Following a lengthy initial judging process, the shortlist for Meet California has been announced. The commission will see four photographers fly to California and road trip across the Golden State on a 10-day British Journal of Photography commission, in partnership with Visit California. The four competition winners will each produce a photo series that responds to their experience traversing California. Steering clear of generic picture-perfect travel photography, each body of work will delve beneath the surface of California and reveal the daily occurrences and unexpected nuances, as well as the people and places, that give America’s Golden State its distinctive character. A prestigious panel of industry experts is currently judging the competition with the winners due to be announced in mid-August. The panel comprises four judges: Simon Bainbridge, editorial director of British Journal of Photography; Zelda Cheatle, an independent curator and photography consultant; Max Whittaker, a California-based photojournalist and Visit California’s official photographer; and Charlie Pinder, international photography manager at Red Bull Media House. Below, we present the final shortlist, from which four winners will …
“In St. Louis, ZIP codes matter,” says Piergiorgio Castotti, an Italian photographer who lived in the US for three years. “North of Delmar boulevard, 95% of people are black, and life expectancy is 67. A few hundred yards south, 70% of people are white, and there is a life expectancy of 82.”
Index G, a collaborative project he’s made with photographer Emanuele Brutti, explores the harsh reality of this segregation, which is measured with the so-called Gini Index. Where once racial segregation in the US was obvious, and even enshrined in law, it’s now peppered throughout cities on a micro level, from neighbourhood to neighbourhood, and can therefore be easy to miss. “There were unexpectedly very few literal barriers in St. Louis; this meant that our first trip was a disaster,” says Castotti. “I didn’t know what to take pictures of.”
Nadia Shira Cohen has won the $10,000 Women Photograph + Getty Images grant for her work on the abortion ban in El Salvador – and the five grants of $5000 awarded by Women Photograph with Nikon have gone to Tasneem Alsultan, Anna Boyiazis, Jess T. Dugan, Ana Maria Arevalo Gosen, and Etinosa Yvonne Osayimwen.
Nadia Shira Cohen’s series Yo No Di a Luz documents the effect that the complete ban on abortion in El Salvador has had on women – particularly on those forced to give birth to children conceived as a result of rape. “Doctors and nurses are trained to spy on women’s uteruses in public hospitals, reporting any suspicious alteration to the authorities and provoking criminal charges which can lead to between six months to seven years in prison,” writes Shira Cohen. “It is the poorer class of women who suffer the most as doctors in private hospitals are not required to report.
An exclusive British Journal of Photography commission will give one photographer £5,000 to investigate fracking in the UK. With only four days left to enter, we share a selection of the strongest entries to date
Marina Gadonneix has won the 2018 LUMA Rencontres Dummy Book Award and a €25,000 award to publish her project, Phénomènes. Shot in various laboratories, Phénomènes considers the paradox at the heart of these places – microcosms of larger environments, but microcosms in which nature is strictly measured and controlled.
Born in Paris in 1977 and graduating from the l’École nationale supérieure de la photographie d’Arles in 2002, Gadonneix specialises in creating photographing highly specialised and controlled zones, creating works which “play with the clash of document, simulation and fiction”. Gadonneix won the Prix HSBC pour la photographie in 2006 for a project called Remote Control, a series of empty TV sets.
Running during Les Rencontres d’Arles and with an opening week all of its own, Voies Off is a well-established, free, fringe festival. Featuring exhibitions, evening projections, portfolio reviews, and parties – this year sound-tracked by the Africa Fete Festival – it’s the place to discover and be discovered.
Based in the Cour de l’Archevêché in the centre of Arles but with exhibitions running all over town, Voies Off is sponsored by Leica and is screening the 2018 Leica Oskar Barnack Award finalists every night this week except Wednesday. But it also has a well-defined programme of their own, which this year includes an exhibition titled If Slovenia Were… curated by the respected Slovenian/French photographer Klavdij Sluban and featuring work by 19 contemporary Slovenian photographers.
Every year, Cortona On The Move has a focus, and this time it reflects the festival’s mission more directly than before by placing the spotlight on female photographers. “My selection is never a list of ‘favourites’, but rather involves an attempt to listen to what is happening around me, globally, both on a political, social and economic level, as well as in the field of photography itself,” says Rinaldo.
“These past months, women and women’s issues have been at the forefront of discussion in various fields, often in the news and even more on the street – protesting, resisting, demanding. My small contribution to this ‘movement’ is to acknowledge the numerous women photographers who tread the world to tell stories; to give them space and make them protagonists.”
“It’s hard to know when to stop,” says Gregory Halpern. “I remember putting my camera away on a trip home and being relieved it was out of sight. I never feel that way, so that was clearly a sign. I haven’t kept track, but I shot maybe 700 to 1000 rolls of film.”
He’s talking about ZZYZX, which he’s worked on for five years, partly supported by a Guggenheim fellowship. Shot in Southern California, starting out on the eastern fringes of the state then moving slowly westwards towards Los Angeles and the Pacific, it’s named after an ‘unincorporated community’ in the Mojave desert, and has a similar sense of the outsider. The opening picture shows a gnarled hand, with a callus on the thumb and dirt in the fingernails, outstretched to show seven stars tattooed on the palm. The next shows stark black trees in the desert in the wake of a fire.
Meet California will give four photographers the opportunity to road trip across the Golden State on a 10-day British Journal of Photography commission, in partnership with Visit California. All trip expenses will be covered and, among other prizes, each photographer will receive a £2,500 project grant. While in California, the four competition winners will each produce a photo series that responds to their experience traversing the vast and diverse destination. Steering clear of generic picture-perfect travel photography, each body of work should delve beneath the surface of California and reveal the daily occurrences and unexpected nuances, as well as the people and places, that give America’s Golden State its distinctive character. Entering the competition is easy. Simply submit some examples of your work before the deadline – Thursday 28 June, 11.59pm (BST) – to be considered by the judges. Meet California is open to all photographers, at any stage in their career, from any country. Your work can be shot on film or digital and be of any style or subject matter. Below we share …
“When I became a parent, I had the idea to make a photographic book for children,” says Russian photographer Andrey Ivanov, who has won the Photobookfest Dummy prize. “I started to photograph subjects and images of Russian fairy tales. At first it was a series of purely staged photos, but then I began to notice that some of the documentary photos I found fitted perfectly into this fabulous series.
“The fairy tale is the most authentic source of Russian archetypes. As the saying goes: ‘A fairy tale is a lie – yet there is a hint in it, a good lesson to good fellows’. The viewer follows the photographic tracks of the main hero of the fairy tale, referring to the cultural codes of the collective unconscious, and guesses or recognises the fairy-tale images, or hints of them.”