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kertesz_january-26

Maximum Exposure: The Art of Online Galleries

BJP

Online art sales topped £2.3bn in 2015, thanks in part to e-commerce platforms such as Paddle8 and Artsy, supported by venture capitalists and angel investors such as Google and other big-ticket financial backers. The platforms are a world away from traditional galleries, where high-end art sales are the preserve of private shows and relationship-building. But the increase has been so noticeable that well-respected gallerists, who have historically made their fortunes through bricks-and-mortar shows, are taking note. “I’ve been noticing an uptick in the volume of sales my gallery has made online,” says Stephen Bulger, founder of Stephen Bulger Gallery in Toronto, adding that these sales come from all over the world. In fact, one British collector, who had seen an André Kertész picture consigned by Bulger’s gallery for a show at London’s Royal Academy of Arts, contacted him online and eventually bought a print for $20,000. This got Bulger thinking, and the result is ffotoimage.com, a new e-commerce photography platform complete with virtual galleries, set to launch in November 2016. Featuring work from Bulger’s physical gallery inventory, it adds …

2016-10-27T16:55:49+00:00

josephson

A Matter of Memory: Photography as Object in the Digital Age

Do you remember the last time you went out and printed a snapshot? Or filled up a chunky, leather-bound photo album with a set of family portraits? If you’re under 30, the answer could well be never. With the immediacy of digital recording and the convenience of smartphones for organising and sharing images, the act of printing physical pictures has become something of an anachronism for anyone but hipsters and art photographers. A new exhibition at the George Eastman Museum in Rochester, New York, seeks to address how the gradual decline of the photographic object is affecting our relationship to memory, and what happens when our century-old physical tie to the photograph is broken. “What has changed is the tactility of the photograph,” says exhibition curator Lisa Hostetler. “Now that images are on a screen, they’re sort of ‘forever young’, and it becomes difficult to realise that there are many things that connect us to the past in terms of basic human emotions. These become more difficult to tease out when everything looks contemporary.” A Matter of …

2016-11-09T15:54:51+00:00

BJP Staff