All posts filed under: Festivals

In Paris: Sanne De Wilde’s The Island of the Colorblind

Congenital achromatopsia is a hereditary condition in which the eye cannot detect colour – the cones in the retina do not function, leaving the vision to the rods alone, which only detect shades of grey. In most places the disease is rare, occuring in less than one in 30,000 people. But on the Micronesian island of Pingelap it’s much more common, present in more than 5% of the population. It’s an extraordinary phenomenon – and one that immediately gripped Belgian photographer Sanne De Wilde when she heard about it back in 2015

2017-11-10T18:39:32+00:00

In Paris: Alexey Shlyk shows off DIY culture in Belarus

Taking inspiration from the DIY culture of his homeland during the Soviet era, Belarusian photographer Alexey Shlyk’s series of playfully staged photographs explores craftsmanship and resourcefulness.

2017-11-08T12:00:12+00:00

Feng Li’s feted first book White Night

“You’ve probably never heard of Feng Li’s photography,” wrote Leo de Boisgisson in American Suburb X in March; that was true at the time, but it’s changed rapidly since September, when the Chinese artist was nominated for the prestigious Paris Photo-Aperture Foundation First Photobook award. He made the shortlist for his first publication, White Night, which was published by Jiazazhi Press in July and contains 160 images shot from 2005-2015. The title is inspired by the Bible, specifically the Book of Job and a phrase which reads “They meet with darkness in the daytime, and grope in the noonday as in the night”.

2017-11-24T14:13:18+00:00

In Paris: Tales of Lipstick and Virtue by Anna Ehrenstein

“Very often when dealing with Albania, artists, photographers and journalists – especially those who don’t come from the country – deal in a very repetitive form with the poverty, the post-communism, and the old and sporadically still-practiced traditions,” says Anna Ehrenstein. “All in all they focus on the otherness of the people and the country.” Brought up in Germany but of Albanian heritage, Ehrenstein has done something very different with her project on Albania, Tales of Lipstick and Virtue. Rather than focusing in on picturesque, unchanged farming life or remaining vestiges of the Soviet Block, she hit contemporary values on the jugular, photographing women into “a certain kind of aesthetic that can be found in Albania, but comes from all over the globe”.

2017-11-10T18:30:52+00:00

In Paris: 2017 Paris Photo-Aperture Foundation PhotoBook Awards

Established in 2012, the Paris Photo-Aperture Foundation PhotoBook Awards are divided into three categories – PhotoBook of the Year, First PhotoBook, and Photography Catalogue of the Year. The winners will be announced on 10 November at Paris Photo, and all the shortlisted and winning titles will be profiled in The PhotoBook review and exhibited at Paris Photo, the Aperture Gallery in New York, and at other international venues. The year Albert Elm’s What Sort of Life is This, Mathieu Asselin’s Monsanto: A Photographic Investigation and the group book project Amplitude No.1, which is edited by Nadya Sheremetova and includes photographers such as Irina Yulieva, Igor Samolet and Irina Ivannikova, were among those to make the First PhotoBook shortlist this year

2017-11-10T10:45:13+00:00

The AOP’s four-day festival kicks off at the Old Truman Brewery

How do those who commission photography pick up on trends, and where do they find the people they work with? Find out more on Monday with the AOP, the UK’s largest organisation for commercial photographers, in a debate that includes Mike Trow, picture editor at Vogue; senior art buyer Sarah Williams; Tim Paton, global head of commercial assignments at Magnum Photos; Chantal Webber of Webber Represents; and the award winning photographers David Loftus and Tim Flach. The debate is part of the AOP’s four-day Beyond the Lens festival, which kicks off today at The Old Truman Brewery. Other debates include a session on photography education and another on contemporary food photography; the festival also includes talks by photographers such as Giles Duley, whose exhibition I Can Only Tell You What I See is currently on show in the Old Truman Brewery, and Chris Floyd, whose photography and films are shown in publications such as Vogue, Vanity Fair, The New Yorker, Harpers Bazaar, GQ, Esquire, The New York Times Magazine, The Sunday Times Magazine, and Wallpaper*. The …

2017-10-13T10:56:30+00:00

Mass exams pictured in Michele Borzoni’s Looking for a job

The numbers are just staggering – 2813 applicants showing up for nine nursery teacher positions; 10,000 for 14 policer officer roles; and 1099 for one nursing post. These are the Italian Civil Service exams, and Michele Borzoni photographed them for over a year, capturing their sheer size with a medium format camera and a perspective-correcting lens more usually used for large-scale architectural shots. “I wanted to emphasis this sense of mass, the loss of individuality, the person reduced to number,” he says. “The competitions are sometimes a humiliating path, because often they do not assess the individual capacity, at least not in the early stages of the competition.”

2017-10-11T13:52:56+00:00

Francois Hébel’s Foto/Industria opens tomorrow

Foto/Industria Biennial returns to Bologna, with 14 exhibitions centring around the idea of identity and illusion in photographs of work, curated by Francois Hébel and including image-makers such as Thomas Ruff, Josef Koudelka, Lee Friedlander, Joan Fontcuberta, Alexander Rodchenko, Mitch Epstein, Yukichi Watabe, John Myers and Michele Borzoni.

2017-10-11T09:25:16+00:00

Daisuke Yokota (sometimes literally) blazing a trail through photography

We are in Arles, where in July 2016 he showed Mortuary, one of his signature sculptural installations, made up of heavily manipulated, elongated photographic forms. He had been selected for the Rencontres photofestival’s Discovery Award, though in truth this cat had been long out of the bag – Yokota exhibited in Arles in 2015, showing his almost imperceptible inky-black prints from his Inversion series as part of Another Language: 8 Japanese Photographers, curated by Simon Baker of Tate Modern. And in the preceding half decade, his intriguing, visually arresting performances, experiments, installations, books, soundscapes and collaborations have blazed a trail from Tokyo to wider international acclaim, taking photography on a journey to the extreme. In this he is a revolutionary, with neither pretension nor timid creativity. The sheer energy with which he produces work is extraordinary, verging on obsessional and driven by a desire to constantly record, destroy and then recreate. Anxiety is the fuel. “In my mind, I have an image of burning energy in continual production,” he says.

2017-10-09T12:13:11+00:00

BJP Staff