All posts filed under: Any Answers

Any Answers: Joel Meyerowitz

The camera is like a divining rod and I have lived my life letting instinct show me what I am interested in, says Joel Meyerowitz, who quit his job in advertising in 1962, after seeing Robert Frank at work. A native New Yorker, he became known for his early colour work on the city streets

2017-08-17T10:28:00+00:00

Any Answers: Donald Weber

“I’ve just about had enough of photojournalism. What I find most disheartening is the staunch anti-intellectualism; an almost complete lack of self-awareness, with severe consequences in today’s world of ‘alternative facts’. We don’t trust what we see. Why is that?” asks Donald Weber, originally a trained architect but now a leading thinker with four photobooks to his name

2017-08-14T14:39:53+00:00

Any answers: Hilary Roberts

“It’s difficult to try and make sense of the Cold War, let alone events in Iraq and Afghanistan and Syria. It takes a lot of time to collect the resources we need to be able to properly tell the story of these conflicts. So we have to be honest about the limitations of information available to us.”

2017-06-05T15:10:02+00:00

Any Answers: Charlotte Cotton

The British curator spent 12 formative years working at the V&A. And in the 12 years since, she’s done the opposite, moving from post to post either side of the Atlantic, including senior directorial and curator positions at the Los Angeles County Museum of Art, the National Media Museum and ICP. She has written numerous books, including two notable surveys, The Photograph as Contemporary Art (2004) and Photography is Magic (2015). This article was first published in BJP’s April issue, available from www.thebjpshop.com My first encounters with photography were through my parents, who are furniture historians and had a photo studio at home. I loved the precision and drama of the photo shoot, even when the subject was just a chair! My dad took me to see an exhibition of pre-Revolution Russian photography at Oxford’s MoMA when I was a teenager. This was when I fell in love with photography. I look back at my years at the V&A as a time of incalculable learning. I learnt how to communicate, how to be helpful, to …

2017-04-06T15:02:54+00:00

Any Answers: Monica Allende

The London-based curator, producer and educator is currently the director of Format International Photography Festival (providing maternity cover for Louise Clements) and artistic director of Getxophoto in Bilbao, where she grew up. Previously she was the photo editor at The Sunday Times Magazine where she launched Spectrum, the award-winning photography section. This interview was first published in the BJP’s March 2017 issue. I have always been quite self-reliant. I’m a low-consuming, low-impact individual who strongly believes in the social contract, which are values passed to me through my family and my upbringing in the Basque Country. I loved this city from the moment I arrived. Every day I feel excited to be in London; every day there is something new to see, hear, talk about or investigate. There is room to be who you please but as long as you use good manners. I’m just devastated that after Brexit, I might have to leave my life here. Do I miss being on a picture desk? I wish I was working as part of a team on …

2017-04-06T14:45:37+00:00

Any Answers: Clément Chéroux

With 40 books and 20 exhibitions to his name, a doctorate in art history from Panthéon Sorbonne, 10 years teaching the history of photography, and another decade as curator at the Pompidou, Frenchman Clément Chéroux is the ideal replacement for the legendary Sandra Phillips at San Francisco Museum of Modern Art. BJP caught up with him in an interview first published in issue #7853 The work of a curator functions on a principle of association between images and ideas. The greatest pleasure is when you introduce a tension between these two poles and a spark appears. I worked at the Centre Pompidou for 10 years. It is an extraordinary place, located in the heart of Paris and in the heart of people. It will stay in mine. I am very excited to discover San Francisco, its people, its sun and its fog. I will miss the gargoyles up on the Saint-Jacques tower that I used to greet every morning on my way to work. Photography is not merely a passion. It’s a life. I met photography on …

2017-02-24T11:03:31+00:00

Pete Souza on eight years as chief White House photographer

On 20 January 2017, the new US president will take office, and Pete Souza will finish his stint as the official chief White House photographer and director of the White House photo office. Souza previously spent five years at the White House photographing President Ronald Reagan, and has shot stories worldwide for titles such as National Geographic and Life. After 9/11, he was one of the first journalists to cover the fall of the Afghan capital, Kabul, after crossing the snowbound Hindu Kush on horseback. BJP caught up with him to find out more about his experiences. When I first attended Boston University, I aspired to become a sports writer. But I took a photography class in my junior year and it didn’t take long before I changed my mind about what I wanted to do. Luck made me the chief White House photographer. I met Senator Obama when I was working as the national photographer for the Chicago Tribune, and I spent a lot of time with him during his first two years in the Senate …

2017-02-07T12:39:14+00:00

BJP Staff