Born in 1983, Emmanuelle Andrianjafy grew up in Madagascar and worked as an engineer in France before moving to Dakar in 2011. Relocation to Senegal proved quite a shock. “It’s very energetic, very hectic, very loud,” she told BJP for the June Ones to Watch issue. “It’s very different to where I’ve lived before. It’s by the sea but it’s not peaceful; the landscape is harsh and dry. I was tempted to not deal with it and just stay at home.”
“This exhibition doesn’t have any of the clichés people might expect Irish photography to have,” says Vivienne Gamble. “I want it to give a viewpoint of the country that a lot of people wouldn’t necessarily expect.”
The director of Peckham’s Seen Fifteen Gallery is talking about Triptych, an exhibition showing in Paris from 09-12 November in association with Centre Culturel Irlandais. The exhibition, which will be held across the three levels of the Espace Lhomond gallery just across the street from the CCI, features work by three of Ireland’s most promising photographers: Ciarán Óg Arnold, Megan Doherty and Martin Seeds, each of whom is showing photographs deeply rooted in their homeland.
Taking inspiration from the DIY culture of his homeland during the Soviet era, Belarusian photographer Alexey Shlyk’s series of playfully staged photographs explores craftsmanship and resourcefulness.
Founded in 2006 by photographer and curator Olga Korsunova, art-manager and photography critic Nadya Sheremetova, and art historian Elena Zyrianova, FotoDepartament is a gallery, bookshop, library and education hub in St. Petersburg, Russia. Aiming to promote and develop contemporary Russian photography at home and abroad, FotoDepartament runs many events, exhibitions and workshops, and represents internationally-recognised artists such as Kirill Savchenkov, Irina Yulieva, and Jana Romanova. FotoDepartament is also currently running several digital projects. Now it’s started a publishing project called Amplitude, creating photobooks of emerging Russian photographers’ work which can be read individually, or gathered together into groups. Amplitude No.1 includes photobooks by Alexey Bogolepov, Margo Ovcharenko, Irina Zadorozhnaia, Anastasia Tsayder, Igor Samolet, Yury Gudkov, Olya Ivanova, Irina Ivannikova, Anastasia Tailakova, and Irina Yulieva. BJP caught up with Nadya Sheremetova to find out more
Established in 2012, the Paris Photo-Aperture Foundation PhotoBook Awards are divided into three categories – PhotoBook of the Year, First PhotoBook, and Photography Catalogue of the Year. The winners will be announced on 10 November at Paris Photo, and all the shortlisted and winning titles will be profiled in The PhotoBook review and exhibited at Paris Photo, the Aperture Gallery in New York, and at other international venues. The year Albert Elm’s What Sort of Life is This, Mathieu Asselin’s Monsanto: A Photographic Investigation and the group book project Amplitude No.1, which is edited by Nadya Sheremetova and includes photographers such as Irina Yulieva, Igor Samolet and Irina Ivannikova, were among those to make the First PhotoBook shortlist this year
“I hope the project can make the audience feel like they walking through a cloud of mist.” Zhao Qian, a Chinese photographer living in San Francisco, has recently been announced as a runner-up in this year’s BJP Breakthrough Awards. His series, Offcut, the edge, is inspired in part by the feeling of jetlag, which he describes as creating a fog on his surroundings.
It can be tough breaking into an industry known for its dog-eat-dog reputation, but a good attitude goes a long way – as long as its accompanied by talent. Based between Exeter and London, 22-year-old photographer Harry Cooke is taking on the fashion world with an open spirit, a sharp eye, and a pinch of salt. “The fashion industry is a weird one – I am always hearing stories of bad experiences,” says the Arts University Bournemouth graduate. “But I always think the concepts, teams and shoots that I put together are relaxed and fun. Taking life too seriously is a dangerous thing, and that’s what I aim to bring to the world of fashion. Goodbye seriousness!”
Katie Burdon’s ethereal fashion images make no secret of a childhood spent outside in the English countryside. A Cornish native, the 20-year-old first began taking photographs when she was 14, using her friends as models and the picturesque fields, woods, and seaside of her surroundings as her backdrop. Now a graduate of the University of Bournemouth, her practice has evolved into an intimate and considered portrayal of femininity through fashion photography. With a rich yet hazy 1970s-inspired palette and surreal undertones, Burdon’s photographs are elegant in their composition, yet still capture something of the raw and playful nature of youth. Determined to counteract the impossible beauty standards of the imagery she grew up with, the young photographer prefers being real and “celebrating women”, choosing models with big personalities.
“In this series, I dissolve images and fragments of time,” says French photographer David Infante. The monochrome ‘portraits’ that make up Mirror without a memory certainly feel as if they are unfixed, spanning time as they shift and melt under a fragmented surface. Triggered by a period of solitude in London, he resurrected images from his archive, reprocessing his memories by selecting photographs, cutting them up and combining snippets to give them new forms. For Infante, slowing down time or wrestling many layers of it into one frame takes us into what he calls “parallel worlds”: a space to reflect and search for new meanings beyond the surface of the everyday. The photographer, who has just completed an MA at the Royal College of Art in London and is based in southern Portugal, ascribes his meditative approach to his early experience with analogue photography. “It brought me concentration and contemplation,” he explains.
German photographer Andrea Grützner, who was born in 1984, has won the ING Unseen Talent Award with her series Hive. She now wins €10,000 to develop a new project and, along with the other shortlisted photographers, the opportunity to develop her work under the guidance of Nadav Kander, the UK-based photographer best-known for his huge commission for The New York Times Magazine, Obama’s People.