“You’ll Know It When You Feel It feels rooted in a fundamental desire to understand members of her family and her immediate community – and to allow her audience to see these individuals in the same empathetic light.” Rosella has won first prize and £5000 in the inaugural PHmuseum Women Photographers Grant for a shot in her native Australia; the £2000 second prize went to Egyptian photographer Heba Khamis, whose project on breast ironing, Banned Beauty, was shot in Cameroon.
“The main issues in fashion currently are gender and identity, and a more inclusive image of beauty,” says Alessia Glaviano. “It partially comes from Instagram – Instagram has made a big change.” It’s forward-thinking comment for someone known for her work on world-famous print magazine Vogue Italia, but then Glaviano’s also known for pushing the boundaries. In addition to being senior photo editor on Vogue Italia, she’s web editor of vogue.it, and she’s also responsible for PhotoVogue – a curated online platform on which emerging photographers can submit their work. And in addition she’s director of the Photo Vogue Festival, the first-ever international festival of fashion photography, which is now back for the second time in Milan. “Well it went very well last year,” she says. “So here we are again.” Then there’s Vogue Italia itself. A very different beast to its more mainstream counterparts in the US and elsewhere, it sets the standard for cutting-edge fashion photography. It’s known for its adventurous and sometimes dark imagery, giving photographers such as Steve Meisel, Miles Aldridge, Ellen von Unwerth, …
Taking inspiration from the DIY culture of his homeland during the Soviet era, Belarusian photographer Alexey Shlyk’s series of playfully staged photographs explores craftsmanship and resourcefulness.
Established in 2012, the Paris Photo-Aperture Foundation PhotoBook Awards are divided into three categories – PhotoBook of the Year, First PhotoBook, and Photography Catalogue of the Year. The winners will be announced on 10 November at Paris Photo, and all the shortlisted and winning titles will be profiled in The PhotoBook review and exhibited at Paris Photo, the Aperture Gallery in New York, and at other international venues. The year Albert Elm’s What Sort of Life is This, Mathieu Asselin’s Monsanto: A Photographic Investigation and the group book project Amplitude No.1, which is edited by Nadya Sheremetova and includes photographers such as Irina Yulieva, Igor Samolet and Irina Ivannikova, were among those to make the First PhotoBook shortlist this year
German photographer Andrea Grützner, who was born in 1984, has won the ING Unseen Talent Award with her series Hive. She now wins €10,000 to develop a new project and, along with the other shortlisted photographers, the opportunity to develop her work under the guidance of Nadav Kander, the UK-based photographer best-known for his huge commission for The New York Times Magazine, Obama’s People.
Grinders, which was nominated as a runner-up in this year’s British Journal of Photography Breakthrough Awards, focuses on a community of body hackers who undergo operations to add technology into their body. Like something out of a sci-fi novel, the group hope that slicing their bodies open will enable them to solve mankind’s problems through machine. The combination of man and machine is no longer futuristic fiction.
The director of Seen Fifteen Gallery on her five favourite at Arles this year – from the official programme, the Luma Rencontres Dummy Book Award, and the LUMA Foundation Parc des Ateliers
Fiona Rogers founded her online Firecracker platform to help showcase the best talent in female photography. What followed was a community of photographers all celebrating and sharing amazing work and it wasn’t long before the Firecracker grant was born. “It felt like the natural evolution was to be even more supportive. Something that went beyond showcasing work online. It started out pretty small: everybody contributed £10 to put into the pot and then we managed to flip that into a grant that was £1,000 and now it’s grown to £2,000.”
Born in Ukraine but now based in Berlin, Viktoria Sorochinski, a photographer and teacher, is documenting disappearing rural communities back home in her ongoing project, Lands of No-Return – which was recently shortlisted for the Leica Oskar Barnack Award 2017. Her personal connection to the villages comes from her childhood, which she spent enriching her imagination playing in the magical woods surrounding the house of her grandparents, who are now buried there.
The ING Unseen Talent Award is one of the most generous prizes out there for young photographers, with a €10,000 fund to make new work up for grabs, plus mentoring from Nadav Kander and a group show at Unseen Amsterdam for all the finalists. This year, the five shortlisted artists are: Alexandra Lethbridge (b. 1987, UK); Tom Callemin (b. 1991, Belgium); Andrea Grützner (b. 1984, Germany); Robin Lopvet (b. 1990, France); and Stefanie Moshammer (b. 1988, Austria).