“Hosting OpenWalls is an exciting opportunity to create an outstanding curated exhibition in an unusual setting,” says Julia de Bierre, who is opening up the walls of her internationally renowned gallery, Galerie Huit Arles, to exhibit 50 shortlisted images for a month in July 2019. Launching to coincide with the 50th edition of Les Rencontres d’Arles, the world’s first and foremost photographic festival, OpenWalls is an awards initiative that gives emerging and established photographers the chance to exhibit in reputable locations around the world. For our first exhibition we are inviting work responding to the theme ‘Home & Away’, with the aim being to capture a sense of belonging, escapism, or identity. “I hope that the response to the theme will reflect all the qualities, and possibly contradictions, of British Journal of Photography’s readership,” says Julia. Which are? “Talented, informed, curious, conventional, cutting-edge, international or home-grown, and numerous!” We couldn’t have said it better ourselves. Galerie Huit Arles is located in the centre of Arles. Once used as a remarkable 17th century mansion, its classical …
“When I became a parent, I had the idea to make a photographic book for children,” says Russian photographer Andrey Ivanov, who has won the Photobookfest Dummy prize. “I started to photograph subjects and images of Russian fairy tales. At first it was a series of purely staged photos, but then I began to notice that some of the documentary photos I found fitted perfectly into this fabulous series.
“The fairy tale is the most authentic source of Russian archetypes. As the saying goes: ‘A fairy tale is a lie – yet there is a hint in it, a good lesson to good fellows’. The viewer follows the photographic tracks of the main hero of the fairy tale, referring to the cultural codes of the collective unconscious, and guesses or recognises the fairy-tale images, or hints of them.”
Launched last year, Labs New Artists is a exhibition of up-and-coming artists at the prestigious not-for-profit gallery, which has spaces in Brooklyn and in Los Angeles. The photographers picked out aren’t represented by galleries or agencies, and are selected by a global jury of experts; this year, each juror has agreed to mentor an artist for the year following the show.
The 25 artists in the show this year are: Antone Dolezal, US; Eli Durst, US; Peyton Fulford, US; Matthew Genitempo, US; Rudi Geyser, South Africa; Li Hui, China; Andrew Jacobs, US; Brendan George Ko, Canada; Kovi Konowiecki, US; Maria Lokke, US; Daniel Jack Lyons, US; Pat Martin, US; Chase Middleton, Australia; Tyler Mitchell, US; Diego Moreno, Mexico; John Francis Peters, US; Luis Alberto Rodriguez, Germany; Scandebergs, UK; Marcus Schäfer, UK; Hugo Scott, UK; Christopher Smith, South Africa; Renate Ariadne Van Der Togt, UK; Drew Vickers, US; Juyan Wang, UK; and Logan White, US.
Yassine Alaoui Ismaili (Morocco), Paul Botes (South Africa), Anna Boyiazis (USA), Tommaso Fiscaletti & Nic Grobler (South Africa), and Phumzile Khanyile (South Africa) are the five winners of the seventh CAP Prize. Open to photographers of any age or background, the CAP Prize is awarded to work that engages with the African continent or its diaspora.
Born in 1984 in Khouribga, Morocco, Yassine Alaoui Ismaili – aka Yoriyas – lives in Casablanca and has been awarded his prize for the series Casablanca Not the Movie (2014–2018). “It is both a love letter to the city I call home and an effort to nuance the visual record for those whose exposure to Morocco’s famous city is limited to guide book snapshots, film depictions or Orientalist fantasies,” he says.
The Leica Oskar Barnack Award is one of the most prestigious in the business and, with a top prize of €25,000 plus a Leica M-System (camera and lens), it’s a lucrative one too. This year, 12 photographers have been picked out for the shortlist – Samuel Gratacap (France), Daniel Chatard (Germany), Max Pinckers (Belgium), Ernesto Benavides (Peru), Vanja Bucan (Slovenia), Turi Calafato (Italy), Stephen Dock (France), Mary Gelman (Russia), Stéphane Lavoué (France), Elsa Stubbé (Belgium), Christian Werner (Germany), and Kechun Zhang (China). Benavides has been nominated for Dredges, a series on illegal gold mining in his native Peru; Bucan’s Sequences of Truth and Deception looks at the ambivalent relationship between humans and nature. Calafato’s Amuninni ‘u mari [Let’s go to the sea] shows locals on the beach in Sicily; Chatard’s Niemandsland [No man’s land] documents the tense relationship between the mining industry and environmental activists in the Rhenish region. Dock’s Architecture of Violence was shot in Ireland and records the reverberations of war; Gelman’s Svetlana looks at a community of mentally disabled people in Russia. …
Under the back garden of an unremarkable family home in Las Vegas is an extraordinary 16,000sq ft, all-pink, bomb-proof bunker. Inside are decadent bedrooms decorated with crystal chandeliers and baby pink wallpaper, and a bathrooms with a hot-pink toilet, white marble hot tub, and opulent golden fittings. Surrounding the house is a hand-painted mural of the countryside, and an underground garden with a swimming pool and fake trees growing out of a carpet that stands in for grass.
“It’s basically a house within a house,” explains Juno Calypso, who spent three days of solitude in the bunker, for her project What To Do With A Million Years. Designed to be safe from any disaster or intruder, the bunker was built in 1964 by Avon cosmetics founder Gerry Henderson and his wife, who were terrified of a potential nuclear breakout in the advent of the cold war.
Calypso is currently showing the series at London’s TJ Boulting gallery, and has transformed the basement space into a version of the garden, complete with fake plants, eerie mood lighting, and a soundtrack of soft romantic rock that plays against the continuous sound of running water from a stone fountain in the corner.
Michael Danner’s book project Migration as Avant-Garde has won the prestigious Dummy Award at the Fotobookfestival Kassel. His mock-up will now be produced and published by Kettler, Germany, the company behind Mathieu Asselin’s hit book Monsanto: A Photographic Investigation.
Born in Reutlingen, Germany in 1967, Danner studied photography at Fachhochschule Bielefeld in Germany and the University of Brighton in the UK, and lived in London from 1997 to 2000. He’s now based in Berlin, where he lectures in photography at the Berliner Technische Kunsthochschule. He has previously published three monographs and seven artist’s books.
His project “examines the new ways in which migrants are pursuing their hope for a better life”, he states, adding: “The term ‘avant-garde’ stands for progress and the way of a pioneer. Driven by the desire to give their lives meaning, and guided by their own integrity, migrants bring new perspectives and points of view to our society. The origin of his work was the reading of a 1943 text by the philosopher Hannah Arendt.”
For the past five years, Ulla Deventer has been working on a project about women and prostitution in Europe – specifically in Brussels, Athens and Paris – but also, more recently, in Ghana. Several of the women she met in the project’s early days were from West Africa, and Deventer developed close friendships with some of her subjects, who inspired her to travel to their home countries to experience first-hand what life is like for women living there.
In May 2017, Deventer, who was born in Henstedt-Ulzburg in north Germany and is now based in Hamburg, spent six weeks in Accra, the capital of Ghana, where she focused her attention on the living conditions of the city’s youth, particularly its female sex workers. She recently returned to the country to continue to work on Butterflies Are a Sign of a Good Thing – an extension of her original project.
In Chongqing, the largest city in southwest China, city officials have been planting trees for over a decade, aiming to create a “forest city”. But after investigating the origins of these trees, photographer Yan Wang Preston uncovered a troubling process. “The whole concept of trying to be green is being abused,” she says.
By way of example, she tells the story of Frank – a 300 year-old tree that’s a central character in her new book, Forest. When Preston first encountered Frank in 2013, he was being forcefully removed from a small village that was soon to be flooded by one of the Yangtze River dams. Frank was sold to the owners of a five-star hotel in a nearby county for 250,000 RMB, approximately £30,000. When asked whether the tree would survive, one of the guards replied with pride, reassuring Preston that they were all experts at transplanting trees.
But when she returned in 2017, Frank had been dead for over two years – and so had the tree that had followed it. “The older the trees are, they more likely they will die, because it’s hard for them to adapt to a new environment,” says Preston. “I’m interested in the complicity of this whole thing. For the tree, it’s very sad to be relocated. But then, the ultimate motivation is to be closer to nature”.
Established back in 2008, the Fotobookfestival Kassel was the first festival devoted to the photobook and, over the last 10 years, has made a name as one of the most interesting on the calendar. Its 10th anniversary edition looks set to bear out this reputation from 31 May-03 June, with talks by celebrated photographers and photobook-makers such as Anders Petersen, Susan Meiselas, Carlos Spottorno, Mathieu Asselin, Gerhard Steidl, JH Engström, and many more, and exhibitions by Dana Lixenberg, Daniel Gustav Cramer, and the designer Sybren Kuiper (SYB). The exhibitions programme also includes two shows devoted to Kassel’s well-regarded prizes – the Dummy Award and the Photobook Award. In total 30 books have been selected for the Photobook Award by a prestigious panel including, Laia Abril On Abortion; Mathieu Asselin Monsanto – A Photographic Investigation; Ludovic Balland American Readers at Home; Tim Carpenter Local Objects; Sanne de Wilde The Island of the Colorblind; Carolyn Drake Internat; Li Feng White Night; Stephen Gill Night Procession; Anne Golaz Corbeau; David Goldblatt Structures of Dominion and Democracy; Daniela Keiser Kairo; Stephan Keppel Flat Finish; Paul Kranzler and Andrew Phelps The Drake Equation; Sandrine Lopez Moshé; Alix Marie Bleu; Raymond Meeks, Adrianna Ault and Tim Carpenter dumbsaint 01: township & bremen …