“If we tell the story differently, we can instil viewers with a sense of urgency, or, at the very least, a curiosity about the subject of fracking”
Pasko Kuzman wears four watches because he believes they help him travel through time. He’s an archaeologist who works in an office called Troy, searching for the burial site of Alexander the Great, and other elements of Macedonia’s Classical past.
Kuzman is one of the many characters Michał Siarek met while photographing Alexander, an exploration of Macedonian national identity by way of ‘Skopje 2014’. Set up in 2010 (and originally slated to end in 2014), the Skopje 2014 project hopes to make Skopje a tourist attraction by drawing on its history – Macedonia was once part of Ancient Greece, and shares its name with a Northern Greek province, but is now so far removed from its heritage that its neighbour lobbied for it to be called the Former Yugoslav Republic of Macedonia.
“California is the land of plenty. People tend to see it through its clichés: Hollywood, the roaring success of Silicon Valley, boundless natural wonders and the ever-present palm tree,” writes photographer Ricardo Nagaoka. “However the Golden State is so much more than just its loudest components.” It is the quieter, arguably more unassuming side of the state that will be the focus of Meet California. The British Journal of Photography commission, run in partnership with Visit California, will see four photographers travel across California and each create a new body of work that explores a different facet of its identity. While the iconic landmarks of the state will no doubt feature, the photographers will also shed light on the daily occurrences and extraordinary realities that give California its distinctive character. The winning photographers – Ricardo Nagaoka, Francesca Allen, Clément Chapillon and Brant Slomovic – will fly to San Francisco on 05 September and spend 10 days travelling across California as a group. The trip will be split into two chapters – northern and southern California – and …
Rome-based photographer Francesca Pompei is our first OpenWalls Editor’s Pick photographer, having been selected by our online editor Diane Smyth as one of this month’s best entries, and voted for on social media by our readers. Her work is focused on art and architecture, and she rarely features people in her photographs, with the exception of her father. Francesca is a member of the board of the Italian Association of Professional Photographers, and her photographs have been exhibited at events worldwide, from Art Basel Miami, to Frieze Art Fair in New York, and KAIF-Korean International Art Fair in Seoul. In 2016, her works were among the top rated entries to the Magnum Photography Awards. Francesca entered OpenWalls because exhibiting in Arles has long been an ambition of hers. Her selected image responds to the notion of home, and captures her father at the Centrale Montemartini, which is one of Francesca’s favourite places to visit in Rome. Keeping up a long-held tradition of going on a Saturday outing with her father, Francesca cites these weekly trips …
“I come across so many amazing women in photography, and yet their voice is nowhere near as powerful as their male counterparts,” says Del Barrett, vice-president of The Royal Photographic Society. “We are working to ensure that there are no barriers in photography. Hundred Heroines is a major step towards this, raising public awareness of the excellent work being created by women globally.”
Inspired by the 100-year anniversary of women’s suffrage in the UK, Hundred Heroines invites members of the public to nominate inspirational female photographers. Nominations are open until 30 September, then a panel of judges, chaired by photographer Rut Blees Luxemburg, will pick out the top 100 photographers. An exhibition of their work will go on show next year, and each one will receive a specially-minted medal named after Margaret Harker – the first female professor of photography in the UK, and the first female president of The Royal Photographic Society.
An exclusive British Journal of Photography commission gives one photographer the opportunity to capture the untold stories surrounding fracking in the UK
Following a lengthy initial judging process, the shortlist for Meet California has been announced. The commission will see four photographers fly to California and road trip across the Golden State on a 10-day British Journal of Photography commission, in partnership with Visit California. The four competition winners will each produce a photo series that responds to their experience traversing California. Steering clear of generic picture-perfect travel photography, each body of work will delve beneath the surface of California and reveal the daily occurrences and unexpected nuances, as well as the people and places, that give America’s Golden State its distinctive character. A prestigious panel of industry experts is currently judging the competition with the winners due to be announced in mid-August. The panel comprises four judges: Simon Bainbridge, editorial director of British Journal of Photography; Zelda Cheatle, an independent curator and photography consultant; Max Whittaker, a California-based photojournalist and Visit California’s official photographer; and Charlie Pinder, international photography manager at Red Bull Media House. Below, we present the final shortlist, from which four winners will …
“In St. Louis, ZIP codes matter,” says Piergiorgio Castotti, an Italian photographer who lived in the US for three years. “North of Delmar boulevard, 95% of people are black, and life expectancy is 67. A few hundred yards south, 70% of people are white, and there is a life expectancy of 82.”
Index G, a collaborative project he’s made with photographer Emanuele Brutti, explores the harsh reality of this segregation, which is measured with the so-called Gini Index. Where once racial segregation in the US was obvious, and even enshrined in law, it’s now peppered throughout cities on a micro level, from neighbourhood to neighbourhood, and can therefore be easy to miss. “There were unexpectedly very few literal barriers in St. Louis; this meant that our first trip was a disaster,” says Castotti. “I didn’t know what to take pictures of.”
Nadia Shira Cohen has won the $10,000 Women Photograph + Getty Images grant for her work on the abortion ban in El Salvador – and the five grants of $5000 awarded by Women Photograph with Nikon have gone to Tasneem Alsultan, Anna Boyiazis, Jess T. Dugan, Ana Maria Arevalo Gosen, and Etinosa Yvonne Osayimwen.
Nadia Shira Cohen’s series Yo No Di a Luz documents the effect that the complete ban on abortion in El Salvador has had on women – particularly on those forced to give birth to children conceived as a result of rape. “Doctors and nurses are trained to spy on women’s uteruses in public hospitals, reporting any suspicious alteration to the authorities and provoking criminal charges which can lead to between six months to seven years in prison,” writes Shira Cohen. “It is the poorer class of women who suffer the most as doctors in private hospitals are not required to report.
An exclusive British Journal of Photography commission will give one photographer £5,000 to investigate fracking in the UK. With only four days left to enter, we share a selection of the strongest entries to date