All posts filed under: Editions

Thai New Wave Photography: Multiple Planes

Photography is generally accepted as a medium representing reality or the idea of that revealing what you see before you, onto a two-dimensional plane. Multiple Planes, an exhibition organised by Thai New Wave Photography, uses its platform to construct works, in terms of its materials, processes and notions, that relate to photography through atypical dimensions. “It’s a place where you can expect to see inventive works,” says curator Mary Pansanga.

2018-08-14T10:14:52+00:00

Vice: The Privacy and Perception Issue

As the apps we use become a bigger part of our daily routines, the line between our digital and real lives is increasingly blurred. “But there’s a tension point where privacy comes in which makes everything even more complicated,” says VICE editor in chief Ellis Jones. How much of ourselves do we share publicly and how do we decide which pieces to share? Which labels do we use to describe ourselves? And how do we avoid others imposing labels onto us? These are a few of the questions posed in “The Privacy and Perception Issue”, VICE’s annual photography magazine.

2018-08-13T12:07:17+00:00

Issue #7874: Look & Learn

Four years ago, British Journal of Photography dedicated an issue to photography education, in response to the direction that things were going in the UK; university fees were rocketing, resources were being cut, and teaching was being refocused on lectures and distance learning. Every year since, the education issue has presented an alternative to this limited approach, focusing on teachers who mentor and encourage experimentation. Something they all have in common, besides their reputation for guiding and inspiring students, is a clearly understood philosophy, which informs their unique learning environment and leads to specific goals, modules and exercises that are carefully honed over years. In this issue, Aaron Schuman talks to acclaimed photographer, book-maker and educator Jason Fulford about his approach to teaching workshops, and their relationship to his own photographic practice. A guiding light in education, Fulford explains the overarching progression of these workshops, and his improvisation technique within this structure. Daniel Boetker-Smith profiles Yumi Goto’s “fortress” in Tokyo, finding out the secret to the success of her highly coveted workshops at the Reminders …

2018-08-01T12:37:08+00:00

Issue #7873: Shifting Territory

In June, we brought you the latest edition of Ones To Watch, our annual talent issue, spotlighting emerging photographers from around the globe. By way of follow-up, our July edition features the work of three former Ones To Watch who have come good on their promise. No path has been the same. Ricardo Cases, who was included in our first talent issue in 2011, quickly came to international acclaim with his book, Paloma al aire, and its follow-up, El porqué de las naranjas, published by Mack. Yet he chose to move away from the Spanish capital and quietly focus on his work, settling in a rural enclave on the outskirts of Valencia, recording his offbeat take on Spain’s east coast region. The results can be seen in a retrospective of his projects over the last eight years, An Elemental study of the Levante, showing at Madrid’s spectacular Sala Canal Isabel II (a water tower converted into a gallery space) during Photo España. Max Pinckers, who appeared in Ones To Watch in 2013, one year after …

2018-07-04T14:03:59+00:00

Issue #7872: Ones To Watch

Drawn from across four continents, the talent issue returns with 16 names to watch in 2018. Having been selected from more than 500 nominations made by our global panel of experts and tastemakers, The Ones To Watch issue profiles each artist with a dedicated interview, along with comments from the curators, editors, photographers and artistic directors who put them forward. Among our pick of emerging artists are Martín Bollati, an Argentine photographer taking his cues from fiction, sci-fi and poetry to produce work that is purposefully open to interpretation. Elsewhere, Ulla Deventer’s intimate photographs depict the aspirations and hardships of women working in Ghana’s sex trade. Adél Koleszár’s intense series explores themes of human violence, providing an unnerving look at how brutality shapes both self and society, and Hannah Reyes Morales documents humanity and adversity in her native Philippines. “Since its inception in 2011, we’ve had ambitions to grow Ones To Watch and give a bigger platform to the selected photographers,” writes BJP’s editor Simon Bainbridge. “What began as an extended feature soon became a …

2018-06-19T10:03:35+00:00

BJP #7871: Hamburg Triennial of Photography

In a first for BJP we have partnered with the Hamburg Triennial of Photography this issue, catching up with the festival’s artistic director Krzysztof Candrowicz and examining the festival’s theme Breaking Point: Searching for Change. “For Krzysztof, photography provides a pertinent tool for examining these big subjects,” writes BJP’s editor Simon Bainbridge, “not just as a visual document of environmental emergency or hi-tech Armageddon, but as a tangible, thought-provoking exploration of transition.” From the 320 artists included in the festival’s open submissions, we bring you our favourites – including Salvatore Vitale and his project on Switzerland’s obsession with security, which scrutinises the ways in which it shapes not only the environment, but also the Swiss mentality. Sarker Protick draws our focus towards Bangladesh’s Padma River, offering a stark warning of rising water levels, while Gábor Arion Kudász’s Human is a study of mankind via the metaphor of a humble brick.   We highlight more of the thought-provoking work on show in Hamburg in our Projects section, including Carlo Lombardi’s series on an endangered loggerhead sea turtle. Gretje Treiber’s …

2018-04-10T09:31:14+00:00

BJP #7870: The Figure – Adornment & Identity

“Throughout human history the depiction of the human body has been curiously investigated,” writes BJP‘s assistant editor, Izabela Radwanska Zhang. “In its rawest form, artists have dedicated their lives to perfecting it on paper – god and icons of religion and spirituality rendered in perfect anatomy. This changed with the arrival of the camera, and gradually our viewpoints of the figure became manifold.” We contemplate some of these viewpoints in this issue, which looks at the depiction of the human form and the ways in which contemporary image-makers are pushing its representation. From Amsterdam, we have Carla van de Puttelaar and her compelling work on the female nude, which takes inspiration from the Old Masters. Photographing female figures of the art world, Van de Puttelaar creates portraits that are both elegant and empowering in her ongoing project Artfully Dressed: Women in the Art World. Elsewhere, we feature a new three-part project by co-curators Holly Hay and Shonagh Marshall titled Posturing: Photographing the Body in Fashion, which explores the changing representation of the body in the ever-morphing fashion world. “It’s about …

2018-04-10T09:55:44+00:00

BJP #7869: The Community Issue

Last month BJP focused in on group work; this month we’re looking at a different kind of collaboration – projects in which photographers engage in a two-way dialogue with their subjects. One of the best – and the best-known – examples is Jim Goldberg, who works with subjects such as teenage runaways and migrants to tell wide-sweeping stories of marginalisation and economic disparity. Using an eclectic mix of photographs, archive materials and video, and both marking up himself and invites his subjects to write on, he creates complex montages guided by his sense of “intimacy, trust and intuition”. Incorporating the perspectives of the communities and subcultures he represents, his work is informed by his own background in a blue-collar family in New Haven.

2018-04-10T09:33:51+00:00

BJP #7868: Group Projects

In BJP’s latest issue, we focus on forms of collaboration. Collaboration in photography can be controversial, say the Danish collective Sara, Peter & Tobias, as “in school you’re told that you have to find your own personal interest and motive”. Yet collaboration – whether in an ad hoc duo or formalised collective – is a powerful tool to combine voices and perspectives, and create rich, multi-faceted work. In our featured projects we share work from Carlotta Cardana, for example, who teamed up with writer and tribal member Danielle SeeWalker on a 15,000 mile journey across the United States. In the resulting The Red Road Project, the dialogue between image and text paints a picture of contemporary Native American identity, and counters reductive stereotypes often fuelled by the media. Over in Europe, Belgian photographer Kevin Faingnaert entered a rural protest camp in France, where – despite initial resistance – he managed to gain his subjects’ trust and develop a deeper understanding of their alternative lifestyle. Christopher Bethell sought to capture his grandfather’s gaze in his series on memory and …

2018-04-10T09:34:52+00:00

BJP #7867: Cool + Noteworthy in 2017

Collaborations form a big part of some of the year’s most notable works. We have Rick Pushinsky teaming up with his dad, a keen amateur chef, to put together a collection of recipe cards inspired by the family’s Jewish heritage that are as satisfying and experiential on the eye as they are on the tummy. Elsewhere we have the mischievous pairing of Erik Kessels and Thomas Mailaender who, with Photo Pleasure Palace, brought a tremendous sense of fun to this year’s Unseen Amsterdam photo fair. A fun fair-like atmosphere featuring installations like a Smash Gallery and a Toilet Obscura, this collaboration used a tongue-in-cheek playfulness and spontaneity to make one of our favourite photographic events of the year. From photographic fun fairs to fashion shoots, the unlikely collaboration of conceptual photographer Barbara Probst and luxury fashion brand Marni really struck a chord. By encouraging the models in the brand’s Spring/Summer 2017 shoot to take their own photographs in a very active manner under her watchful eye, Probst sought to recalibrate the balance of power that so …

2018-01-08T13:37:56+00:00

BJP Staff