All posts filed under: BJP

Get BJP’s Fashion Issue now

While Continental Europe is only just returning home from holidays, here in London, after a particularly damp August, we’re ready to brighten things up, turning on the style with a month of issues dedicated to fashion, available to order now, as well as a download from the App Store. We’re in good company. Later this month, the fashion cognoscenti will be heading to the British capital for London Fashion Week, where homegrown talents such as Gareth Pugh, JW Anderson and Vivienne Westwood share the runway with international designers, including Maison Margiela, Barbara Casasola and Versus. And London-based fashion magazines such as Pop, The Gentlewoman and Dazed & Confused have just put out their September editions, which are usually the most important of the year in terms of page numbers and ad spend. We’ll be celebrating British talent with a profile of photographer du jour, Jamie Hawkesworth, interviewed by Jason Evans, alongside a visit to the London home of someone who influenced him, Nigel Shafran. We will also be covering the emergence of agencies devoted to mature …

2015-09-02T12:19:59+00:00

Call for entries – BJP’s International Photography Awards 2016

BJP

British Journal of Photography’s annual International Photography Award is now open for entries, offering the winners the chance to show their work at TJ Boulting, an innovative gallery in the heart of Fitzrovia, central London. The winners will also have their work printed and framed by one of Europe’s leading professional photography labs, theprintspace. Now in its 10th year, the IPA has established itself as one of the photography world’s leading showcases for new work, with last year’s series winner, Dominic Hawgood, attracting rave reviews in The Guardian and Time Out. This year’s elite judging panel, drawn from the worlds of photography, art and media allow entrants to get their work in front of the most influential people in the industry. This year’s panel includes: Kate Bush, head of photography at Media Space within The Science Museum, London Sean O’Hagan, photography critic at The Guardian and The Observer Emily Graham, culture & education manager at Magnum Photos Bruno Ceschel, founder of Self Publish, Be Happy and photobook expert Hannah Watson, director of Trolley Books and TJ …

2015-08-27T15:40:03+00:00

Every year workers in the largest public cemetery in Guatemala exhume the bodies of some 4,000 infants to deposit in a mass grave, which borders the main garbage dump in the capital city. Cemetery rules state that six years after a burial, relatives must pay 180 Quetzales, around US$24 dollars, to renew the burial plot for another four years. If there is no payment, cemetery workers exhume the bodies of the young children and put the skeleton in a mass grave. Almost none of the relatives pay the fees and over 4,000 bodies are exhumed annually.

The cemetery in Guatemala that exhumes babies’ graves

When a child dies, some parents quell their pain with the belief that their child is among the angels. Others find comfort in knowing their child is at rest. They know there is a place where, in moments of quiet despair, they can drop to their knees and grieve the absence of their little body to hold. So when photojournalist Saul Martinez learned that, in his home country of Guatemala, deceased children were being exhumed from their places of rest and being disposed of in a public burial pit, it struck him as inconceivable. “I set out to find this cemetery that I had heard about. It was somewhat difficult to get access to it; the workers didn’t really want to let me see much at first. “I was so shocked when I saw the remains of children being pulled out, not only because of the fact that babies were being exhumed but because a job like this actually exists.” And so began Forgotten Children, Guatemala City, a documentary short and series of images that …

2015-08-28T13:37:00+00:00

BJP #7839: California Redux, BJP’s documentary issue, is available to buy now

San Francisco photographers from the 1980s. James Ellroy’s raid of the LAPD archives. An Iranian photographer,  a Magnum legend in the making. Each is featured, exclusively, in the new issue of British Journal of Photography, available to buy now. BJP September 2015 is a documentary issue dedicated to shining a light on the photographers forgotten by their generation, unrecognised by their native culture, but creating acerbic, politically-charged and revealing documentary photography works. We’ve featured these photographers for the fact that photographic canons, the pantheons of accepted greats, can feel pretty permanent while they last. But the celebrated photographer of today can easily be a historical footnote of tomorrow, and the obscure images lost in the archive one day can easily take centre stage the next. This, we think, is what’s happening to the three photographers profiled in this month’s cover image – Mimi Plumb, Janet Delaney and Michael Jang, all of whom hit their stride in California in the 1970s and 80s. Making acute documentary work with a historical or political bent, they never quite got the critical acclaim they deserved …

2015-08-07T14:14:37+00:00

The angels of lot (Gli angeli di lot), 2008. From Sodom and Gomorrah © Alessandro Bavari

Alessandro Bavari – in the belly of the beast

There are many disparate moments in Alessandro Bavari’s childhood that inform the artist he is today – watching tadpoles hatch, the first time he walked into a Gothic church in Burgundy, losing grip of a balloon and seeing it bob away, meeting its fate against a rose bush. He says these impressions are so profound – a sensation, a feeling of wonder, a sound – they occasionally crop up in his work. Bavari uses mixed-media techniques to create a unique body of work that incorporates both photography and film. He often draws on literary influences, offering his own interpretation using model sets, organic objects, photography and digital manipulation. The results are often macabre, and sometimes irreverent. His ongoing series, Sodom and Gomorrah, is one such unique fusion of media. “Sodom and Gomorrah was first conceived 15 years ago. I was inspired by Invisible Cities, a novel by Italo Calvino, written and published in the 1970s, but which he cultivated over many years through travel notes and reflections, and organised by themes – the five senses, …

2015-08-11T14:29:17+00:00

BJP #7838: Sound & Vision

The latest issue of the oldest photography magazine in the world, available to buy now, has been put together to coincide with the opening of the contemporary music photography show We Want More at The Photographer’s Gallery, curated by BJP Deputy Editor Diane Smyth, from the 17 July to 20 September 2015. It includes features on Sven Marquardt, a long-term bouncer from underground Berlin, capturing decades of nefarious activity in a global capital of live music. We speak to Sanna Charles about her book God Listens to Slayer, the culmination of ten years spent photographing the metal band’s most dedicated cult fans. And we feature Michele Sibiloni, who realises a new vision of Ugandan society by embedding himself in the vibrant cultural nightlife of Kampala, the nation’s capital. Here, Diane Smyth, editor of this month’s BJP, introduces the issue: “Photography, like literature, has many genres. And as with literature, some of those genres have more stature than others. Where literary fiction has more cachet than detective novels, documentary has higher status than music photography – which is all too often …

2015-08-07T14:13:59+00:00

From 1800 Millimètre © Emi Anrakuji

Emi Anrakuji – ‘1800 millimetres. It’s the size of my bed’

The elusive Emi Anrakuji. Her work seems to have exploded onto the photography scene in early 2000, attracting the attention of Daido Moriyama in 2004. “He was very much impressed,” says Emi, whose body of work is a series of self-portraits in which she often focuses on the most intimate details of her anatomy while simultaneously concealing her identity. It’s this contradiction that obfuscates the viewer. Legs splayed, crouched on a bed on all fours, a finger inserted into her vagina – the self-portraits in 1800 Millimètre, Emi’s latest body of work, “are not erotic at all,” she says. “1800 millimetres is just the size of my bed.” A bed to which she was confined, which came to represent her world – the very world from where her work originated. “It’s work that came out of my sickbed.” In 1800 Millimètre, Anrakuji poses nude, in solitude, in close shadowy settings – the confines of her bedroom staged for the gaze of a lens. She describes herself as “an alchemist of images”, blurring the contrived and the authentic …

2015-07-17T12:48:37+00:00

July2015

BJP #7837: Look and Learn

What does the perfect art college look like? The Ecole cantonale d’art de Lausanne in Switzerland, profiled in our July issue (now on sale at newsagents in the UK and selected countries abroad, or via iTunes for our iPad edition, or directly from The BJP Shop), must come pretty close, with its balance of the vocational, the conceptual and a dash of the downright weird. Not to mention first-class facilities housed in a state-of-the-art building near Lake Geneva, sensibly priced course fees (€800 per term), and a workshop programme made up of visiting lectures by some of the world’s leading photographers, including Thomas Mailaender’s now legendary woodland survival course. If that all sounds a little different to your own art college experience, then how about this for a schedule: “I think something very specific about ECAL is that we are very pragmatic – we start at 8am in the morning and we finish quite late,” says Milo Keller, the photography course leader since 2012. “The students have to work really, really hard – we don’t …

2015-07-17T12:47:55+00:00

© Daniel Duart, Spain, 2nd Place, Travel, Professional Competition 2013

BJP and World Photography Organisation announce new partnership as Sony World Photography Awards open for entries

British Journal of Photography is pleased to announce a media partnership with the World Photography Organisation, to coincide with the opening of the 2016 Sony World Photography Awards. The winner of the Student Focus strand of the Sony award will be featured at BJP online and have the chance to share their work through our Instagram feed. The ninth edition of the awards remain free to enter, and are spread across five separate competitions: Professional, Open, Youth, National and Student Focus. Last year, the awards attracted 173, 444 entries from 171 countries. The winning photographers will see their work exhibited at the Sony World Photography Awards exhibition at Somerset House, London, as well as in the 2016 edition of the awards’ photobook. A sum of $30,000 will also be shared between the overall winners, as well as Sony imaging equipment. Last year, the exhibition at Somerset House saw a record 33,394 visitors. From this year, the award will be split into two distinct photographic genres – Art and Documentary. The change, the award says, is designed “to provide a clearer structure in which photographers …

2015-06-15T16:05:13+00:00

How Adama Jalloh won the undergraduate single award 

For the judges of the BJP Breakthrough undergraduate awards – Gemma Padley, Lewis Chaplin and Sebastian Richter – it was the boy’s expression in Adama Jalloh’s image that caught their attention. Staring straight at the camera, the boy, who is around 13-years-old according to Jalloh, looks confident, almost defiant, and is standing tall; but his expression also betrays a hint of wariness and vulnerability. Jalloh, who is in her final year of a BA photography degree at Arts University Bournemouth, took the image on a street in south London, close to where she lives in Peckham. The image is part of a series, You fit the description, that looks at young black and Asian men in London who are likely to be stopped, questioned and searched by police, Jalloh explains. “I randomly approached young men on the street and asked whether they’d ever been stopped and searched, and how they felt about it,” says Jalloh. “It’s one of those things they have to go along with – they’re given weird, vague reasons as to why they’re being stopped, and aren’t allowed to say how they feel. This boy told me that lots of his friends are stopped by the police on a regular basis,” she adds. “It’s quite sad really, but many have a very negative view of the police …

2015-05-29T16:23:18+00:00

BJP Staff