All posts filed under: Editions

Issue #7877: Reframing History

In our latest issue, Reframing History, we speak with Patrick Waterhouse about his project collaborating with the Warlpiri people in Australia. We talk with Andrew Moisey, who reveals the dark secrets of US all-male frat houses. And 100 years since the end of the Great War, Nicolas Thomas Moreno turns his lens on memorials to this terrible history in Topography of Remembrance. We also journey to the French capital to highlight two shows exhibiting alongside Paris Photo. The cover feature for this month’s issue is the work of Patrick Waterhouse. Over the course of eight years, he has travelled to and from Australia’s Northern territory, culminating in his latest project: Restricted Images. Made in collaboration with the Warlpiri people, he hopes to give agency to his subjects by asking them to contribute creatively to each image. Through his artistic process, he addresses the problematic break in representation, respect and consent between the first anthropological photographs of the indigenous groups of the past. A professor at a US College, Andrew Moisey has devised a comprehensive insight into …

2018-10-03T10:45:09+00:00

Issue #7876: The Portrait Issue

Our annual portrait edition returns with Jono Rotman’s photographs of New Zealand’s most notorious biker gang; Faces Places, a collaboration between French filmmaker Agnes Varda and street artist, JR; Richard Billingham’s return home for his cinematic portrayal of Ray & Liz; and a selection from this year’s Portrait of Britain, our nationwide exhibition taking place across JCDecaux screens up and down the country. Our journey begins with Jono Rotman’s photographs of New Zealand’s largest, most notorious biker gang, the Mongrel Mob. Though he is looking at the subculture as an outsider, Rotman eschews a traditional documentarian approach to his subject matter. In doing so, the project’s scope extends beyond the mob itself to touch upon issues related to New Zealand’s charged colonial past and self-professed biculturalism, the politics and ethics of portraiture, and the intersections of seemingly disparate human experience. With Brexit on the horizon, Portrait of Britain has never felt so timely, putting citizens centre stage across high streets, shopping malls and major transport hubs throughout September, asking us to reflect on who we …

2018-10-01T10:18:54+00:00

Issue #7875: Through Her Eyes

In our September 2018 issue, we interview Vanessa Winship and Hellen van Meene about the genesis of their latest works, and the backstory of death and rebirth that led them in new directions. We also speak to Marina Paulenka, the artistic director of Organ Vida festival in Croatia, about the 10th anniversary edition and its focus on the female gaze. Lucy Davies meets Winship at the Barbican Art Gallery, which is currently staging a mid-career retrospective of her work alongside Dorothea Lange. They discuss the photographer’s decision to step back from making pictures at the height of her success, and how she found her way back after the arrival of her first grandchild. “It has been a rebirth in a way,” she says, speaking about her new direction, “sort of freeing myself from the constraints of my former life. But it was also about conveying the immediacy with which my granddaughter sees the world.” Van Meene’s new series, which goes on show in Amsterdam this September, confronts the subject of death in an inherently personal …

2018-10-01T10:19:42+00:00

Issue #7874: Look & Learn

Four years ago, British Journal of Photography dedicated an issue to photography education, in response to the direction that things were going in the UK; university fees were rocketing, resources were being cut, and teaching was being refocused on lectures and distance learning. Every year since, the education issue has presented an alternative to this limited approach, focusing on teachers who mentor and encourage experimentation. Something they all have in common, besides their reputation for guiding and inspiring students, is a clearly understood philosophy, which informs their unique learning environment and leads to specific goals, modules and exercises that are carefully honed over years. In this issue, Aaron Schuman talks to acclaimed photographer, book-maker and educator Jason Fulford about his approach to teaching workshops, and their relationship to his own photographic practice. A guiding light in education, Fulford explains the overarching progression of these workshops, and his improvisation technique within this structure. Daniel Boetker-Smith profiles Yumi Goto’s “fortress” in Tokyo, finding out the secret to the success of her highly coveted workshops at the Reminders …

2018-08-01T12:37:08+00:00

Issue #7873: Shifting Territory

In June, we brought you the latest edition of Ones To Watch, our annual talent issue, spotlighting emerging photographers from around the globe. By way of follow-up, our July edition features the work of three former Ones To Watch who have come good on their promise. No path has been the same. Ricardo Cases, who was included in our first talent issue in 2011, quickly came to international acclaim with his book, Paloma al aire, and its follow-up, El porqué de las naranjas, published by Mack. Yet he chose to move away from the Spanish capital and quietly focus on his work, settling in a rural enclave on the outskirts of Valencia, recording his offbeat take on Spain’s east coast region. The results can be seen in a retrospective of his projects over the last eight years, An Elemental study of the Levante, showing at Madrid’s spectacular Sala Canal Isabel II (a water tower converted into a gallery space) during Photo España. Max Pinckers, who appeared in Ones To Watch in 2013, one year after …

2018-07-04T14:03:59+00:00

Issue #7872: Ones To Watch

Drawn from across four continents, the talent issue returns with 16 names to watch in 2018. Having been selected from more than 500 nominations made by our global panel of experts and tastemakers, The Ones To Watch issue profiles each artist with a dedicated interview, along with comments from the curators, editors, photographers and artistic directors who put them forward. Among our pick of emerging artists are Martín Bollati, an Argentine photographer taking his cues from fiction, sci-fi and poetry to produce work that is purposefully open to interpretation. Elsewhere, Ulla Deventer’s intimate photographs depict the aspirations and hardships of women working in Ghana’s sex trade. Adél Koleszár’s intense series explores themes of human violence, providing an unnerving look at how brutality shapes both self and society, and Hannah Reyes Morales documents humanity and adversity in her native Philippines. “Since its inception in 2011, we’ve had ambitions to grow Ones To Watch and give a bigger platform to the selected photographers,” writes BJP’s editor Simon Bainbridge. “What began as an extended feature soon became a …

2018-06-19T10:03:35+00:00

BJP #7871: Hamburg Triennial of Photography

In a first for BJP we have partnered with the Hamburg Triennial of Photography this issue, catching up with the festival’s artistic director Krzysztof Candrowicz and examining the festival’s theme Breaking Point: Searching for Change. “For Krzysztof, photography provides a pertinent tool for examining these big subjects,” writes BJP’s editor Simon Bainbridge, “not just as a visual document of environmental emergency or hi-tech Armageddon, but as a tangible, thought-provoking exploration of transition.” From the 320 artists included in the festival’s open submissions, we bring you our favourites – including Salvatore Vitale and his project on Switzerland’s obsession with security, which scrutinises the ways in which it shapes not only the environment, but also the Swiss mentality. Sarker Protick draws our focus towards Bangladesh’s Padma River, offering a stark warning of rising water levels, while Gábor Arion Kudász’s Human is a study of mankind via the metaphor of a humble brick.   We highlight more of the thought-provoking work on show in Hamburg in our Projects section, including Carlo Lombardi’s series on an endangered loggerhead sea turtle. Gretje Treiber’s …

2018-04-10T09:31:14+00:00

BJP #7870: The Figure – Adornment & Identity

“Throughout human history the depiction of the human body has been curiously investigated,” writes BJP‘s assistant editor, Izabela Radwanska Zhang. “In its rawest form, artists have dedicated their lives to perfecting it on paper – god and icons of religion and spirituality rendered in perfect anatomy. This changed with the arrival of the camera, and gradually our viewpoints of the figure became manifold.” We contemplate some of these viewpoints in this issue, which looks at the depiction of the human form and the ways in which contemporary image-makers are pushing its representation. From Amsterdam, we have Carla van de Puttelaar and her compelling work on the female nude, which takes inspiration from the Old Masters. Photographing female figures of the art world, Van de Puttelaar creates portraits that are both elegant and empowering in her ongoing project Artfully Dressed: Women in the Art World. Elsewhere, we feature a new three-part project by co-curators Holly Hay and Shonagh Marshall titled Posturing: Photographing the Body in Fashion, which explores the changing representation of the body in the ever-morphing fashion world. “It’s about …

2018-04-10T09:55:44+00:00

BJP #7869: The Community Issue

Last month BJP focused in on group work; this month we’re looking at a different kind of collaboration – projects in which photographers engage in a two-way dialogue with their subjects. One of the best – and the best-known – examples is Jim Goldberg, who works with subjects such as teenage runaways and migrants to tell wide-sweeping stories of marginalisation and economic disparity. Using an eclectic mix of photographs, archive materials and video, and both marking up himself and invites his subjects to write on, he creates complex montages guided by his sense of “intimacy, trust and intuition”. Incorporating the perspectives of the communities and subcultures he represents, his work is informed by his own background in a blue-collar family in New Haven.

2018-04-10T09:33:51+00:00

BJP #7868: Group Projects

In BJP’s latest issue, we focus on forms of collaboration. Collaboration in photography can be controversial, say the Danish collective Sara, Peter & Tobias, as “in school you’re told that you have to find your own personal interest and motive”. Yet collaboration – whether in an ad hoc duo or formalised collective – is a powerful tool to combine voices and perspectives, and create rich, multi-faceted work. In our featured projects we share work from Carlotta Cardana, for example, who teamed up with writer and tribal member Danielle SeeWalker on a 15,000 mile journey across the United States. In the resulting The Red Road Project, the dialogue between image and text paints a picture of contemporary Native American identity, and counters reductive stereotypes often fuelled by the media. Over in Europe, Belgian photographer Kevin Faingnaert entered a rural protest camp in France, where – despite initial resistance – he managed to gain his subjects’ trust and develop a deeper understanding of their alternative lifestyle. Christopher Bethell sought to capture his grandfather’s gaze in his series on memory and …

2018-04-10T09:34:52+00:00

BJP Staff