All posts filed under: Interviews

Senta Simond’s Rayon Vert on show, in print, and in BJP

“Tu sais qu’est-ce que c’est le rayon vert?” Marie Rivière’s listless character Delphine asks, her legs swinging, in Éric Rohmer’s 1986 film Le Rayon Vert [The Green Ray]. The film – a portrait of its main character’s halting search for summer romance – was based on Jules Verne’s 1882 novel of the same name. While in theory its title refers to an optical phenomenon – in which the appearance of the sun as it rises or falls beyond the horizon creates a brief flash of green, and with it a supposed moment of mental clarity for all those who see it – in reality its subject matter is far more elusive. “I related the ‘rayon vert’ phenomenon to the process of photography – this special and quick moment that happens rarely,” Swiss photographer Senta Simond explains, referring to her project of the same name. Her series, which will be published by Kominek and shown at London’s Webber Gallery soon, adds a new, compelling layer to the meteorological event/Jules Verne/ Éric Rohmer mix of references. Indeed, Simond, a former student of ECAL, University of Art and Design Lausanne, from which she graduated last summer, first encountered the concept via the 1986 film.

2018-04-19T13:09:44+00:00

Arko Datto’s study of the Indian pik-nik phenomenon

Indian photographer Arko Datto (b.1986) completed two masters degrees in theoretical physics and mathematics before deciding to take a “leap of faith into photography”. After studying photography at the Danish School of Journalism in Aarhus, his long-term projects have since been published in leading international publications, such as TIME and National Geographic. For PIK-NIK, Datto spent the last five winter seasons photographing picnic spots across eastern India, primarily in West Bengal but also in Jharkhand and Orissa. Here, families and colleagues converge for a day of food, drink and revelry before departing at sunset, leaving piles of rubbish in their wake. “Vats of freshly slaughtered chicken, sacks of vegetables and an arsenal of pots, pans and gas cylinders are lugged along, taking cooking en plein air to a whole new level,” says Datto.

2018-04-17T12:00:09+00:00

Zanele Muholi’s Somnyama Ngonyama – Hail the Dark Lioness

“I’m reclaiming my blackness, which I feel is continuously performed by the privileged other,” says South African photographer Zanele Muholi. Born in 1972 in Umlazi, a township close to Durban, Muholi defines herself as a visual activist using photography to articulate contemporary identity politics. In her latest series, Somnyama Ngonyama: Hail the Dark Lioness, she uses her body to confront the politics of race and representation, questioning the way the black body is shown and perceived.

2018-04-17T11:12:48+00:00

Unveil’d hosts solo exhibition by Lola Paprocka plus talks programme in Bristol

Bristol’s Centrespace gallery will host a solo exhibition by London-based photographer, curator Lola Paprocka, whose publication Blokovi was awarded first prize for Unveil’d Photobook Award 2016. Shot mainly on medium format, the project is a photographic series exploring the New Belgrade apartment blocks and their residents during 2015. “The conversation started with my friend, Mima Bulj, who wanted me to capture her hometown from the perspective of an ‘outsider,’” Paprocka tells BJP. “Mima was born in Belgrade and lived there till she was eight years old, before moving to New Zealand with her family. I was born in Poland before moving to the UK in my late teens, so we have always shared a feeling of being stuck somewhere between the Eastern and Western worlds.” “The book combines both portraiture and images of Brutalist estates – both are real interests of mine,” says Pabrocka. “I was keen to include some social documentation in there too, to capture spontaneous interactions with strangers on the streets. But, these social interactions would always come secondary; the Brutalist architecture would inform the …

2018-04-18T11:17:22+00:00

Michael Hoppen Gallery presents Thomas Mailaender solo show

Known for his offbeat experiments with printing processes, Thomas Mailaender is an artist constantly pushing the limits of the medium. “I don’t think of myself as a photographer,” he says, having worked for 10 years with found imagery. Typically sourcing images from the internet and sifting out the content that captures his attention, Mailaender says he is interested in “reproducing images rather than making them myself.” A selection of his work is to go on show at the Michael Hoppen Gallery in Chelsea, London. Opening April 18, and following on from his inclusion in exhibitions at London’s Saatchi Gallery and Tate Modern, the show is a combination of seen and unseen work, including a selection from the artist’s personal collection of ‘objets trouvés’ in The Fun Archaeology. Described as a ‘compulsive collector of photographs’, Mailaender has amassed his collection over many years. The exhibition will also showcase his series Skin Memories, in which he developed techniques for printing on leather during a residency at LVMH Métiers d’Art. Plus, The Fun Archive is a collection of absurd, …

2018-04-16T09:52:00+00:00

Chloe Dewe Mathews goes In Search of Frankenstein in the Swiss Alps

In 2016, Chloe Dewe Mathews was invited to do an artist’s residency at the Verbier 3-D Foundation in the Val de Bagnes, Switzerland. The chosen theme was the so-called ‘Year Without a Summer’ of 1816, which followed the eruption of Mount Tambora volcano in Indonesia. The eruption, which emitted a vast cloud of ash blocking sunlight across much of the world, caused temperatures to plummet, the dramatic weather changes leading to crop failure, starvation and mass migration. Two centuries later, while researching the area’s history, Dewe Mathews came across the story of a local disaster that happened because of these weather changes. Between 1816 and 1818 the Giétroz Glacier built up to form a great dam of ice, which then burst its banks and tore up the valley below, leaving a trail of destruction all the way to Lake Geneva. She went on to discover that Mary Shelley had also been in the area during that summer-less year, staying on the shores of Lake Geneva with her husband Percy Bysshe and fellow Romantic poets Lord …

2018-04-16T11:06:27+00:00

Q&A: Ronaldo Schemidt, World Press Photo of the Year winner

“Normally people don’t get set on fire during the protests, but there were many barricades on fire and the demonstrators use Molotov bombs,” says Ronaldo Schemidt. “I got the photo when a National Guard motorcycle exploded during a clash between demonstrators and government forces. It was lying on the floor, on fire, surrounded by young people. One of the protestors hit the tank, generating an explosion. Then the guy in the photo caught fire. I was standing a few meters away with my back to him, but when I felt the heat of the flames, I got my camera and turned around to start shooting whatever had just happened. It all took just a few seconds, so I didn’t know what I was shooting. I was moved by instinct, it was very quick. I didn’t stop shooting until I realised what was going on. There was somebody on fire running towards me.”

2018-04-17T11:56:04+00:00

Clare Strand looks at misinterpretation of information in the digital age

Throughout her career, Clare Strand’s work has been deeply embedded in the act of research. Best known for projects such as The Betterment Room – Devices For Measuring Achievement (2005), Skirts (2011), 10 Least Most Wanted (2011), The Happenstance Generator (2015) and The Entropy Pendulum and OutPut (2015), her interests are often centred around the medium of photography itself, “investigating its origins, uses – and limitations.” For her latest work, The Discrete Channel with Noise, Strand draws on references as diverse as Claude Shannon’s information theory to Roald Dahl’s 1964 novel Charlie and the Chocolate Factory, to discuss the nature of communication. It was the book’s Mike Teavee character explaining the process of transmitting a photograph that was one of the starting points for this project, says Strand. In the 1971 film adaptation, Mike says: “You photograph something then the photograph is split up into millions of tiny pieces and they go whizzing through the air, then down to your TV set when they are all put together in the right order.” What Mike fails to predict are the complications and disruptions which can occur …

2018-04-06T17:18:11+00:00

Sparks from Ukraine by Wiktoria Wojciechowska

When Polish photographer Wiktoria Wojciechowska first heard about the ongoing Ukrainian conflict she was in China, shooting a project titled Short Flashes, which went on to win the 2015 Leica Oskar Barnack Newcomer Award. “I was cracking the internet but everything was so blocked I couldn’t get any information,” she says. “I was asking all my friends, then I realised not many people knew about it, even though it’s so close [as Ukraine borders Poland]. I was really inspired to go by fear, by wondering how I would react if the same thing happened in my country.”

2018-04-04T14:43:31+00:00

Tereza Zelenkova explores legend, myth and solitude in two upcoming solo shows

For Czech photographer Tereza Zelenkova, it is the stories behind the images that fascinate her. “I guess a good way of looking at some of my works is as if they were illustrations for a book that does not exist,” says Zelenkova, whose work will be shown in two upcoming solo shows in Amsterdam

2018-04-17T11:57:02+00:00

BJP Staff