Bull's eye!

Image copyright Charlie Mahoney

Bullfighter, Juan Serrano, "Finito de Cordoba", makes a pass on a bull in Plaza Monumental in Barcelona, Spain on 06 June, 2010. The Plaza Monumental is the only functioning bullring in Catalonia, and from 2012 it will no longer be used, after the Catalan parliament voted to outlaw bullfighting on 28 July. Image copyright Charlie Mahoney.

Technical prowess and a nose for a good story ensured Charlie Mahoney made a killing with a well-timed story on bullfighting.

Author: Diane Smyth

Based in Barcelona, Charlie Mahoney was in an excellent position to shoot a story on bullfighting when it became clear the Catalan parliament would vote on whether to ban it. On 28 July the ancient Spanish bloodsport was outlawed from 2012 on and the story went global, read as an assertion of regional independence as well as and indicator of changing attitudes towards animal welfare. Mahoney's images were published by the BBC, The Guardian and Time magazine. The BBC linked to a stills photo gallery on its News Online front page for the first time, and attracted more than 250,000 hits on the first day. BJP caught up with Mahoney to find out more about the project.

Q: When did you start the bullfighting story, and why?
A: I am based in Barcelona, and I started to work on the story after reading that the Catalan Parliament was considering prohibiting bullfighting. The story intrigued me because it has many complex layers to it. It’s not just an issue about bullfighting, it’s also related to Catalonia's independence movement. The bullfighting season began in May, so I started then and went to about five bullfights.

Q: Was it tough to take the images?
A: It was a very different and challenging experience for me, I'm used to getting close to my subjects and working with a wide-angle lens. I rarely shoot with a telephoto lens, but I had to in this situation because I had to stand behind a small wall in the run space just behind the main wall of the bullring. The rules are very strict and you can't move around freely while the bull is in the ring, so you have to be lucky to get a good angle and hope no one steps in front of you at a crucial moment. In a way, it's similar to shooting sports from set point on the sidelines.

But the most challenging aspect of the project was breaking away from the stereotypical images of bullfighting. Bullfighting as a subject has been done so many times, so I really tried to find points of view that moved away from the images we have all seen so many times.

Q: What kit did you use?

A: I worked with two cameras the entire time – the Canon 5D and the Canon 5D Mark II. On one I had a 24-70mm lens, on the other a 70-200mm with a 1.4x multiplier. I also worked with the 16-35mm and the 50mm f/1.8 in a few select moments.

Q: Was it hard to get access to the matadors?
A: No, I was working with a press accreditation, so access was not a problem during the bullfight. But before and after, it's very difficult. The bullfighters arrive in private cars already dressed, and when they get out of their cars get mobbed by people seeking autographs or wanting a photo with them. The little old ladies are the most dangerous as they get under you and just kind of push you out of the way.

Q: How did you get the images published in The Guardian, Time and the BBC?
A: I've published work previously in all three. In the case of the BBC I contacted them directly; I'm a contributor to Corbis and they made the sales to The Guardian and Time.

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Comments

Deplorable

A deplorable 'sport' and a complete by-passing of any morals or ethics by the photographer. Console yourself with your exposure and kudos all you wish, you have given voice to something which turns the stomach of all but those void of emotion. You yourself mention how the subject has already been covered in every conceivable way, the photograph adds nothing new and has been seen countless times. You are unoriginal and merely jumping on a controversial subject before your opportunities for easy access to shock material die out. If you want controversy, go join troops on the front line, don't buy a ticket and sit warmly in your seat behind the lines of safety, then cry about how difficult it was to take your sickening happy-snaps.

Posted by: Lilly on 18 Aug 2010 at 13:41

What is the fuss about

So it is ok to photograph dying people in various conflict zones all over the world? It is ok to photograph dying children in Africa? All things we have seen thousands of times before, these images show us nothing new! But it is sickening to photograph the dying of an animal? Strange morals!!!

Posted by: hinri on 18 Aug 2010 at 14:46

Response to Hinri

I think your comment unfortunately misses my point and I concede I should have made the analogy clearer. For your benefit, no, I do not believe profiteering from the misfortune of others is morally or ethically sound. That particular comment was based on the response by the photographer to the question "was it tough to take the images?" My original comment seemed to have been edited.

Posted by: Lilly on 18 Aug 2010 at 16:26

Load of Bull

Photographing bullfighting is not easy. It takes time to understand the mechanics and behaviors of each breed of a bull and even more so to understand the style of each particular matador. The photo shown here of "Finito de Cordoba", would be a shameful thing for him to see. The bull is pictured not only passed the critical moment of risk, "suerte" but he is also engaging on the very tip of the cape with the inner horn, thus the outer horn is not even close to being a threat and so, the matador is at a considerable distance not to mention a very non-brave moment.

I say this with utmost respect to Charlie, but my dear colleague you have a lot to learn. So, not everything has been shown and shown properly to audiences who understand so little of this art. Yes, an art form performance, not sport. In sport you never know the outcome, here we all do and it undergoes a series of ritualistic instances that repeat itself always.

The Catalans are in this for politics as the bullfight is a world renowned symbol of Spanish culture they wish to separate from in their arrogance of superiority. Go to San Sebastian or Bilbao, ETA's terrorist stronghold capital in the Basque province, engaging a civil war, seeking independence and they love and have one of the most popular bullfighting festivals in the world. Why? Because they understand it.

Please refrain from this easy target of animal rights. America, the UK, the world eats meat on a daily basis and what is of the treatment of those animals before they reach the slaughterhouse? (http://tinyurl.com/y9s2wpo) Get off your ignorance and learn to speak of what you know. And be aware that even I coming from one of the longest dynasties of Matadors in Mexico, will never say bullfighting is not violent but it is much more than that if you care to look at life and death in conjunction.

Posted by: Carlos Cazalis on 18 Aug 2010 at 18:07

Stereotypical image

The photographer writes "But the most challenging aspect of the project was breaking away from the stereotypical images of bullfighting."

Indeed. I'm not sure he succeeded, however. The photo at the top of this story is completely dull and boring. It looks like the sort of standard telephoto shot that any tourist with a digital camera could take.

Posted by: Arty Smokes on 21 Aug 2010 at 02:30

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