Founded in 1997 the Pingyao International Photography Festival is China’s most prestigious photo festival, featuring images from more than 50 countries each year in indoor and outdoor venues across the UNESCO-listed ancient city. This year it includes a huge exhibition called Distinctly, which is curated by Open Eye Gallery’s Tracy Marshall and which will travel to Merseyside in 2019 as one of the main exhibitions of LOOK, the Liverpool International Photography Festival.
Featuring work by 12 documentary photographers – Martin Parr, Chris Killip, Daniel Meadows, John Myers, Markéta Luskačová, Tish Murtha, Ken Grant, Paul Seawright, Niall McDiarmid, Robert Darch, Elaine Constantine, and Kirsty MacKay – the exhibition “takes a unique approach to the depiction of Britain and its distinct landscapes, industries, social and economic changes, cultural traditions, traits and events” over the last six decades says Marshall. “The exhibition looks at the gentle, the humorous, the starkness, the beauty, and the realities experienced and captured by the photographers around their lives living and working in Britain,” she adds.
For our very first OpenWalls award, we are inviting both emerging and established photographers, from all over the world, to submit work responding to the theme ‘Home & Away’. Up to 50 photographers will then be selected to exhibit their photographs as part of a group exhibition at Galerie Huit Arles in July 2019, to coincide with the 50th edition of Les Rencontres d’Arles. The theme of the exhibition, ‘Home & Away’, is open to interpretation. We want to see images that capture a sense of belonging, escapism or identity, and play with notions of home or freedom. Do you find your inspiration at home, by photographing your loved ones, or do you seek inspiration further afield? For one of our featured photographers, Brandon Dare, home is at the heart of all his work. “There is a lot of emotion to be found in your home environment, in one way or another,” he explains, “through the people there, or shared memories of either sad or happy times.” Brandon’s projects have so far explored a range …
It’s six years since the inaugural edition of Unseen Amsterdam arrived with the mission to shake up the art fair model, focusing on emerging photographers and collectors, and instilling a welcome dose of fun to proceedings. And despite its beginnings during difficult times for arts funding, the ‘fair with a festival flair’ has largely succeeded, developing into something more ambitious than a glorified trade show, with its own public programme and a city-wide celebration of the medium in one of the world’s great photography capitals.
The emphasis remains on championing new talent, and with this in mind, the latest addition to Unseen is Futures, a cross-European photography platform bringing together 10 cultural institutions from around the continent, each with their own talent programmes.
“In the EU today, we take women’s rights for granted,” says Marina Paulenka, director of Organ Vida, a three-week international photography event held annually in Zagreb. Founded in 2008, the festival has always been driven by political context, and this year, for its 10th edition, its all-female team have chosen to emphasise female-identifying perspectives from around the globe.
“In a time of post-capitalist global turmoil, technological advancements, with the strengthening of rightwing extremism, the growing influence of religion that limits women’s rights again, and the semblance of democracy in the 21st century, we are facing a situation in which women must fight anew for the rights that had been won long ago,” Paulenka insists.
Photography is generally accepted as a medium representing reality or the idea of that revealing what you see before you, onto a two-dimensional plane. Multiple Planes, an exhibition organised by Thai New Wave Photography, uses its platform to construct works, in terms of its materials, processes and notions, that relate to photography through atypical dimensions. “It’s a place where you can expect to see inventive works,” says curator Mary Pansanga.
Christopher Bethell’s work comes from a desire to explore his identity, making his personal reflections universal. His complex relationship to home comes from his dual American and British citizenship. Despite never having visited America, he has always thought of it as a home, and so embarked on his major MA project, The Duke of Earl, last year in the US, as a way to document his understanding of this new but familiar place. What followed was a struggle between cliche and authenticity, as Christopher came to terms with the stereotypes that had informed his perception of this fractured home. Christopher’s interest in photography was first sparked at the age of 19, and he quickly threw himself into the medium, studying at Mid Cheshire College, Staffordshire University, and finally at London College of Communication, where he received a Masters in Photojournalism and Documentary Photography. He cites his most valuable lessons as those about the foundations of photographic theory, and the ethics of representation, which have changed the way he approaches projects and commissions. Since graduating he …
Rome-based photographer Francesca Pompei is our first OpenWalls Editor’s Pick photographer, having been selected by our online editor Diane Smyth as one of this month’s best entries, and voted for on social media by our readers. Her work is focused on art and architecture, and she rarely features people in her photographs, with the exception of her father. Francesca is a member of the board of the Italian Association of Professional Photographers, and her photographs have been exhibited at events worldwide, from Art Basel Miami, to Frieze Art Fair in New York, and KAIF-Korean International Art Fair in Seoul. In 2016, her works were among the top rated entries to the Magnum Photography Awards. Francesca entered OpenWalls because exhibiting in Arles has long been an ambition of hers. Her selected image responds to the notion of home, and captures her father at the Centrale Montemartini, which is one of Francesca’s favourite places to visit in Rome. Keeping up a long-held tradition of going on a Saturday outing with her father, Francesca cites these weekly trips …
Seven European festivals make the best of their locations and the late-summer timing to show off al fresco programmes this September – Visa Pour l’Image, Getxophoto, BredaPhoto, Festival Images Vevey, Landskrona Foto Festival, Guernsey Photo Festival, and Brighton Photo Biennial
Our very first OpenWalls exhibition will be held next year in Arles. We are looking for up to 50 photographers to exhibit as part of a month-long group show at Galerie Huit Arles during Les Rencontres d’Arles 2019. The exhibition is calling photographers to respond to the theme Home and Away, with images capturing a sense of escapism, belonging or identity. But why is exhibiting in Arles such an important rite of passage for photographers? “The opening week of Les Rencontres d’Arles summer festival attracts the Who’s Who of the photography world,” explains Julia de Bierre, the owner of Galerie Huit Arles, and an OpenWalls judge. “They all descend on Arles to participate in this extraordinary celebratory event.” Photo editors, curators, gallery owners and photography dealers all head to Arles not only to see works by old masters, but also to poach undiscovered talent, looking to the coinciding Voies Off festival, as well as independent galleries and street artists, to commission new work. The festival also yields a huge amount of media attention, this year receiving …
Internet penetration in Kenya has grown so rapidly over the past decade that the country has been dubbed the “Silicon Savannah”. In 2009, a submarine fibre optic cable linking Mombasa to the rest of the world was launched, and construction of “Kenya Vision 2030” is now underway – a £11.2bn, 5000-acre technology city expected to create around 60,000 jobs in the IT sector.
Household tech names such as Google, Intel, Microsoft, Nokia, and Vodafone all have a presence in Kenya, and, says 27-year-old German photographer Janek Stroisch, “young entrepreneurs are seizing this opportunity as a chance to make change”. “Hundreds of youths have used the internet to launch start-up companies to try to create jobs for themselves,” he adds, “because sadly there aren’t enough to go around.”