All posts filed under: BJP

Sound & Vision: BJP’s August issue, dedicated to music photography

The latest issue of the oldest photography magazine in the world, available to buy now, has been put together to coincide with the opening of the contemporary music photography show We Want More at The Photographer’s Gallery, curated by BJP Deputy Editor Diane Smyth, from the 17 July to 20 September 2015. It includes features on Sven Marquardt, a long-term bouncer from underground Berlin, capturing decades of nefarious activity in a global capital of live music. We speak to Sanna Charles about her book God Listens to Slayer, the culmination of ten years spent photographing the metal band’s most dedicated cult fans. And we feature Michele Sibiloni, who realises a new vision of Ugandan society by embedding himself in the vibrant cultural nightlife of Kampala, the nation’s capital. Here, Diane Smyth, editor of this month’s BJP, introduces the issue: “Photography, like literature, has many genres. And as with literature, some of those genres have more stature than others. Where literary fiction has more cachet than detective novels, documentary has higher status than music photography – which is all too often …

2015-07-02T15:06:11+00:00

July2015

Special issue: photography education

What does the perfect art college look like? The Ecole cantonale d’art de Lausanne in Switzerland, profiled in our July issue (now on sale at newsagents in the UK and selected countries abroad, or via iTunes for our iPad edition, or directly from The BJP Shop), must come pretty close, with its balance of the vocational, the conceptual and a dash of the downright weird. Not to mention first-class facilities housed in a state-of-the-art building near Lake Geneva, sensibly priced course fees (€800 per term), and a workshop programme made up of visiting lectures by some of the world’s leading photographers, including Thomas Mailaender’s now legendary woodland survival course. If that all sounds a little different to your own art college experience, then how about this for a schedule: “I think something very specific about ECAL is that we are very pragmatic – we start at 8am in the morning and we finish quite late,” says Milo Keller, the photography course leader since 2012. “The students have to work really, really hard – we don’t …

2015-06-25T16:25:51+00:00

© Daniel Duart, Spain, 2nd Place, Travel, Professional Competition 2013

BJP and World Photography Organisation announce new partnership as Sony World Photography Awards open for entries

British Journal of Photography is pleased to announce a media partnership with the World Photography Organisation, to coincide with the opening of the 2016 Sony World Photography Awards. The winner of the Student Focus strand of the Sony award will be featured at BJP online and have the chance to share their work through our Instagram feed. The ninth edition of the awards remain free to enter, and are spread across five separate competitions: Professional, Open, Youth, National and Student Focus. Last year, the awards attracted 173, 444 entries from 171 countries. The winning photographers will see their work exhibited at the Sony World Photography Awards exhibition at Somerset House, London, as well as in the 2016 edition of the awards’ photobook. A sum of $30,000 will also be shared between the overall winners, as well as Sony imaging equipment. Last year, the exhibition at Somerset House saw a record 33,394 visitors. From this year, the award will be split into two distinct photographic genres – Art and Documentary. The change, the award says, is designed “to provide a clearer structure in which photographers …

2015-06-15T16:05:13+00:00

How Adama Jalloh won the undergraduate single award 

For the judges of the BJP Breakthrough undergraduate awards – Gemma Padley, Lewis Chaplin and Sebastian Richter – it was the boy’s expression in Adama Jalloh’s image that caught their attention. Staring straight at the camera, the boy, who is around 13-years-old according to Jalloh, looks confident, almost defiant, and is standing tall; but his expression also betrays a hint of wariness and vulnerability. Jalloh, who is in her final year of a BA photography degree at Arts University Bournemouth, took the image on a street in south London, close to where she lives in Peckham. The image is part of a series, You fit the description, that looks at young black and Asian men in London who are likely to be stopped, questioned and searched by police, Jalloh explains. “I randomly approached young men on the street and asked whether they’d ever been stopped and searched, and how they felt about it,” says Jalloh. “It’s one of those things they have to go along with – they’re given weird, vague reasons as to why they’re being stopped, and aren’t allowed to say how they feel. This boy told me that lots of his friends are stopped by the police on a regular basis,” she adds. “It’s quite sad really, but many have a very negative view of the police …

2015-05-29T16:23:18+00:00

How Felix von der Osten won the undergraduate series award 

Last summer, German photographer Felix von der Osten made a road trip to the US, travelling through places such as South Dakota and crossing the border into Montana. It was here, towards the north of the state that he came across the Fort Belknap Indian Reservation, home to two Native American tribes – Gros Ventre and Assiniboine. This is where he would make his series, The Buffalo that could not Dream, which has won the undergraduate series category in BJP’s Breakthrough Awards. “I had never seen anything like this before, nor did I know anything about this place,” says von der Osten, who is studying a BA in photography at the University of Applied Sciences and Arts in Dortmund, Germany. “My idea of Native American people was a very romanticised one, from books I’d read. [After arriving at Fort Belknap] I became interested in this place.” Von der Osten explains how he ended up living on the reservation for a month towards the end of 2014, and says that his images reflect what he saw while he was there and the people he met. The two tribes are historically enemies he explains, but were forced to …

2015-05-29T21:24:20+00:00

How Tim Pearse won the graduate single image award  

This image may look simple, but a lot of time and craftsmanship has gone in its creation. It is a lith print, made by Tim Pearse, a former BA photography student at Plymouth College of Art. And it is with this image that Pearse won the singles prize in the recent graduate category of the BJP Breakthrough Awards, which was judged by BJP editor Simon Bainbridge, photography curator Leo Scott, and photographer Laura Pannack. Working exclusively with analogue and alternative photographic processes, Pearse crafted the image as part of a longer untitled series of lith prints. “I wanted to create a discourse on constructed memory through the perception of ambiguous form,” says Pearse. “I wanted to illicit the asking of questions of self… we can look at any object or place and it generate something intangible within ourselves.” Pearse took the image on a Mamiya RB67 camera loaded with Ilford Delta 100 film, and printed it as a lith print using lith developer, which gives the image its soft, hand-drawn quality, he says. “I learnt this process while I was at university and have worked with it ever since. I like being part of every point in the making of the photograph, and being able to have …

2015-05-26T16:00:03+00:00

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Winners of BJP Breakthrough Photography Awards announced

BJP

German photographer Felix von der Osten scooped the Undergraduate Series Award for his documentary project The Buffalo that could not Dream. Currently studying BA Photography at the University of Applied Sciences and Arts in Dortmund, this ongoing project began in the summer of 2014 when he spent time living with the community of the Fort Belknap Indian Reservation in Montana. British photographer Adama Jalloh won the Undergraduate Single Image for her street portrait of a young boy in south London. Taken from her ongoing series You fit the description, the work reflects on the frequency of police stop and search operations targeting young black and asian men. Jalloh is currently in her final year of BA Commercial Photography at Arts University Bournemouth. Tanya Houghton took the Graduate Series Award for This Must Be The Place, which uses folded and re-photographed landscape images to explore contemporary cartography and the unseen lines of our journeys. She is currently studying for an MA in Photography and Urban Cultures at Goldsmiths University, London. Finally, artist and portrait photographer Tim …

2015-06-09T11:59:04+00:00

June2015

BJP #7836: The Book Club

The latest issue of British Journal of Photography is a celebration of the contemporary photobook, the primary art form for contemporary photographers. We believe book-making, and the conceptualisation of books, has become the medium on which artists are now judged. There’s been an explosion of small publishers, and book-making rather than the simple creation of photography prints is now the dynamic area of modern photography. As independent publishers Aron Morel and Hannah Watson say in this issue: “The book is the ultimate space for the photograph” and “the best way of getting your work out there in a cohesive way”. And Self Publish, Be Happy’s Bruno Ceschel points out that the really big projects of the last five years were published before they were exhibited – Cristina de Middel’s Afronauts, Lorenzo Vitturi‘s Dalston Anatomy and Nicoló Degiorgis’ Hidden Islam. This issue of BJP includes interviews with publishers, designers, photographers and curators involved in book publishing. We’ve talked to photography luminaries like Michael Mack of the eponymous publishing house Mack, Simon Baker of Tate, and Michael Hoppen of the Michael Hoppen Gallery, and independent …

2015-05-28T16:02:18+00:00

BJP June issue up for pre order now

The photobook boom shows no sign of slowing down, with Tate Modern opening its Turbine Hall to the Offprint art book fair this May, and London crystallising its reputation for cutting-edge publications. We’ve celebrated with a special issue, gathering together leading figures in the world of photography, such as Michael Mack (Mack Books) and Simon Baker (Tate Modern). We also got London’s top indie publishers together in one room for a discussion – Bruno Ceschel (Self Publish, Be Happy), Hannah Watson (Trolley Books), Aron Morel (Morel Books), Damien Poulain (Oodee) and Maxwell Anderson (Bemojake). “London has become the place people come to if they want to have an interesting book made as an artist,” says Ceschel. “There is a set of skills here that is doing more than just nurturing British photographers, and people like us [publishers who] would in the past have been employed in an institution and put our skills and vision to use in three-dimensional spaces or other curatorial projects. “Now, with the institutions we have, and the way that public funding …

2015-05-27T12:37:24+00:00

May2015

BJP #7835: Nude Animal Cigar

The May issue of British Journal of Photography, on sale now, is dedicated to photographers who don’t quite ‘fit in’. Our main feature is Michael Grieve’s interview with Nick Waplington, the iconic British photographer, as he exhibits his photography alongside Alexander McQueen at Tate Britain. For Waplington, the sense of being an outsider runs throughout his work, as does the idea of family. Originally from middle-class Surrey, he made his name with a series of photographs focusing on life on the Nottingham housing estate (where his grandfather had been born and still lived), capturing in lurid colour the ‘pre-Ikea’ interior worlds of two unemployed families 10 years into the Thatcher regime. The resulting photobook, Living Room, brought Waplington to international attention in 1991. And although it was talked about in the same breath as some of his older contemporaries loosely affiliated with the new wave of British documentary at the time, Waplington reflects on his approach differently. “I was inspired by the colour work of Paul Graham, Martin Parr and Tom Woods; I liked their aesthetic, though not necessarily …

2015-05-28T15:54:53+00:00

BJP Staff