“The floor is covered with the plastic ammunition from the session that ended before I went in, one of the obstacles in the darkened corridor has a print out of a zombie figure used as target practice. The pillar has a splash of red paint to suggest blood.” Joe Pettet-Smith has gained access to a zombie apocalypse experience centre, where our fascination with the end of the world becomes a reality. What would you do if you were the last survivor?
For Thea Geldi, one of the exhibiting photographers in the BJP’s Portrait of Britain 2017, the portrait offers a canvas on which to celebrate diversity.
“The recipients of the 2017 Getty Images Editorial Photography Grants are working at the cutting edge of photojournalism, ensuring that often ignored global issues are brought to the forefront of public consciousness,” said Hugh Pinney, Vice President of News, Getty Images. This year’s winners see projects taking place in war torn Mosul, documenting the unrest in Venezuela and refugees seeking new homes in Europe.
“It was also about reshaping that American icon: everyone thinks of the cowboy as this white American hero who has come to slay Native Americans. Actually the word cowboy is a racist term. It comes from when slave masters called all their slaves ‘boys’ and so the cow boy was the boy who looked after the cows and the horse boy was the boy who looked after the horses.” Cian Oba-Smith journeys to Philadelphia at a politically charged time during the 2016 U.S. election to meet with an infamous group of horsemen dealing with this ingrained racism on a daily basis.
“I don’t tend to think too much about what the judges will go for, or whether the work is their cup of tea – it’s not maths, it’s art.”
Reuters Pictures has launched a new grant at this year’s Visa pour l’Image festival in Perpignan, France. With eight grants, each worth $5,000 USD available, and expert advice from Pulitzer Prize winning photographers available, Reuters hopes to attract the next generation of photojournalists.
The Portrait Issue returns this September just as The British Journal of Photography launches the return of Portrait of Britain, which will once again appear on digital JCDecaux screens across the country, in partnership with photography giant Nikon. Portraits have a rare capacity to capture a person, family and community in a way that reshapes a narrative or empowers an entire group of people. Each photoseries in this issue manages to shed new light on an individual or group and move beyond stereotypes to find a more honest truth – whether with a Roma group in the south of France, or a working class neighbourhood in The Netherlands.
Refugees and robots feature in the shortlisted images for this year’s Taylor Wessing Photographic Portrait Prize, which is organised by the National Portrait Gallery.
The fourth-instalment of the EyeEm Photography Festival and Awards boasts a program of workshops and speakers looking to the future of visual communication
“This portrait does not simply show a man who earns a living as a tattoo artist but the reason why that living is so important to him – his family,” says Jamain Gordon, reflecting on the portrait of Ricardo and his daughter outside their home and tattoo parlour in the South American country of Guyana. “It was Ricardo who wanted to have his daughter in the photograph and the warmth of their relationship can clearly be seen.” The image is now featured in a photobook, One People, One Nation, One Destiny, which shows the traditions and culture of this small but proud country.