Simon Norfolk won third prize in the portrait series category of this year's World Press Photo with the series Burke Norfolk, in which he shot images inspired by 19th century war photographer John Burke, the first to work in Afghanistan. This image show a de-mining team from the Mine Detection Centre in Kabul with a member of the German Police who is mentoring them. Image copyright Simon Norfolk/Institute, courtesy of Institute.
One of only two British photographers to pick up a prize, Simon Norfolk has won third place in the portrait story category in the 2012 World Press Photo
Author: Diane Smyth
10 Feb 2012 Tags: AwardsWorld press photo
"Really? Great!" said Simon Norfolk, as I woke him up with the news he's won third prize in the portrait series category at this year's World Press Photo. He's currently in the Arctic shooting new work on the aurora borealis, but he's won recognition for his project Burke + Norfolk, which pairs his images of contemporary Afghanistan with shots taken by the 19th century photographer John Burke. Both photographers show the effects of war; in particular, both photographers show the impact of the British military in the region, more than 100 years apart.
"I'm trying to make people think about British Imperialism," says Norfolk. "I can't stand the kind of news photography that's coming out of Afghanistan - photographs of 'our boys' bravely defending our interests despite the fact they don't have enough helicopters. It makes me really angry. The thing I love about photography is that it gets me out of the house and looking at the world but that's the thing i hate about it too - it makes me look at the surface of things and how they look.
"I couldn't give a stuff about how things look, I want to know why things happen, and why they happen again and again. The photojournalists who go to Afghanistan may be very brave, and their photographs may be very good, but I think their politics suck.'
Norfolk shot the images as a personal project and went on to exhibit them at the Tate Modern, but he says he doesn't consider them art, and doesn't care about such definitions. "They were also published by The Guardian Weekend Magazine in the UK - thank God for the Guardian Weekend - and Dewi Lewi published them as a book," he says. "I didn't get into this to be an artist, but i will exhibit in galleries and sell prints if it helps bring the issue to wider attention. I shoot for political reasons, I'll show my work anywhere if it gets in front of an audience. I also have a website [devoted to the project] and that's very important to me because it means that people in Afghanistan may also be able to see it."
Asked why so few British photographers have made the cut at this year's World Press Photo, Norfolk laid the blame on the education system here. "Our colleges are churning out millions of little pasta men who are all the same," he said. "The ones that phone me up for assisting are not ready, don't know how to operate and have spend far too long with their noses in theory books."
//ARTICLE UPDATED 12.57PM 10 FEB - Paul Hilton, another British photographer, also won a prize////
Partly agree with Simon (as always). He is a great ambassador for 'real' photographic inquiry rather than illustration. There are lots of 'non-pasta men' (and women) who don't get a look in. The reason no more Brits 'made the cut', so to speak is simply because their work wasn't selected. Its an agenda. For example, I submitted portraits based on the most important theme of our age but it doesn't quite fit the photojournalist pre-conception. Because of his unique subversion of the medium, Simon slipped through the net.
Simon, correct me if I'm wrong but didn't you mean to thank god for the FT Weekend Magazine who first published your Kabul Embassy picture in January 2011?
I'd agree that these type of prizes are far too superficial and limited for a photographer with your challenging intellect.
I must have better things to do I know. Just returned here to see if there were any more comments but no. Have you noticed that in the B&W version of the Kabul embassy photo pictured here that the blue in the union jacks (and socks) has turned white. Effectivly removing the third flag of the St. Andrew's Cross from the union. You saw it coming all along Simon!
Related Articles
BJP Daily
Most Popular Articles
Fujifilm releases M-mount adapter for its X-Pro 1
Updating your subscription status
About us

British Journal of Photography is the world’s longest running photography magazine, established in 1854, and online since 1997. A high-quality monthly printed edition is available as a subscription or from selected newsagents in the UK and around the world.
Jobs
To provide the very highest standard of Customer Care and Technical Support for all UK Hasselblad customers and potential customers as a member of our "Hasselbuddy" team.
Imagethirst Photography is an exciting photography studio in Central London specialising in family portraiture. Our standard of excellence and absolute client confidentiality has established us as London’s leading family photography studios.
We are seeking a creative and confident photographer at a licentiate level with a minimum of two years studio experience.
Popular Topics