am I alone in thinking this?
Any chance the BJP can get some real insight / interviews into why certain images are chosen before 2011's award closure date from the judges (in particular) and also the winners?
I think that the organisers should have an exhibition of the rejected portraits and have a people's choice award.
We will see a more interesting exhibition.
The judges or judge has chosen in every case the same style for the finals which has overtaken portrait awards around the world and by doing this the judges are encouraging photographers to submit bland work rather than extending and experimenting.
.
While I think the first one has a great deal of merit in many respects, the rest, as is becoming the norm, are somewhere between underwhelming and banal. A shame to see the 'sullen teenager' thing still dominates, as does an almost complete lack of engagement. The sad thing is that the show itself will undoubtedly contain a great deal of very fine work, well thought through and executed, that will receive a great deal less exposure due to the timidity of the judges in remaining welded to whatever the Photographers Gallery Tendency has decided is the (usually terribly predictable) style du jour.
Portraiture is one of the things at which photography as a medium excels. It would be nice to see a shortlist that reflects that.
A part the first (just a little better than the others) the only explanation for the selection is the wish of the judges
to invite everyone to partecipate. No need to send a "beautiful" and amazing portrait
Whether you like this style or not, it seems a bit sad that the finalists are all basically taking the same kind of shots. Where is the interest in that?
yawn yawn! I have completely lost all faith in this competition. Do the photographers say to their subjects ' hey look sad cos' that's what makes it 'art' ? I've seen more interesting pictures whilst driving past a bus stop than this pretentious rubbish!
There's nothing inspiring at all about these photographs, just bland straight on portraits. Is this really all the judges are basing their views on, I've seen better in amateur photography magazines. I'd expect more character and emotion within the images. A disappointment.
Related Articles
BJP Daily
Most Popular Articles
12 photographers selected for 2013 World Press Photo's Joop Swart Masterclass
Updating your subscription status
About us

British Journal of Photography is the world’s longest running photography magazine, established in 1854, and online since 1997. A high-quality monthly printed edition is available as a subscription or from selected newsagents in the UK and around the world.
Jobs
We have a vacancy for a Key Account Manager working on The British Journal of Photography
Magnet Harlequin, one of the UK's leading Creative Production Agencies is seeking a new Head of Photography.
We have opportunities for two experienced photographic, audio or video technicians.
Popular Topics