From mass shootings to a family hotel – the shortlist for the 2018 First Book Award is nothing if not eclectic. Set up in 2012 to support emerging talent, the First Book Award is open to previously unpublished photographers who have been nominated by an international panel of experts, and previous winners include Irish photographer Ciarán Óg Arnold, Polish photographer Joanna Piotrowska, and Malagasy photographer Emmanuelle Andrianjafy. The ten shortlisted photographers this year come from all over the world, including Indian photographer Tenzing Dapka, Japanese photographer Hayahisa Tomiyasu, and Australian photographer Lionel Kiernan.
This “photographer’s photographer” is known for his measured understatement and his influential books, such as The Pond (1985) and Berlin in the Time of the Wall (2004). His latest, Looking Up Ben James – A Fable, will soon be published by Steidl, and he’s currently working on his next, The Last Days of Fontainebleau, shot in his hometown, Washington DC
How can art express movement in the human figure? And how does it convey emotion and strain through depictions of the body? A summer exhibition at Tate Liverpool will try to answer those questions by pairing work by influential 20th century American photographer, Francesca Woodman with drawings by Austrian expressionist Egon Schiele. Life in Motion: Egon Schiele/Francesca Woodman, which opens on 24th May, will investigate how Woodman’s photographs depict both physical movement and what she referred to as “the body’s inner force”. It will also highlight the relationship between the two artists’ work, and how Woodman’s images of the body from the late 1970s illuminate Schiele’s drawings – which were made more than fifty years before.
“The culture and mythology of Bigfoot is something that has always interested me growing up and now as a grown man,” says Harry Rose. “How can people be so convinced? What real evidence is there?” Rose is BJP’s creative campaign manager, but he’s also the founder of Darwin Magazine and a Newport graduate, whose work has appeared on sites such as Self Publish, Be Happy, Vice and Photoworks. His ongoing personal project, Looking for Bigfoot, uses photography, archive images, found objects, sighting accounts and interviews with believers to try to build a picture of the mythical British giant, who is also known as the Wildman, Green Man and Yeti. Now he’s discussing his work and the human desire to create mythologies at Miniclick’s next outing, at Temple Bar Brighton on 28 March. Joining Rose will be fellow Newport graduate Hannah Saunders, who is currently studying for an MA in the History of Art at the Courtauld Institute, focusing on The Supernatural Middle Ages. Her project Allegorical or Historical explores the lives of three Medieval Saints through self-portraiture, and …
Based in Lagos, Nigeria, A Whitespace Creative Agency is in the business of “creating narratives for a new vision of contemporary Africa”. It was set up in 2014 by Papa Omotayo after he “saw the need for creatives to have a platform and organisation that aimed to push new ideas being developed by a new generation of visual artists,” says Omotayo. “We sought to bring young dynamic creatives and pair them with local and international brands and organisations,” he continues, “whilst also developing personal projects and programmes that focused on art and culture as a currency and catalyst for change within the city of Lagos.” AWCA works with local and international brands and NGOs, creating lookbooks, campaigns, editorials, documentaries and films; it also works on projects presenting the cream of Lagos’ talent overseas. AWCA’s collaboration with Amaka Osakwe of Maki Oh won Best New Director at the Fashion Film Festival in Milan in 2016, for example; in 2016 AWCA took up a ten-day residency in London, showcasing some of its creatives, giving photographer Kadara Enyeasi a …
“I’m a bit at a loss at the moment; to say that I’m honoured feels like an understatement,” says photographer Daniel Shea, who has won the 12th Foam Paul Huf Award. “I’ve been following this award and Foam for a long time, and I feel incredibly honored, grateful, lucky, and humbled by this opportunity.” Shea has won the prize with his series 43-35 10th Street, described as a reflection on late capitalism and its effects on New York City. He wins €20,000 and a solo show at the Foam Fotografiemuseum in Amsterdam, which will take place in Autumn this year.
Charlie surfs on Lotus Flowers, which addresses the control of the one-party Communist government, and United States of Vietnam, which looks at the slow victory of capitalism over communism and its consequences for Vietnam’s economy. Using a combination of a staged, typological form of photography in United States of Vietnam, and a more autonomous, naturalistic style for Charlie surfs on Lotus Flowers, Sapienza intends to leave something for the viewer to work out. “They have to try to put their feet in the author’s shoes,” he says. “They just need to get the leitmotiv of your project, not the full, descriptive content. In that exchange lives the real core of the project.”
Photography is often considered a solitary pursuit, but the Ryerson Image Centre (RIC) in Toronto, Canada hopes to overturn this conception with a research project led by artists, scholars, and curators such as Ariella Azoulay, Wendy Ewald, Susan Meiselas, Leigh Raiford, and Laura Wexler. Now an exhibition at RIC called Collaboration: A Potential History of Photography is putting their work on view. Featuring approximately 90 photographic projects the work on show demonstrates some of the many ways photographers have collaborated with their subjects and other participants. It includes Wendy Ewald’s Reciprocating in Arabic installation, which combines image and text in an attempt to show the experience of walking through the Arabic language, and WEB Du Bois’ The Potential of the Archive I, a look into the history and present challenges of black America, among many other projects.
In the late 1980s, while studying, David Moore made a series of colour photographs depicting the everyday lives of working class communities in Derby. In Pictures From the Real World, since published as a book by Dewi Lewis, we meet married couple Lisa and John, among others. Intrigued by the notion of returning photographs to the contexts from which they came, Moore had the idea for a new imagining of the work as a piece of verbatim theatre (drama derived from unedited spoken transcripts), through which the photographs could be ‘returned’ to the couple. Moore invited Lisa and her now ex-husband John to work with him on what he calls an “archive intervention” – to create new dialogues from the photographs. From this The Lisa and John Slideshow was born, a 45-minute play written and directed by Moore, assisted by Gavin Dent, where actors played the couple.
The Sony World Photography Awards prides itself on being a truly global competition, and this year it received almost 320,000 entries from over 200 countries and territories. The awards cover four separate competitions – Professional, Open, Youth and Student Focus – which are themselves categorised into areas such as Architecture, Contemporary Issues, Landscape, Portraiture, and Travel. The winners will be revealed on 19 April, and a curated exhibition of the work will take place at Somerset House, London from 20 April-06 May.