Arunà Canevascini was nominated by Erik Kessels for the richness of her projects, which merge femininity, domesticity and migration. In Villa Argentina, Canevascini examines these themes through elaborately-designed images in which the domestic settings she photographs are disrupted by intrusions from both the history of art and her own family past.
Born in Naples, Italy in 1988, Lorenza Demata was raised in Florence and took her first degree in International Cooperation and Conflict Management in the city. She went on to study photography for three years at the Fondazione Studio Marangoni in Florence, graduating in 2016 and moving to London to study for an MA in Photography at the London College of Communication. She recently graduated from the LCC with a final project called It all started when some of us left the country, which compares the movements of people and food – linking the fact that approximately 40% of London’s population is made up of expatriates, and almost 50% of the total consumption of food resources relies on imported fruit and vegetables. BJP: Your BA is in International Cooperation and Conflict Management, why did you switch to photography? Or do you feel you’re still working on similar issues? Lorenza Demata: I have always been interested in social and political issues. When I started my first BA, almost ten years ago, I wanted to understand what was happening …
After graduating in 2012 with a BA in photography from University of the West of England, Bristol, Max Ferguson became quickly disillusioned by the lack of viable career paths or platforms that would publish his or his friends’ work.. Growing frustration quickly turned into inspiration, however, and with that came the idea to create a platform from scratch in the form of Splash and Grab.
“The magazines I really liked or wanted to work for were either shutting down or not in a position to reply to emails, let alone give me a job,” he explains. “So I just decided to start something myself. Lots of magazines start in those DIY circumstances I suppose, with some hot headed graduate who thinks everything will be really easy but ends up finding it really difficult.”
“This image documents a transcendental fact in the life of the person portrayed: Amadou had just been rescued from the sea by a European vessel,” says Dezfuli. “Apparently his dream is fulfilled. However, fear, mistrust and uncertainty are present, as well as determination and strength.” For his series, Passengers, photographer Cesar Dezfuli took a sequence of 118 photographs in 120 minutes as a boat load of refugees were rescued just off the coast of Libya. These people had journeyed from different countries looking for a better future in Europe.
Born in 1983, Emmanuelle Andrianjafy grew up in Madagascar and worked as an engineer in France before moving to Dakar in 2011. Relocation to Senegal proved quite a shock. “It’s very energetic, very hectic, very loud,” she told BJP for the June Ones to Watch issue. “It’s very different to where I’ve lived before. It’s by the sea but it’s not peaceful; the landscape is harsh and dry. I was tempted to not deal with it and just stay at home.”
“This exhibition doesn’t have any of the clichés people might expect Irish photography to have,” says Vivienne Gamble. “I want it to give a viewpoint of the country that a lot of people wouldn’t necessarily expect.”
The director of Peckham’s Seen Fifteen Gallery is talking about Triptych, an exhibition showing in Paris from 09-12 November in association with Centre Culturel Irlandais. The exhibition, which will be held across the three levels of the Espace Lhomond gallery just across the street from the CCI, features work by three of Ireland’s most promising photographers: Ciarán Óg Arnold, Megan Doherty and Martin Seeds, each of whom is showing photographs deeply rooted in their homeland.
Taking inspiration from the DIY culture of his homeland during the Soviet era, Belarusian photographer Alexey Shlyk’s series of playfully staged photographs explores craftsmanship and resourcefulness.
Founded in 2006 by photographer and curator Olga Korsunova, art-manager and photography critic Nadya Sheremetova, and art historian Elena Zyrianova, FotoDepartament is a gallery, bookshop, library and education hub in St. Petersburg, Russia. Aiming to promote and develop contemporary Russian photography at home and abroad, FotoDepartament runs many events, exhibitions and workshops, and represents internationally-recognised artists such as Kirill Savchenkov, Irina Yulieva, and Jana Romanova. FotoDepartament is also currently running several digital projects. Now it’s started a publishing project called Amplitude, creating photobooks of emerging Russian photographers’ work which can be read individually, or gathered together into groups. Amplitude No.1 includes photobooks by Alexey Bogolepov, Margo Ovcharenko, Irina Zadorozhnaia, Anastasia Tsayder, Igor Samolet, Yury Gudkov, Olya Ivanova, Irina Ivannikova, Anastasia Tailakova, and Irina Yulieva. BJP caught up with Nadya Sheremetova to find out more
Established in 2012, the Paris Photo-Aperture Foundation PhotoBook Awards are divided into three categories – PhotoBook of the Year, First PhotoBook, and Photography Catalogue of the Year. The winners will be announced on 10 November at Paris Photo, and all the shortlisted and winning titles will be profiled in The PhotoBook review and exhibited at Paris Photo, the Aperture Gallery in New York, and at other international venues. The year Albert Elm’s What Sort of Life is This, Mathieu Asselin’s Monsanto: A Photographic Investigation and the group book project Amplitude No.1, which is edited by Nadya Sheremetova and includes photographers such as Irina Yulieva, Igor Samolet and Irina Ivannikova, were among those to make the First PhotoBook shortlist this year
“I hope the project can make the audience feel like they walking through a cloud of mist.” Zhao Qian, a Chinese photographer living in San Francisco, has recently been announced as a runner-up in this year’s BJP Breakthrough Awards. His series, Offcut, the edge, is inspired in part by the feeling of jetlag, which he describes as creating a fog on his surroundings.