“With this exhibition FOAM is trying to form a vision of how contemporary photography is shaped by young photographers,” says Mirjam Kooiman, curator at the FOAM Fotografiemuseum Amsterdam. “These artists have already made really good work, and they have a lot of potential.”
The world-famous photo agency goes to town with four exhibitions, a live residency, a swap shop, a book launch, a series of talks and discussions, and even a t-shirt collection
Britain’s biggest photo fair is now an established event – so it’s organisers are pushing the boundaries this year with a headline show by Taryn Simon and more work by cutting-edge artists
“The series toys with the question regarding the necessity of travelling to a place that has been photographed innumerable times, the need to record additional photographs,” says the artist. “If countless images of a specific place are readily available, has one been there already?”
Back for its second year, the 24-hour event allows photo-lovers to see “an area of London where artists are actually working on a day-to-day basis”, says co-founder Vivienne Gamble.
“Dancehall is often condemned for its dramatic, violent and sexual expressions, ignoring the political implications of some acts and its value as a cultural manifestation,” says Lua Ribeira, whose series exploring British dancehall rituals, Noises in the Blood is now on show at London’s Fishbar Gallery
“People consume photographs,” says Erik Kessels, “they don’t look at them anymore.” It’s a theme he’s played with in his work, most notably in the installation 24hrs In Photos, in which he printed out all the images posted on Flickr on a single day.
“There is massive support from the community in general,” says Lila Paprocka, the curator behind the LIPF. “We want to show a different community and people together. It’s about sharing the love for photography.”
The shortlisted images for “the global award in photography and sustainability” go on show at the V&A this month, including work by Thomas Ruff, Rinko Kawauchi and many more
“It starts with disenfranchised youth and not wanting to do what the generation before has done, but by taking the usual teenage angst and by creating a scene and a music and a language, they turn it into something much more powerful and culturally significant,” says Jim Stephenson, the founder of Miniclick and co-curator of the Behind The Beat show. Featuring work memorabilia collected from the scenes and work by nine photographers – Ken Russell, Gavin Watson, Derek Ridgers, Dean Chalkley (with creative director Harris Elliott), Stuart Griffiths, Paul Hallam, Ali Tollervey, Olivia Rose and Elaine Constantine – Behind The Beat focuses in on the fans and subcultures that have sprung up behind the music in Britain over the last 60 years. Including seemingly disparate groups, such as Teddy Girls, B-Boys, ravers and Skinheads, it draws out parallels between the different scenes, and also includes interviews Stephenson has done with people who were involved with them. “The way they talk is quite similar,” he tells BJP. “Whether they’re talking about [UK grime star] Stormzy or The Clash.” As Stephenson …