All posts filed under: Festivals

From the series Playground © Julien Lombardi

Images hit the streets in JaipurPhoto festival

The term ‘travel photography’ may call to mind generic holiday snaps, but a festival in Jaipur is raising the bar for a more probing approach. Founded by the team behind GoaPhoto, artistic director Lola Mac Dougall and filmmaker and producer Nikhil Padgaonkar, JaipurPhoto returns to from 24 February to 05 March, following a successful inaugural edition in 2016, to explore what wanderlust can tell us about our times. Describing the relationship between travel and photography as an “endless conversation”, the festival spotlights the many ways photography has shaped how we experience the world. London-based curator and founder of The Photocaptionist, Federica Chiocchetti, this year’s guest curator, pinpoints the relevance of this conversation in our image-saturated culture as a starting point for putting together the 2017 edition. “I am fascinated by how the evolution of society and of photography has impacted on the very notion of travelling,” Chiocchetti says. From the pre-internet days of the travel agent selling a place through promotional images to the more recent way we filter our travel experiences through multiple devices, she notes that our experience …

2017-02-22T15:25:29+00:00

New Age of Walls © Washington Post

Washington Post’s Age of Walls wins WPP’s Innovative Storytelling Prize

Donald Trump’s Mexican wall may have got the headlines over the last year, but walls – in a very physical sense – are being built between nations all over the world, at a pace and urgency under-reported by the world’s most viable media organisations. “In many ways, the barrier-building is being driven by fear,“ The Washington Post wrote in the introduction to New Age of Walls, a multimedia investigation detailing each of the 63 border walls and barriers, many of them newly constructed, that are now dividing nations across four continents. New Age of Walls was the winner of the Innovative Storytelling category in World Press Photo’s Digital Storytelling contest, an award for a piece of journalism designed specifically for the online space. “Most of the new walls are being erected within the European Union, which until recently was nearly borderless,” The Post wrote. “Britain is going further, rolling up its bridges to the continent by voting to exit the E.U. “Intended to counter migrants and terrorist attacks, these moves are not limited to Europe. In the Middle …

2017-02-16T13:02:33+00:00

Kaja Rata 1_670

Mining the cosmos in Kaja Rata’s Kajnikaj

Kaja Rata lives in the Silesia region of Poland, a place where “nothing unusual happens”. “People are working hard as a miners, or drinking hard while they’re looking for the next job,” she says. “But the mines are slowly disappearing, because it’s an unprofitable industry right now. Basically, I can tell that I live in vanishing location.” She’s opted to break up the experience by making Kajnikaj, a series whose title means “here and there” in the local dialect. Documentary but also somehow fantastical, it focuses in on the “grey destroyed monuments of the Soviet era” and a celestial colour palette to create something that looks cosmic. “When I look at the sky over the decaying town, and when I build rickety contraptions, I am trying to find means to escape from the place I was born and raised,” she says. “Even though I know that it is a futile attempt.” Born in 1987 , Rata has been studying photography seriously for eight years; she graduated from the photography BA at University of Arts in Poznań in 2015, …

2017-02-10T09:32:30+00:00

half awake and half asleep in the water half awake and half asleep in the water by Asako Narahashi, scenography by ECAL, Arthur Desmet, Marie Millière and Arthur Monnereau. © Diana Martin/Festival Images Vevey 2016

Innovative installations rule at the Festival Images Vevey

Festival Images Vevey is known for its innovative photography installations, but in 2016 it outdid itself, placing images on the bottom of Lake Geneva, hiding them behind peep-holes, and much more. “The festival is interesting because it uses photography so unconventionally,” says Erik Kessels, the Amsterdam-based artist and art director who has shown his work and been a regular visitor at the biennial, and who recommended it to BJP. “It’s experimental, unafraid of risk.” The Swiss festival has been going since 1997, but when Stefano Stoll was asked to take over in 2008, it was in the doldrums. “It was a festival pretty much as any other,” he says. “You bought a ticket, entered a couple of galleries and discovered framed images on the walls. It wasn’t attracting many visitors, and the sponsors weren’t happy. I was tasked with coming up with a more innovative concept.” Stoll had previously co-founded a more conventional festival so he wasn’t interested in repeating himself, and felt there was little point trying to replicate what others were already doing so successfully …

2017-02-04T10:01:08+00:00

A small rubber dinghy filled with refugees and migrants arrives on the coast of Greek island Lesbos on 30 October 2015. The island of Lesbos has seen hundreds of thousands of migrants and refugees arrive from Turkey in 2015. This shot is from a series called Europe's New Borders by Rasmus Degnbol, which won him first prize in the PHmuseum grant last year. Image © Rasmus Degnbol

A solo show, cash, and more up for grabs in the PHmuseum Grant

The deadline is approaching fast to enter the PHmuseum grant competition, which offers a total prize fund of £12,000, a solo show at the Cortona On The Move festival, a feature in the World Press Photo Foundation’s online publication Witness, and more. Photographers have until 15 February to enter their work. Arranged by the Photographic Museum of Humanity, a curated online platform, the competition has nine big-name judges this year. The main award – which offers £7000, £3000, and £1000 to the first, second and third prize-winners respectively plus various promotion in Witness, Just Another Photo Festival and the PHmuseum – will be assigned by Emma Bowkett, director of photography at the FT Weekend Magazine; Sarah Leen, director of photography at National Geographic Magazine and Partners; Ihiro Hayami, director of the Tokyo Institute of Photography; and Alejandro Chaskielberg, the award-winning Argentinian photographer. The New Generation Prize – which offers a £1000 cash prize plus mentorship from photographer and photo director Maggie Steber, and promotion via Witness, Just Another Photo Festival and PHmuseum – will be …

2017-02-02T12:20:49+00:00

BJP Staff