Image © Massoud Hossaini / Agence France Presse.
Agence France-Presse photographer Massoud Hossaini has won the prestigious Pulitzer Prize for Breaking News Photography, while Craig F. Walker of The Denver Post received his second Pulitzer in three years
Author: Olivier Laurent
17 Apr 2012 Tags: PhotojournalismAwards
Massoud Hossaini won the Pulitzer Prize in Breaking News Photography for his image of a young girl crying after Afghan Shiites who were taking part in a religious ceremony at a shrine in Kabul were attacked by a suicide bomber. It's the first time Agence France-Presse has won a Pulitzer Prize.
Speaking to Lens, The New York Times' photojournalism blog, Hossaini recounted the events that led to this picture. "Women were asking me, ‘Help, help, help,'" Mr. Hossaini said. "I couldn't. I was recording and I was taking pictures." One of the women who was holding a baby, called out for help - her other child had died. Another man lifted the child from the ground. But blood was pouring from its head. The man placed the child back on the ground and walked away. As Mr. Hossaini photographed, he realized he was weeping.
"The Pulitzer Prize committee has honored one of our bravest and best photo-journalists, Massoud Hossaini, and the award is recognition of AFP's insistence on quality and commitment across the range of journalistic pursuits," says AFP chief executive Emmanuel Hoog. "Bravo and congratulations to Massoud. Today, in the news arena, words without images are impoverished and pictures without text are not enough. The two complement each other and images -- fixed or moving -- are essential to the journalism of the 21st century."
In a statement released by AFP, Hossaini says: "I'm humbled to be an Afghan who can be a voice for the painful life and moments which people have here. I know that whoever sees this photo will think about the photographer but I hope they don't forget the pain Afghanistan's people have in their life."
The Pulitzer Board also recognised Craig F. Walker of The Denver Post with the Pulitzer Prize in Feature Photography for his powerful coverage of "an honorably discharged veteran, home from Iraq and struggling with a severe case of post-traumatic stress." The board says that the images "enable viewers to better grasp a national issue."
Walker already won a Pulitzer Prize in Feature Photography in 2010 for "for his intimate portrait of a teenager who joins the Army at the height of insurgent violence in Iraq, poignantly searching for meaning and manhood." The work was exhibited at Visa Pour l'Image the following year.
The Pulitzer Board has also commended the work of John Moore, Peter Macdiarmid and Chris Hondros of Getty Images for their "brave coverage of revolutionary protests known as the Arab Spring, capturing the chaos and exuberance as ordinary people glimpsed new possibilities." Hondros was killed in Libya last year, along with award-winning photographer and filmmaker Tim Hetherington.
It was brave on the part of the photographer to take this picture but would it not be
tter to HELP instead of thinking of winning a prize
The Last Thing You Think About
You obviously have no clue as to how the Pulitzer works. Which is fine as 99.999999% of people don't.
First, you don't enter the contest. You don't pay a fee, you don't send it in, you don't have anything to do with the process.
Images are nominated by editors. Those nominated images are then judged by the Pulitzer committee and weeded out. Then 5 are chosen to be finalists and one of those is awarded the Pulitzer.
Photojournalists/photographers don't shoot thinking of prizes.
As for helping? Have you ever been to a war zone, or car accident and had to shoot? It is not easy shooting photos such as this. You go through terrible emotions after the fact.
The most extreme example I can think of is Kevin Carter. He won the Feature Pulitzer in 1994 with the photo of the child and vulture. That was shot at a relief center with workers nearby. He commited suicide after his close friend Ken Oosterbroek.
In his suicide note he states, "I am haunted by the vivid memories of killings and corpses and anger and pain ... of starving or wounded children, of trigger-happy madmen, often police, of killer executioners."
We don't know the circumstances surround the image other than the reaction of the little girl.
One can not faithfully judge a situation simply by a single captured moment.
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