It’s better-known as a medical process, but x-ray imaging has helped Nick Veasey carve out a very successful career over the last 20 years, working with clients such as the V&A, Adidas, H&M, Time, Harper’s Bazaar, and Vice, and exhibiting at galleries such as Stockholm’s Fotografiska. Now Veasey is opening an exhibition space next to his studio in Kent, rural England, in which visitors can watch him work in a purpose-built x-ray chamber, and see exhibitions by him and other contemporary artists.
Process Gallery is set in the middle of a two-acre site that will be landscaped into a sculpture garden next year. The opening exhibition is dedicated to Veasey’s work, but the photographer plans to show work by other artists, specialising in those who take an alternative approach to process.
As of 2019, Nadia Arroyo will be the new cultural director at Fundación MAPFRE in Madrid. She will be replacing Pablo Jiménez Burillo, who announced at a press meeting last week that he would be retiring after 30 years and over 500 curated exhibitions at the museum.
Jiménez was the first to bring a permanent exhibition space for photography to the museum, and championed the once-undervalued world of nineteenth century Spanish painting, bringing the gallery to the forefront of the art world in Spain. Arroyo is currently Head of Exhibitions at the Fundación MAPFRE.
Nataal.com was born in 2015 as a platform to communicate the creativity coming out of Africa. It was launched by Sara Hemming, former art director at AnOther, Helen Jennings, former editor at Arise magazine, and Senegalese actor and director Sy Alassane. Focusing on fashion shoots, long form features and visual essays, Nataal collaborates with emerging artists around the world who are shaping global narratives around African culture.
This year, Nataal published its first annual print magazine, built around the theme “Future Gaze” and containing 336 pages of photography by well-known artists such as Viviane Sassen, Lorenzo Vitturi and Ayana V Jackson, as well as commissions by up-and-coming photographers such as Arielle Bobb-Willis. The photography is accompanied by in-depth editorials covering a range of topics including fashion, visual arts and music, as well as a short story by American-Ghanaian writer Nana Ekua Brew-Hammond, and articles about contemporary African culture and business.
BJP spoke to creative director Sara Hemming and editorial director Helen Jennings about Nataal media and why photography is so integral to their magazine.
Now in its 22nd year, the Deutsche Börse Photography Foundation Prize is awarded each year to image-makers who’ve made the biggest contribution to the medium in the previous 12 months in Europe. This year the shortlisted artists are: Laia Abril, for her publication On Abortion; Susan Meiselas, for the retrospective exhibition Mediations; Arwed Messmer, for his exhibition RAF – No Evidence / Kein Beweis; and Mark Ruwedel, for the exhibition Artist and Society: Mark Ruwedel. The winner of the £30,000 prize will be announced at The Photographers’ Gallery on 16 May 2019.
Aiyush Pachnanda may have yet to finish his Photojournalism degree, but he’s already taking the photography world by storm. EyeEm, a global photography marketplace and community, recently announced him as their Photographer of the Year, the most prestigious title in the EyeEm Photography Awards. As well as receiving a trip to Berlin Photo Week and a Sony Alpha camera, Pachnanda will act as the EyeEm ambassador during 2019. So what is it that sets Pachnanda apart from the 100,000 other photographers who entered? His winning image, a low angle portrait of a heavily tattooed man with a grey tower block looming behind him, says it all. Flick through Pachnanda’s work and you’ll notice two recurring themes: urban landscapes, and striking people. Splitting his time between London, where he grew up, and Cardiff, where he studies, Pachnanda has an enduring interest both in the city, and in the subcultures that people form there. In his unaffected way (he’s pursuing a rough-and-ready style of photojournalism, often using an old point-and-shoot), he captures the raucous underbelly of urban …
Feeling all shopped out? Take refuge in a photo show – though many are being hosted by private galleries in Paris next week, meaning you can still buy prints if you want to. Photo Saint-Germain is a huge umbrella under which 36 exhibitions and events are taking place, for example, including the Polycopies and Shakespeare & Co book events and several cultural institutes, but also smaller, commercial galleries.
Paris Photo is the big one, but it isn’t the only photo fair in town next week. Held in a private mansion, a pp roc he makes a virtue out of its bijou size, hosting just 14 photographers in a private mansion in “a salon devoted to experimental photography practices”. Designed as an exhibition, this fair is accessible by reservation only, and includes celebrated photographers and galleries such as Ruth van Beek, brought by The Ravestijn Gallery; Daniel Shea, brought by Webber Gallery; and Maya Rochat, brought by Seen Fifteen. In addition, it includes “the a pp roc he sector”, a section showing two artists under the age of 40 not currently represented by a gallery (this section includes Thomas Sauvin & Kensuke Koike working together as a pair).
Laia Abril, Nina Berman, Sohrab Hura, and Carmen Winant are all in the running for the prestigious Paris Photo/Aperture Foundation Photobook of the Year Award, which will be announced on 09 November at Paris Photo.
In total ten books have been shortlisted for the award; in addition, 20 books have been shortlisted for the First Photobook, and five for the Photography Catalogue of the Year. All the shortlisted books will go on show at Paris Photo and at the Aperture Foundation in New York, then tour to various venues across Europe, as well as being featured in the Autumn 2018 issue of The Photobook Review. In addition the Photobook of the Year winner will receive $10,000.
The biggest photo fair in Europe, Paris Photo returns from 08-11 November, with a new section on erotic images, and a walk-through focusing on female photographers.
Curated by Martha Kirszenbaum, curator of the French Pavilion at the 2019 Venice Biennale, the Curiosa sector will bring together intimate images by 13 artists such as Nobuyoshi Araki, JoAnn Callis, and Antoine d’Agata. Kirszenbaum hope to challenge the viewer’s gaze on the fetishised body, and tackle “relations of power, domination, and gender issues”. “There are images not everyone would like to see, which I think is good,” Kirszenbaum told BJP in an article published in our November issue.
“Assume the form of a golden deer and lure Rama away. Meanwhile I will run away with Sita,” commands Ravana, the ten-headed King of Lanka, to one of his demon slaves in the ancient Indian epic poem, the Ramayana. Ravana’s plan is to entice Sita, the beautiful goddess, and steal her away from Prince Rama. While the golden deer distracts the prince, Ravana disguises himself as a holy man begging for money; and when Sita reaches out to offer him food, he catches her and carries her away to his kingdom. This scene marks a pivotal point in the Ramayana, a story believed to have been written over 2000 years ago by Valmiki, a celebrated poet in Sanskrit literature. It is the narrative that Vasantha Yogananthan is following in his ambitious seven-part photographic project, A Myth of Two Souls, which is now on its fourth chapter, Dandaka. He’s found a different way to convey the story in each chapter, and for this one, wanted to push himself further out of his comfort zone. For previous books he …