In the latest book from Jonas Bendiksen, the Norwegian photographer takes us on a global journey of spiritual exploration, seen through the worldview of seven fascinating individuals who literally believe themselves to be the Second Coming of Jesus Christ. It’s an expansive and sumptuously designed book of more than 140 photographs and several thousand words of accompanying textual scriptures, co-published by GOST and Aperture. In it, Bendiksen portrays himself as a photographic apostle, asking why the Bible story of a returning Messiah has remained so potent. “My approach here was to ask, who is this person and who are their followers,” he explains. “By immersing myself in their revelations and spending time with their disciples, I’ve tried to produce images that illustrate the human longing for faith, meaning, and salvation.”
For three days this week, from 22 to 24 September, the Dutch capital will host the sixth edition of Unseen Amsterdam. With an extensive and exclusive programme, the event prides itself on incubating and exhibiting photography from both established and emerging artists. This year is no different: the old gasworks factory, the Westergasfabriek will host more than 53 international galleries with new additions from Mexico and Lebanon, showing over 160 artists and about 80 ‘premieres’ – brand-new work that will make its debut at the fair, featuring projects by Todd Hido, Gregory Halpern, Peggy Franck and Ricardo Cases. Founded in 2012, the event has always been keen to embrace elements and experiments beyond its primary identity as a fair. This year the Unseen Photo Fair & Festival has become Unseen Amsterdam, drawing together the fair, book market, speakers programme, onsite projects and exhibitions, talent awards, city programme, magazine and website under one umbrella. This change is a move to becoming a multi-faceted photography platform that will function throughout the year with smaller events abroad. A …
Titled Afrotopia, the headline show of the 11th Rencontres de Bamako features work from 40 photographers and collectives, drawn from all over the continent and from the African diaspora abroad. Shown at the National Museum of Mali, the exhibition was drawn from over 300 applications by a jury of photography insiders including Rencontres de Bamako artistic director Marie-Ann Yemsi, photographer Sammy Baloji and curator Azu Nwagbogu. It will be on show from 02 December-31 January 2018, after which the exhibition will travel to The Netherlands.
Martin Parr has found a permanent home for the foundation he set up in 2014, giving visitors access to his archive and to his formidable collection. “I’ve been very lucky,” he told BJP’s Gemma Padley. “I have secured a very good living from doing this, and so the foundation is a great way to feed some of that back into the system.”
“I believe that the great strength photography has, and in particular documentary photography, is content. So much of what is published today, seems to me to be content less. I hope my photography illuminates and resonates with viewers and tells how British society was. And, of my more recent work, of how society is,” says Homer Sykes. he has been photographing British society for five decades, including major social and political events, such as The Battle of Lewisham. Now, some of his work is set to be featured in a Burberry show this month.
Returning for its eight edition from 13 September, Tbilisi Photo is an international festival in the heart of the Caucasus which hopes to bridge the image-making communities from across Asia, the Middle East, and Europe. This year themed Fashion, the diverse programme includes a look at Guy Bourdin’s iconic oeuvre, the Dutch artist Viviane Sassen’s approach to fashion photography, and an exclusive display of Iranian fashion magazines published before the Islamic revolution in 1978.
“The recipients of the 2017 Getty Images Editorial Photography Grants are working at the cutting edge of photojournalism, ensuring that often ignored global issues are brought to the forefront of public consciousness,” said Hugh Pinney, Vice President of News, Getty Images. This year’s winners see projects taking place in war torn Mosul, documenting the unrest in Venezuela and refugees seeking new homes in Europe.
“You could say I’m a member of the establishment,” says Martin Parr, the Magnum Photos member who has published early 50 monographs, had solo shows at The Barbican, Jeu de Paume, and Maison Europeenne de la Photographie, guest-directed the Rencontres d’Arles, and co-authored The Photobook: A History. We’re discussing his latest exhibition and book, Oxford, which was shot on commission for the world-famous university, is going on show in its Weston Library, and will be published by the Oxford University Press.
“The Beatles were inspired by different things on that album: it was created out of everyday things and everyday notions, even though people view it as a psychedelic masterpiece,” says Dean Chalkley ahead of a new exhibition launching in Shoreditch this week. His collection, Reverberation, takes its inspiration from Sgt Pepper’s Lonely Hearts Club Band, 50 years on from its release. Just like the original album, Reverberation is set to take people on a treasure hunt to find hidden meanings out of everyday realities.
Refugees and robots feature in the shortlisted images for this year’s Taylor Wessing Photographic Portrait Prize, which is organised by the National Portrait Gallery.