All posts filed under: Competitions

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Chantal Webber, founder of Webber Represents, on how to win the IPA

BJP

Now a renowned creative agency with offices in London and New York, Webber Represents includes on its roster a group of contemporary and emerging photographers – as well as stylists, set designers and art directors – who are helping to define the future of the medium at its most cutting edge. Chantal Webber became an agent at the age of 20. She started out with the creative collective Tomato and then as picture editor for fashion magazine i-D. She opened Webber Represents’ New York office in 2006, and has built a reputation for representing photographers who balance active art and commercial careers. Recalling on the emerging phase of her own career as a photography agent, Webber says: “In my early 20s, I worked briefly for an agent but didn’t really enjoy the process of trying to sell work that I had little or no connection with. I then started assisting a group of photographers who shared a studio, and as there weren’t many photo agents back then this progressed into me showing their work to people and meeting …

2016-11-28T11:28:40+00:00

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IPA 2017: Introducing Hannah Watson, director of TJ Boulting, who will host the winner’s exhibition

BJP

This year marks the 11th edition of British Journal of Photography’s International Photography Award. It is a commendation that has established itself as one of the key showcases of emerging photographic talent, offering a three-week solo exhibition at the renowned TJ Boulting gallery in the heart of London, as one of its prizes. This year, there will be just one award for the best photography series. The winner will also receive a £5000 production grant from leading print lab Metro Imaging, a three week home page residency on the WeTransfer website, offering a fantastic opportunity of worldwide exposure; and, their work will be published across all BJP print and digital platforms. Hannah Watson, the director of TJ Boulting and Trolley Books, an independent photography and contemporary art book publisher, which marks its 15 year anniversary this year, will once again be one of our judges on IPA’s prestigious judging panel. Watson has worked with some notable names in the photography world, including Alixandra Fazzina, Robin Maddock, Nina Berman and Stanley Greene, but is also known …

2016-10-04T12:17:48+00:00

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BJP Breakthrough 2016: Presenting the Single Image runners-up

SAM IVIN What does it mean to be an asylum seeker in the UK? The question first struck Sam Ivin in 2013, after seeing news reports of a high volume of asylum applications and a UK border agency struggling to get a handle on the situation. A Documentary Photography student at University of South Wales, Newport at the time, he decided to visit drop-in centres and actually get up-close with the human beings behind the headlines. The resulting series, Lingering Ghosts, published by Fabrica earlier this year, gives a visceral insight into the inner lives of the dispossessed. The series has recently been exhibited at Athens Photo Festival, will be shown at Rome’s Galleria del Cembalo in September and features in our next issue of BJP, which focuses on photographic responses to migration. Ivin would listen to their stories, take their portrait and then radically intervene in the image – defacing the photograph with a Stanley knife and sandpaper, evoking their sense of loss, confusion and dislocation. His portrait [above], taken in a South London drop-in centre for …

2016-07-21T11:50:07+00:00

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How to Shoot the Perfect Portrait: Adama Jalloh

Portrait of Britain is inviting photographers to submit images that reflect the unique heritage and diversity of our country and show the face of modern Britain. 100 winning portraits will be selected for a public exhibition showcased nationwide in September 2016. Entries close this Saturday – submit your work soon! We’re asking portrait photographers what goes into making the perfect portrait – this week we hear from Adama Jalloh.  In your view, what makes a compelling portrait? It’s a mixture of things – from the subject’s expression or mannerisms, the tones, the space, how the light might hit the subject. Its always interesting looking back at the results of an image, whether you’ve had 10 seconds of interaction with someone or spent a longer period of time with them. From time to time you get a sense of nervousness from strangers when you ask for their portrait, so being able to capture an unexpected emotion during brief encounters can be interesting. What attracts you to a potential subject? It could be based on the way they are …

2016-07-05T14:04:14+00:00

BJP Staff