Titled Afrotopia, the headline show of the 11th Rencontres de Bamako features work from 40 photographers and collectives, drawn from all over the continent and from the African diaspora abroad. Shown at the National Museum of Mali, the exhibition was drawn from over 300 applications by a jury of photography insiders including Rencontres de Bamako artistic director Marie-Ann Yemsi, photographer Sammy Baloji and curator Azu Nwagbogu. It will be on show from 02 December-31 January 2018, after which the exhibition will travel to The Netherlands.
Martin Parr has found a permanent home for the foundation he set up in 2014, giving visitors access to his archive and to his formidable collection. “I’ve been very lucky,” he told BJP’s Gemma Padley. “I have secured a very good living from doing this, and so the foundation is a great way to feed some of that back into the system.”
“I believe that the great strength photography has, and in particular documentary photography, is content. So much of what is published today, seems to me to be content less. I hope my photography illuminates and resonates with viewers and tells how British society was. And, of my more recent work, of how society is,” says Homer Sykes. he has been photographing British society for five decades, including major social and political events, such as The Battle of Lewisham. Now, some of his work is set to be featured in a Burberry show this month.
Returning for its eight edition from 13 September, Tbilisi Photo is an international festival in the heart of the Caucasus which hopes to bridge the image-making communities from across Asia, the Middle East, and Europe. This year themed Fashion, the diverse programme includes a look at Guy Bourdin’s iconic oeuvre, the Dutch artist Viviane Sassen’s approach to fashion photography, and an exclusive display of Iranian fashion magazines published before the Islamic revolution in 1978.
“The recipients of the 2017 Getty Images Editorial Photography Grants are working at the cutting edge of photojournalism, ensuring that often ignored global issues are brought to the forefront of public consciousness,” said Hugh Pinney, Vice President of News, Getty Images. This year’s winners see projects taking place in war torn Mosul, documenting the unrest in Venezuela and refugees seeking new homes in Europe.
“You could say I’m a member of the establishment,” says Martin Parr, the Magnum Photos member who has published early 50 monographs, had solo shows at The Barbican, Jeu de Paume, and Maison Europeenne de la Photographie, guest-directed the Rencontres d’Arles, and co-authored The Photobook: A History. We’re discussing his latest exhibition and book, Oxford, which was shot on commission for the world-famous university, is going on show in its Weston Library, and will be published by the Oxford University Press.
“The Beatles were inspired by different things on that album: it was created out of everyday things and everyday notions, even though people view it as a psychedelic masterpiece,” says Dean Chalkley ahead of a new exhibition launching in Shoreditch this week. His collection, Reverberation, takes its inspiration from Sgt Pepper’s Lonely Hearts Club Band, 50 years on from its release. Just like the original album, Reverberation is set to take people on a treasure hunt to find hidden meanings out of everyday realities.
Refugees and robots feature in the shortlisted images for this year’s Taylor Wessing Photographic Portrait Prize, which is organised by the National Portrait Gallery.
The fourth-instalment of the EyeEm Photography Festival and Awards boasts a program of workshops and speakers looking to the future of visual communication
“Our ambition is that Landskrona becomes the capital of photography in Scandinavia,” says photographer and festival curator Jenny Nordquist. “We want photography to manifest itself in public spaces, from shop windows to parks and old buildings, and become a perceptible part of experiencing the city. This is both an open invite for the visitor to discover the city and a practical consideration about what public spaces – so often privatised by advertising or market economics – can and must be.” The fifth edition of the Lanskrona Foto Festival opens from 08-17 September, co-curated by Nordquist and the legendary VU’ founder Christian Caujolle.