All posts filed under: Exhibitions

The look of love: when photographers take pictures of their families

This fascination with the familiar isn’t a new phenomenon, says Phillip Prodger, head of photographs at the National Portrait Gallery and a former judge of the Taylor Wessing Photographic Portrait Prize. “We live in a world of the free exchange of imagery and social media and perhaps the photographs that once were considered more private aren’t considered so private anymore. I think people have been making those photographs all along but perhaps not sharing them in that way.”

2017-06-15T12:32:44+00:00

Now Then: Chris Killip and the Making of In Flagrante

“The working class get it in the neck basically, they’re the bottom of the pile,” says Chris Killip. “I wanted to record people’s lives because I valued them. I wanted them to be remembered. If you take a photograph of someone they are immortalised, they’re there forever. For me that was important, that you’re acknowledging people’s lives, and also contextualising people’s lives,” says key British documentary photographer, Chris Killip

2017-06-13T15:21:53+00:00

Q&A: Francois Hébel on making a success of Foto/Industria

Foto/Industria Biennial returns to Bologna this Autumn, with 14 exhibitions based on the idea of identity and illusion in photographs of work, curated by Francois Hébel and including image-makers such as Thomas Ruff, Josef Koudelka, Lee Friedlander, Joan Fontcuberta, Alexander Rodchenko, Mitch Epstein, Yukichi Watabe, John Myers and Michele Borzoni.

2017-06-13T15:20:58+00:00

Festivals: Cortona on the Move goes global

Traditionally taking the idea of a “journey” as its theme, Cortona On The Move has now abandoned this metaphor for a new task – reflecting on the past while theorising on the future. “We are taking the motto ‘on the move’ to keep our eyes open and see what’s happening out there,” explained creative director Arianna Rinaldo to BJP

2017-06-05T14:59:09+00:00

Jo Metson Scott believes there is no formula behind a perfect portrait.

” I always feel like I am (metaphorically, and sometimes physically) skipping or hopping around a person waiting for the moment I get something interesting from them, waiting for the moment it goes from being quite ordinary to being something powerful or compelling.” Jo Metson Scott, a winner in BJP’s Portrait of Britain 2016, shares how to capture the perfect moment –

2017-06-21T20:37:57+00:00

Portraiture and the importance of being patient.

How do you shoot a great portrait? It’s all about connection, says Dan Wilton, one of the Portrait of Britain winners last year. “Sometimes that can be hard – especially with very short shoots – but that’s one of the challenges and one of the reasons I love it so much.”

2017-06-15T12:31:34+00:00

BJP Staff