It’s show time for a new batch of graduates, with photographers and artists around the UK showing off the last work they’ve completed as students. The BA Photography and BA Photojournalism & Documentary Photography shows have already taken place at the London College of Communication, for example with strong portfolios by Herman Rahman and Freya Clayton-Payne, among others; the University of Westminster’s MA Documentary Photography and Photojournalism and MA Photography Arts students are showing their work at Ambika P3, London from 23-28 June, meanwhile, with new graduates including Cheryl Newman, former photography director of the Telegraph Magazine.
Free Range at London’s Old Truman Brewery, meanwhile, offers institutions based outside the UK’s capital the chance to show work in it, taking over the East London warehouses for two photography weeks – 22-25 June, and 29 June-2 July. Exhibitions are free and open from Friday-Monday both weeks, and institutions taking part include Falmouth University, Arts University of Bournemouth, and University of East London. Here BJP picks out our selection of the works that will go on show.
“It asks, inevitably, questions about who we are. Who we are in Britain, or who we are in the world. It asks questions about legacy, my own life, and cycles; the very folding of time,” says Vanessa Winship of her latest project, the ongoing series And Time Folds. “It’s difficult to say exactly what it is about because I don’t really know what it will end up being,” she adds.
Winship was the first woman to win the prestigious Henri Cartier-Bresson Award back in 2011, and she now has a major solo show opening at London’s Barbican Art Gallery on 22 June, also titled And Time Folds. It features over 150 photographs including previously unseen projects and archival material; it also includes her newest series, a mixture of “completely different, random formats” and found objects, inspired by her granddaughter and “how she frames herself in the world in relation to seeing, hearing and touching”.
Tom Hunter’s best-known shot shows a young woman in a squat reading a possession order; taken in Hunter’s home in the 1990s, the portrait’s colour and composition evoke Vermeer’s A Girl Reading At An Open Window. His new series, Figures in a Landscape, is a similar combination of personal and the cultural, which takes the viewer “through a world imbued with myths and legends”.
Starting in Dorset, in the village where Hunter grew up, the series tracks past standing stones and megalithic chalk figures in the countryside and the dinosaurs in London’s Crystal Palace park, and ends up in Hackney, Hunter’s base for the last 20 years, and once home to Lugus, the Celtic god of the River Lea. The last shot was taken at Winterville where, says Hunter “the mid-winter solstice pagan festival becomes distorted in an Olympian mountain top landscape. Here ancient and contemporary narratives clash and shatter into a dystopian consumerist nightmare”.
The Leica Oskar Barnack Award is one of the most prestigious in the business and, with a top prize of €25,000 plus a Leica M-System (camera and lens), it’s a lucrative one too. This year, 12 photographers have been picked out for the shortlist – Samuel Gratacap (France), Daniel Chatard (Germany), Max Pinckers (Belgium), Ernesto Benavides (Peru), Vanja Bucan (Slovenia), Turi Calafato (Italy), Stephen Dock (France), Mary Gelman (Russia), Stéphane Lavoué (France), Elsa Stubbé (Belgium), Christian Werner (Germany), and Kechun Zhang (China). Benavides has been nominated for Dredges, a series on illegal gold mining in his native Peru; Bucan’s Sequences of Truth and Deception looks at the ambivalent relationship between humans and nature. Calafato’s Amuninni ‘u mari [Let’s go to the sea] shows locals on the beach in Sicily; Chatard’s Niemandsland [No man’s land] documents the tense relationship between the mining industry and environmental activists in the Rhenish region. Dock’s Architecture of Violence was shot in Ireland and records the reverberations of war; Gelman’s Svetlana looks at a community of mentally disabled people in Russia. …
Hayati, meaning “my life” in Arabic, reflects on photographer Karim El Maktafi’s dual identity as a second-generation Italian born to Moroccan parents. The images were taken in both Italy and Morocco, and are all shot on an iPhone SE [Special Edition] – for a couple of reasons.
El Maktafi got into image-making via smartphones as a teen, after using them to take photographs of his friends. After graduating from the Italian Institute of Photography in 2013, he decided to return to the device with a more trained eye, when he decided to shoot Hayati.
He also uses a smartphone camera is because it’s less intrusive. El Maktafi’s family were against him photographing them, and in general don’t approve of photography as a career, which is why their faces are either cropped out or disguised by rays of light in the project. Using a smaller camera proved gentler way to record them, and the many other people involved.
In classical music, ‘impromptu’ refers to a short improvised piece, performed spontaneously with little or no preparation. Géraldine Lay’s new book, Impromptus, is a visual take on the term, aiming “not to tell a story about the place or the country, but to be out of time”.
Lay first encountered photography during her course in History of Art at the University of Lyon; studying the history of the medium, she was bitten by the photography bug, and went on to study at the National Photography School. She graduated in 1997, and is now based in Arles.
“Initially, my practice was part of my daily life, I had no preconceived ideas or strict subject,” says Lay. “I got into the habit of always having a camera with me, to take advantage of all the little moments of life.”
Michael Danner’s book project Migration as Avant-Garde has won the prestigious Dummy Award at the Fotobookfestival Kassel. His mock-up will now be produced and published by Kettler, Germany, the company behind Mathieu Asselin’s hit book Monsanto: A Photographic Investigation.
Born in Reutlingen, Germany in 1967, Danner studied photography at Fachhochschule Bielefeld in Germany and the University of Brighton in the UK, and lived in London from 1997 to 2000. He’s now based in Berlin, where he lectures in photography at the Berliner Technische Kunsthochschule. He has previously published three monographs and seven artist’s books.
His project “examines the new ways in which migrants are pursuing their hope for a better life”, he states, adding: “The term ‘avant-garde’ stands for progress and the way of a pioneer. Driven by the desire to give their lives meaning, and guided by their own integrity, migrants bring new perspectives and points of view to our society. The origin of his work was the reading of a 1943 text by the philosopher Hannah Arendt.”
“I’m one of those people who enjoy feeling like they have control over their life,” writes Mitch Epstein in Rocks and Clouds. “My house is spare and neat, my photographic expeditions are well-planned. Here’s the thing about clouds: they don’t give a damn if you planned well or not.”
Despite having spent years confronting the FBI as he shot power plants throughout America, and photographing his father as he faced the failure of his business, clouds ended up being one of Epstein’s trickier subjects. “I’m really just at the mercy of the unexpected and nature itself,” he says, adding that shooting clouds requires malleability and intuition – both of which are central to his practice.
From the 4 June, for five days only, signed or estate-stamped, museum quality 6×6” prints will be available to purchase for $100, from more than 70 Magnum photographers – each responding to the theme ‘freedom’. Fifty years ago, in 1968, the world succumbed to momentous change. It was a seismic year of deep societal and political shifts in the name of freedom. In America particularly, the civil rights movement took hold, Martin Luther King Jr. was assassinated, and anti-Vietnam war protests raged. But all over the world, international issues of freedom from oppression, freedom of speech, and political, sexual and religious freedom, also came to the fore as protests racked cities. To celebrate this year in history, the Magnum Photos June 2018 Square Print Sale is examining the very definition of freedom and its legacy. The works on sale span the last 70 years, and capture both deeply personal, and universal, notions of freedom. “Freedom is often described with big words, but we encounter it every day in the little things we do,” says Newsha …
For the past five years, Ulla Deventer has been working on a project about women and prostitution in Europe – specifically in Brussels, Athens and Paris – but also, more recently, in Ghana. Several of the women she met in the project’s early days were from West Africa, and Deventer developed close friendships with some of her subjects, who inspired her to travel to their home countries to experience first-hand what life is like for women living there.
In May 2017, Deventer, who was born in Henstedt-Ulzburg in north Germany and is now based in Hamburg, spent six weeks in Accra, the capital of Ghana, where she focused her attention on the living conditions of the city’s youth, particularly its female sex workers. She recently returned to the country to continue to work on Butterflies Are a Sign of a Good Thing – an extension of her original project.