All posts filed under: Editions

BJP #7871: Hamburg Triennial of Photography

In a first for BJP we have partnered with the Hamburg Triennial of Photography this issue, catching up with the festival’s artistic director Krzysztof Candrowicz and examining the festival’s theme Breaking Point: Searching for Change. “For Krzysztof, photography provides a pertinent tool for examining these big subjects,” writes BJP’s editor Simon Bainbridge, “not just as a visual document of environmental emergency or hi-tech Armageddon, but as a tangible, thought-provoking exploration of transition.” From the 320 artists included in the festival’s open submissions, we bring you our favourites – including Salvatore Vitale and his project on Switzerland’s obsession with security, which scrutinises the ways in which it shapes not only the environment, but also the Swiss mentality. Sarker Protick draws our focus towards Bangladesh’s Padma River, offering a stark warning of rising water levels, while Gábor Arion Kudász’s Human is a study of mankind via the metaphor of a humble brick.   We highlight more of the thought-provoking work on show in Hamburg in our Projects section, including Carlo Lombardi’s series on an endangered loggerhead sea turtle. Gretje Treiber’s …

2018-04-10T09:31:14+00:00

BJP #7870: The Figure – Adornment & Identity

“Throughout human history the depiction of the human body has been curiously investigated,” writes BJP‘s assistant editor, Izabela Radwanska Zhang. “In its rawest form, artists have dedicated their lives to perfecting it on paper – god and icons of religion and spirituality rendered in perfect anatomy. This changed with the arrival of the camera, and gradually our viewpoints of the figure became manifold.” We contemplate some of these viewpoints in this issue, which looks at the depiction of the human form and the ways in which contemporary image-makers are pushing its representation. From Amsterdam, we have Carla van de Puttelaar and her compelling work on the female nude, which takes inspiration from the Old Masters. Photographing female figures of the art world, Van de Puttelaar creates portraits that are both elegant and empowering in her ongoing project Artfully Dressed: Women in the Art World. Elsewhere, we feature a new three-part project by co-curators Holly Hay and Shonagh Marshall titled Posturing: Photographing the Body in Fashion, which explores the changing representation of the body in the ever-morphing fashion world. “It’s about …

2018-04-10T09:55:44+00:00

BJP #7869: The Community Issue

Last month BJP focused in on group work; this month we’re looking at a different kind of collaboration – projects in which photographers engage in a two-way dialogue with their subjects. One of the best – and the best-known – examples is Jim Goldberg, who works with subjects such as teenage runaways and migrants to tell wide-sweeping stories of marginalisation and economic disparity. Using an eclectic mix of photographs, archive materials and video, and both marking up himself and invites his subjects to write on, he creates complex montages guided by his sense of “intimacy, trust and intuition”. Incorporating the perspectives of the communities and subcultures he represents, his work is informed by his own background in a blue-collar family in New Haven.

2018-04-10T09:33:51+00:00

BJP #7868: Group Projects

In BJP’s latest issue, we focus on forms of collaboration. Collaboration in photography can be controversial, say the Danish collective Sara, Peter & Tobias, as “in school you’re told that you have to find your own personal interest and motive”. Yet collaboration – whether in an ad hoc duo or formalised collective – is a powerful tool to combine voices and perspectives, and create rich, multi-faceted work. In our featured projects we share work from Carlotta Cardana, for example, who teamed up with writer and tribal member Danielle SeeWalker on a 15,000 mile journey across the United States. In the resulting The Red Road Project, the dialogue between image and text paints a picture of contemporary Native American identity, and counters reductive stereotypes often fuelled by the media. Over in Europe, Belgian photographer Kevin Faingnaert entered a rural protest camp in France, where – despite initial resistance – he managed to gain his subjects’ trust and develop a deeper understanding of their alternative lifestyle. Christopher Bethell sought to capture his grandfather’s gaze in his series on memory and …

2018-04-10T09:34:52+00:00

BJP #7867: Cool + Noteworthy in 2017

Collaborations form a big part of some of the year’s most notable works. We have Rick Pushinsky teaming up with his dad, a keen amateur chef, to put together a collection of recipe cards inspired by the family’s Jewish heritage that are as satisfying and experiential on the eye as they are on the tummy. Elsewhere we have the mischievous pairing of Erik Kessels and Thomas Mailaender who, with Photo Pleasure Palace, brought a tremendous sense of fun to this year’s Unseen Amsterdam photo fair. A fun fair-like atmosphere featuring installations like a Smash Gallery and a Toilet Obscura, this collaboration used a tongue-in-cheek playfulness and spontaneity to make one of our favourite photographic events of the year. From photographic fun fairs to fashion shoots, the unlikely collaboration of conceptual photographer Barbara Probst and luxury fashion brand Marni really struck a chord. By encouraging the models in the brand’s Spring/Summer 2017 shoot to take their own photographs in a very active manner under her watchful eye, Probst sought to recalibrate the balance of power that so …

2018-01-08T13:37:56+00:00

BJP #7866: Revolution!

This year marked the 100th anniversary to the October Revolution; the Bolshevik coup lead by Vladamir Lenin that would result in the Russian Civil War (1917-22) and, ultimately, the foundation of the USSR and the communist regime that lasted until 1991. In the BJP’s latest issue, we try to understand something of the vast history of the Eastern Bloc.

2017-12-05T10:49:52+00:00

BJP #7864: The Portrait Issue

The Portrait Issue returns this September just as The British Journal of Photography launches the return of Portrait of Britain, which will once again appear on digital JCDecaux screens across the country, in partnership with photography giant Nikon. Portraits have a rare capacity to capture a person, family and community in a way that reshapes a narrative or empowers an entire group of people. Each photoseries in this issue manages to shed new light on an individual or group and move beyond stereotypes to find a more honest truth – whether with a Roma group in the south of France, or a working class neighbourhood in The Netherlands.

2018-04-10T09:38:25+00:00

BJP #7863: Invisible World

The September issue brings the otherwise invisible into sharp focus. Invisible World explores forgotten conflicts, intimate retreats, abused landscapes and remote islands to uncover the hidden realities and unknown societies behind ordinary backdrops. “As social beings, we all demand to be seen,” says Hoda Afshar, whose latest series, Behold, takes us to an exclusive male-only bathhouse. Her point resonates with all the photoseries explored in this issue: how do we negotiate our surroundings, how do we see our societies, how do we interpret our world? We need to first see the invisible to answer these ever salient questions.

2018-04-10T09:39:29+00:00

BJP #7862: Look & Learn

In our third annual edition focusing on photography education, BJP visits schools around the world to discover what it takes to “see photographically”. From one of the oldest photography schools in the UK, to pioneering institutions in Germany and Denmark, tutors stress the need to appreciate the mechanics of a photograph – light, shape, space and perspective. “Our bodies learn to adapt to the camera that is shaping our experience,” explains Thomas Sandberg, photographer and co-founder of the Ostkreuz School for Photography in Berlin.

2018-04-10T09:40:12+00:00

BJP Staff