Image © Frank Hallam Day, courtesy of Leica.
US photographer Frank Hallam Day has won the 2012 Leica Oskar Barnack Award for his Alumascapes portfolio
Author: Olivier Laurent
Frank Hallam Day wins a €5000 cash prize, as well as a Leica M9-P camera and a lens worth more than €10,000. He will be presented with the award at the Rencontres d'Arles festival on 03 July.
"Throughout his career as a photographer, Frank Hallam Day has concerned himself with many different aspects of the medium," says Leica in a statement. "Following numerous projects with a focus on political issues, his work has now increasingly turned towards exploring the relationships between man and the environment. For this, he shoots predominantly at night to reveal a suggestive and ambiguous side of the world."
Alumascapes is the result of a month-long journey through Florida, where Day photographed "ultra-modern, high-tech and luxury" recreational vehicles entwined in the jungle landscapes, appearing "as essential islands of security in a dark and hostile environment."
"Day's images reveal that the relationship between man and the environment is more ambiguous than ever before," adds Leica. "This is further emphasised by the double-edged title of his portfolio. On the one hand, the word 'Alumascapes' is an invention created by the photographer to describe landscapes dominated by vehicles constructed from aluminium. Simultaneously, the title is also the brand name of an RV model that is seen in several of his images. Other models shown in his work bear names with similar connotations, like Wilderness, Mountaineer, Escaper, Cougar and Falcon. In their inference of a certain closeness to and simultaneous alienation from the world of nature, they too are characteristic of the paradoxical relationship between modern man and the environment. And this is precisely what the photographer reveals in his images: the brightly lit mobile homes cower and hide themselves between the trees."
Leica has also awarded Piotr Zbierski of Poland with the Leica Oskar Barnack Newcomer Award 2012 for his Pass by Me porfolio. The project, which Zbierski started five years ago, explores the expression of emotions and the question of to what extent they can alter reality. "He is particularly fascinated by chance encounters," says Leica. "In his images, he concentrates on faces, gestures, the expression of feelings and relationships."
Both photographers were selected from among more than 2800 entries from 101 different countries. The jury was composed of Magnum photographer Bruce Gilden, Stephan Erfurt of C/O Berlin, as well as Valérie Fougeirol, creative director of the Magnum Gallery in paris, Karin Rehn-Kaufman of the Leica Galerie in Salzburg, and Brigitte Schaller of Leica Fotografie International magazine.
For more information and to view the winners' images, visit www.leica-oskar-barnack-award.com.

Image © Piotr Zbierski.
These images plagiarize Henri Rousseau's jungle paintings. Possibly he lives in one of the caravans, having got too bored to complete the scenes by adding women or animals.
The scenes themselves are all as similar, and as different as the Becher monochrome cooling towers series, and as boring.
As you can see it is easy to discuss in words work that lacks anything of visual interest at all really. That is all you can do with it.
Perhaps the next winner will submit images of paint drying?
Ken Clarks' "The Triumph of the Mediocre" does come to mind.
I thought the award was for photojournalism and or documentary. Oscar Barnack used HIS camera (which became the Leica), for the floods at Wetzlar, Mobilization of Germany 1914 and documenting the Leitz family..etc.
To say these pix are important is ludicrous.
to say they are plagiarism or trivial is to give them honor. It is trash! The world has so many important issues, the Money crisis, Banksters, Disasters..and we get trailer trash.
Guess it goes with the new users of Hermes toys. My Leicas feel so sad.
Doesn't look particularly like plagiarism to me. Jungle is jungle. It's bound to appear superficially similar.
Maybe the judges just had no knowledge of the 'Strobist' movement. Using off camera flash to light a scene can initially make images appear more creative than they might otherwise be.
They're not that bad. I'd hesitate to call them 'award winning' in the accepted sense.
There may just have been rather few high quality, evocative and provocative entries. Leica enthusiasts on the whole do seem to be rather more concerned with conspicuous consumption than capturing great images these days, after all.
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