Switzerland. Zurich. 1941. Nude. "Breast with grid" © Werner Bischof / Magnum Photos
Magnum Photos' Paris-based fund, set up to preserve photographic archives, will auction a portfolio of 65 collector nude prints to mark the agency's 65th anniversary
Author: Ariane Osman
18 Oct 2012 Tags: Magnum photos
Magnum Photos is holding an auction of prints by Henri Cartier-Bresson, Werner Bischof, Robert Capa and Inge Morath, among others, on 16 November at Sotheby's Paris.
The sale of the prints will go towards Magnum Photos Fonds de Donation and support its mission to preserve the archives of photographers who have donated their work to the foundation, protect their copyright, promote their work and guarantee that their archives can be used by historians and researchers. The organisation already has more than 1250 prints and 500 books in its archives.
"I think our founders – Robert Capa, Henri Cartier-Bresson, David ‘Chim' Seymour and George Rodger – would have approved," says Abbas, president of the Paris-based Magnum Fund. "I can sense their spiritual blessing for this auction at Sotheby's, as it will help Magnum take a new step forward with the launch of this foundation. We wanted this portfolio to be unique, and also to be a nice surprise, so the theme The Nude was a natural choice as Magnum is not known for its nudes."
The Fonds de Donation runs independently from the Magnum Foundation, set up and managed by Susan Meiselas in New York. The Paris-based foundation hopes to raise between $194,300 and $323,800 from the auction.

Philippines. 1985 © Steve McCurry / Magnum Photos
The idea of portfolios is OKish- if you want to exchange money for prints.
But these are not original prints. They are not printed by the photographers who took the photographs, but them, it's your money, not mine, fortunately.
I do believe though that the print being obsolete, that there needs to be a set of UHD scans corrected for viewing on screens- surely the ideal way to see photographs?
I know reputable people who have laboured all their lives to try to overcome the dynamic range limitations of paper
( around 12:1) and cannot suceed in improving on it.
Good scans from negatives and slides can, and they should accompany the prints. OK?
Incorrect information in comment
The comment by Peter Harrap, that the prints being auctioned are not printed by the photographers who took the pictures, is incorrect. In every case, either the photographer or, if deceased, then his/her estate has made the prints. All prints were gifted to the Fund by the photographers, individually, in support of its objectives. Money raised through the auction might support precisely the kind of large-scale, archival scanning suggested by Mr. Harrap, among other worthy projects.
John Jacob
Magnum Foundation/New York
John Jacob's reply makes no sense. An estate cannot reproduce the work of a dead photographer and legitimately pass it off as his/her own work, and several of these guys never printed their own photographs, but had Magnum in-house printers, or others do it for them.
And a dead photographer cannot gift images to a fund that did not exist prior to his/her death.
So I think it only fair to purchasers to actually state WHO in fact printed which images, as if you are going to treat infinitely reproduceable images from negatives in your archives as items of value, then that value is surely modified by the provenance of the item.
Henri claimed he hated printing-like me- and never printed his own work at all
As to the idea that it is expensive to scan negs and slides and put them on a CD to accompany the print(s) for viewing on monitors, etc, one cannot resist a chuckle since Magnum itself insists on such files as a mandatory requirement when you apply to join them (albeit at a much-reduced resolution), but are unwilling to provide same even to a purchaser who has paid for the print!
And it would also surely be good business sense to provide online an illustrated list of the images for sale (itself requiring scans, etc) . You have to do that even to sell an old LP or book on Ebay.
Prints may not have the dynamic range of other media but they are useful for framing and hanging on walls.
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