Combining projects shot in China, Cameroon, the USA and Namibia, As Entertaining As Possible gives an insight into how images “have transformed the individual into a privileged witness to his own alienation”
Spearheaded by Vogue Italia’s senior photo editor, Alessia Glaviano, the inaugural Photo Vogue Festival got off to an impressive start, says curator Federica Chiocchetti
Curated by Louise Clements, Derby’s FORMAT17 draws on cutting edge photography to consider the man-made world and our place in it
One year after Paris Photo was closed down in the immediate aftermath of the terror attacks on the French capital, Paris Photo returns to the Grand Palais for its 20th edition, accompanied by several independent satellite events riding on the back of what has undoubtedly grown to become the key art event in the global photography calendar.
Mohau Modisakeng and Candice Breitz will represent South Africa with a major two-person exhibition in the South African Pavilion, at the 57th Venice Biennale in 2017, running from 13 May to 26 November 2017 in Venice, Italy.
Brighton is a city synonymous with celebrating difference, championing diversity and challenging stereotypes. As the unofficial capital of the LGBQ+ community and home of the largest pride event in the UK, there is no better place to stage the themes explored in this year’s Brighton Photo Biennial. Curated and produced by Photoworks, Beyond the Bias – Reshaping Image addresses how photography can inform and reflect socio-political issues. Identity and self-representation are questioned in relation to the wider context of mass-representation – where self-image and attitude are often co-opted – investigating photography’s function in the political of the body, gender, sexuality and subversion of cultural norms. Including work from documentary photographers and photographic approaches that knowingly reference the language of fashion and style photography, the biennial unpicks understandings our personal and projected image. At the core of the festival are three major exhibition projects, one a European premiere from the USA, the others being two new commissions; one centered on British Youth Style, the other documenting the multicultural experiences of identity in India and the UK. …
This year marks 20 years since the start of the Maoist rebellion in Nepal. This war and its aftermath have left deep scars on many Nepali lives, and still affect the country at large. Last year, Nepal was hit by several horrific earthquakes, which killed over 8,000 people and left over 800,000 families homeless. A new festival in the country’s capital is exploring such devastation through photography.
The Chinese artist Ren Hang, born 1987, as the recipient of the 2016 Outset | Unseen Exhibition Fund, the curatorial committee for Outset | Unseen Exhibition Fund.
The Dummy, I Loved My Wife (killing children is good for the economy), by the Belgium artist Dieter De Lathauwer, will be published and presented during Unseen Photo Fair 2017. Dieter notes that his book “highlights one of the darkest sides of the previous century in Europe, which was and still remains under-exposed.” This year’s jury members, Paul van Mameren (Managing Director, Lecturis), Irma Boom (graphic designer), Sean O’Hagan (journalist, The Guardian) and Francesco Zanot (Chief Curator, Camera Centro Italiano per la Fotografia’s), said: “The combination of found photographs, stills from propaganda films from the German authorities, and Lathauwer’s own evocative images made for a powerful and unsettling narrative. “The subject concerns the psychiatric state hospitals where thousands of people were killed over two years in Austria, because they were Jews, gays or immigrants. His photographs of the locations merge with the found material to create a sustained mood that suggests the horror without depicting directly. “It is an accomplished photo book about a very dark subject matter that, to this day, remains relatively unknown.” …
Talented, up-and-coming artists competed for the Meijburg Art Commission by submitting a proposal for a unique artwork with a focus on photography. After being nominated, five artists developed their proposals for a site-specific commission. These were then presented to an international jury, which included Wilbert Kannekens (Chairman Managing Board, Meijburg & Co), Genevieve Fussel (Senior Photo Editor, The New Yorker) and Unseen’s 2016 campaign artists, Christto & Andrew. Besides Elspeth Diederix, the nominees for this year’s Meijburg Art Commission are: Awoiska van der Molen (1972, NL); Mandy Barker (1964, UK); Motohiro Takeda (1982, JP); and Yoko Ikeda (1965, JP). The jury report says: “We were taken by the understated complexity of her images. Upon first glance, they are striking photographs of flowers. Upon a closer look, however, the viewer realizes that the work has great depth. “Elspeth is constructing environments, manipulating reality by creating flowers that don’t actually exist. Her work requires you to think a bit more, to wonder what is going on, what has she done to create the image? Her work reminds …