All posts filed under: Exhibitions

From the series The Canary and the Hammer © Lisa Barnard

Festival review: what’s hot at Format

In August of 2016, at the International Geological Congress in Cape Town, one of the world’s leading scientists declared we were living at the dawn of a new geological epoch – the human-influenced age. This new era, termed Anthropocene, replaces the current epoch, the Holocene, the 12,000 years of stable climate since during which all human civilisation developed. Format International Photography Festival in Derby, the UK’s largest photography festival, opened this weekend for its eighth edition, aiming to explore this notion of the Anthropocene by asking photographers to respond to the word “habitat”. Featuring more than 200 international artists and photographers across 30 exhibitions, the biennial is situated across independent cinema and exhibition spaces such as Quad, University of Derby and the Derby Museum and Art Gallery. The festival’s flagship exhibition, titled Ahead Still Lies Our Future, is on show at art space Derby Quad, and features work by ten photographers, brought together by curators Hester Keijser and festival director Louise Clements. “I wanted to offer up experiences concerning the complexity of our existence on …

2017-03-28T11:46:25+00:00

Y61 6,000km from the river source 19 Nov 2013, Mother River series, 2010-2014 © Yan Wang Preston

Exhibition: Mother River by Yan Wang Preston

Yan Wang Preston’s Mother River is both a physical odyssey through China and a metaphor for its evolution, travelling from the traditional culture still seen to be seen at its source through to the rampant modernisation approaching its mouth. “Modernisation is reaching everywhere in China, although in Tibet the degree of modernisation is not the same as in Shanghai,” Wang Preston tells BJP. “I wanted my pictures to document this gradual change along the river’s journey.” Born in China, Wang Preston originally studied Clinical Medicine in Shanghai – a family choice which she had never felt passionate about, she says. She worked as an anaesthetist for three years after graduating, but eventually quit took a break to go rock climbing. “During this process, I met a British climber and ended up marrying him,” she says. “I knew that I’d come to live in the UK at some point.” Making the move in 2005, she found that “the prospect of living a new life in a new country presented itself as an opportunity to choose my own destiny”. A keen …

2017-03-27T14:26:18+00:00

Hometown of Robert Frank, Wipkingen, Zurich. From the series Hometown © John MacLean, courtesy Flowers Gallery

On show at Format: John MacLean’s Hometown

John MacLean’s Hometown project has its origins in his childhood fascination with great historical leaders such as Gandhi, Churchill, Stalin and Mao. As he got older, he kept his interest in biographies, but became more drawn to the lives of artists. “I started reading artists’ biographies and the genesis of this project was asking myself why I feel connected to some artists and not to others,” he says. “That gave me the idea of writing down a list of my art heroes, my mentors by proxy, who have kept me inspired along the way.” It also gave him the notion of visiting the places in which those artists grew up to see how – or if – these locations influenced their later work, with the added challenge of trying to capture that influence photographically. “The project is about the places these artists spent their formative years aged six to 12, the years where they’re absorbing everything in their environment – the years that, in this fantasy documentary, are translated into the adult artist’s work.” MacLean compiled …

2017-03-22T13:13:25+00:00

Face Off, 2010, Roger Ballen, courtesy of Hamiltons

Q&A: Roger Ballen’s new show The Theatre of Apparitions

The photographer of the psyche, Roger Ballen, is in London to show his latest work, The Theatre of Apparitions, the first time he’s exhibited the series. Based in South Africa since the early 1980’s, the New York-born photographer has worked in photography for over thirty years, starting with ‘straight’ documentary but latterly moving into more abstract forms representing the relationship between human and beast, and harking back to the ancient shamanistic visions and symbols which he believes are embedded in us all.  The Theatre of Apparitions is inspired by hand-drawn carvings he saw on blacked-out windows in a women’s prison in South Africa. “The images occupy a perceptual realm – a fragmented world of part – objects where fears of annihilation and chaotic perceptions merge reality and fantasy, self and other,” says Ballen. “These silhouettes are flickering archetypes originating from the collective unconscious of human kind.” BJP: This work is quite different to what you have done before, what inspired it? RB: At the beginning of 2005, I was making a video in a women’s prison in South Africa, in Johannesburg. I went into one of the cells, and …

2017-03-22T13:05:44+00:00

From the series Cargo © Jon Tonks

On show at Format – Jon Tonks’ Cargo

On the eve of the First World War, the British Empire accounted for over 23 percent of the world’s population: some 412 million people spread across nearly a quarter of Earth’s land area. At its very furthest reaches, the map of the Empire showed what looked like a scattering of tiny dots on the great blue expanse of the Pacific. Named Vanuatu, they make up a one-nation archipelago of more than 80 islands stretching across 800 miles of the South Seas. Located more than a thousand miles northeast of Australia, it has a population of less than 300,000 people. It’s a place few Britons have heard of but in Vanuatu, independent since 1980, the idea of ‘Britishness’ has weaved itself into the islanders’ ancestral, and even spiritual, beliefs. “Stories flourish in isolation,” says Christopher Lord, the Istanbul Bureau Chief for Monocle magazine, who has been collaborating with photographer Jon Tonks since the pair worked together on a story in Algeria as the Arab Spring was erupting. The island country has long been a source of …

2017-03-22T13:02:02+00:00

TYO2_100, 2016. Courtesy of Roman Road and the artist © Antony Cairns

Exhibition: TYO2-LDN4 by Antony Cairns at Roman Road

The artist is showing new work at the Roman Road gallery, in an exhibition called TYO2-LDN4, which gathers together images made in the last year in London and Tokyo, always at night. Cairns started the original LDN project in London in 2008, and exhibited the work at Les Rencontres d’Arles in 2013; he went on to publish an ebook, LDN EI, which used hacked Kindle e-readers to present deliberately damaged analogue prints in electronic ink. In 2015, Cairns was awarded the prestigious Hariban award, which allowed him to learn about the collotype printing process at the Benrido Collotype Atelier in Kyoto. In this exhibition he’s showing his LDN4 Collotype Glass Plates, plus the same images printed on Japanese Gampi paper. He is also showing photographs from Tokyo petrified on Kindle screens removed from the original reader. The exhibition is open until 22 April 2017; a retrospective of his work in London, Tokyo, Osaka, Los Angeles and Las Vegas, which includes a text by Tate Modern’s Simon Baker, will be published this year by Morel Books. www.antony-cairns.co.uk www.romanroad.com

2017-03-21T12:25:53+00:00

IMG_2135 copy

Daniel Castro Garcia’s first solo exhibition FOREIGNER opens

“It’s time to leave! If you must die, die in the open sea! You must not return. If any of you come back you’re dead. If any of you come back and report me, you’re dead. If you have to die, you die all together! Now go!” With these words, Aly Gadiaga, one of the migrants portrayed in Daniel Castro Garcia’s Foreigner project, describes his journey from the Libyan coast to Italy. Gadiaga tells his story in a long interview recorded by the artist and included in his exhibition at London’s TJ Boulting, his prize for winning the International Photography Award 2017. The work on show is delicate and sensitive, a far cry from the sensationalised accounts often offered up in the press. “We are all foreigners,” says Castro Garcia, adding that he hopes to inspire respect rather than pity. “It’s not just about respecting those in the photographs – the audience also deserves respect,” he says. “At the heart of this work was the desire to create a dignified response to this humanitarian crisis, …

2017-03-20T15:23:30+00:00

Illustrated People #14, on show in Düsseldorf. Images © Thomas Mailaender, courtesy NRW-Forum Düsseldorf

On show: The Fun Archive by Thomas Mailaender

As I enter the main entrance of the NRW-Forum museum in Düsseldorf, I do a double take. Just above me, caught at the periphery of my vision, is a poster from the museum’s upcoming exhibition, featuring a hairy bare arse emblazoned with a freshly raw tattoo simply stating the word ‘FUN’. Its juxtaposition against the backdrop of this elegantly conservative 1920s German building only heightens the strangeness of this vision. It also confirms that I must be in the right place. The multimedia artist Thomas Mailaender is in the process of installing his first solo museum show, The Fun Archive, opening in time for Düsseldorf Photo Weekend. We have met before but struggle and fail to remember when. Walking through the gallery space is like entering into the organised chaos of a building site as workers in overalls construct various makeshift walls, boxes and rooms. This is going to be no ordinary exhibition. Mailaender guides me into a room and explains that this is to be the ‘bunker’. It’s not yet painted but will be a concrete …

2017-03-16T17:39:00+00:00

From the series My Danube, 2014 © Lurdes R. Basolí

Danube Revisited: The Inge Morath Truck Project goes on show

During her life, she encouraged photographers to realise their photographic ambitions. In death, the former Magnum photographer’s legacy lives on in the Inge Morath Foundation, established in 2003 – a year after her death – to preserve her archive. Central to the foundation is the Inge Morath Award, a $5000 grant designed to help women photographers under the age of 30 finish a long-term documentary project. “When Inge died, Larry Towell and a group of Magnum photographers created the award in her memory,” John Jacob, director at the foundation, told BJP in an article first published in our April 2014 ‘Women Only’ issue. “The Inge Morath Foundation co-administers the award, but it’s very much driven by the Magnum Foundation.” Every year, Jacob and a jury of Magnum photographers name an overall winner and up to two finalists. Entrants submit between 40 and 60 images from an ongoing personal project. “Each year we look at 80 to 100 submissions and then select a number to present to the Magnum photographers at their AGM,” explains Jacob. “There was …

2017-03-28T11:51:15+00:00

BJP Staff