Mac Lawrence’s Hidden Dispositions examines the representation of masculinity in his home country, Australia, a place “shaped by conflict, toxic norms and a deeply fragile sense of masculinity”. “Australian culture is rooted in racism, sexism and decades of white male dominance,” he says.
With a Lebanese-American mother and an Emirati father, Farah Al Qasimi has lived much of her life between the United States and Abu Dhabi, where she grew up. Now completing a Master of Fine Arts at Yale, she is still oscillating between her two home nations, and producing work that explores home, belonging, representation and clarity.
“I’m not based anywhere yet,” says Marco Zanella. Since inheriting his late Uncle Giorgio’s camera collection, the Italian photographer has been on the move and taking pictures every day for the past 11 years. “I do not trust my memory, so I need to record it,” he says.
Aged just 24, Khadija Saye died tragically young in the horrific fire in West London’s Grenfell Tower on 14 June – a tragedy which has cut short a life already touched by greatness. Having won a scholarship to the prestigious Rugby School at 16, Saye went on to study photography at UCA Farnham and was selected to show work alongside well-established artists such as Isaac Julien and Yinka Shonibare at the Diaspora Pavilion in Venice this summer. Here her colleagues and ex-tutors remember her
Rose Marie Cromwell went beyond the cliches to build an expressionistic homage to the Cuba she knows and loves. “I wanted to make images that investigated my complicated relationship to this specific place, rather than trying to document something ‘about’ Cuba,” she says.
Casting from the street and creating near-future looks, South African photographer Kristin Lee Moolman is creating “a new African mythology”, say her fans, which has already featured in an exhibition at Somerset House, and in fashion magazines such as Vogue
“My photography is me, my doubts and my hopes,” says Spanish photographer Albert Bonsfills, who has shot major projects in China and Japan. “My camera is a mirror, a tool to help me understand myself as well as a way of showing other people’s lives, even people I have nothing in common with at first – people born 10,000 miles away from me.”
Fiercely independent, Tom Johnson left school at 17 and dropped out of college, before setting up his own studio and carving out a career for himself in fashion photography. He’s now shooting for titles such as AnOther, SSAW, Buffalo Zine and Man About Town, as well as campaigns for Opening Ceremony and Faye Toogood, and is represented by Mini Title – whose founder first saw his work in BJP.
Arunà Canevascini was nominated by Erik Kessels for the richness of her projects, which merge femininity, domesticity and migration. In Villa Argentina, Canevascini examines these themes through elaborately-designed images in which the domestic settings she photographs are disrupted by intrusions from both the history of art and her own family past.
It was while working as an art director that rising talent Justine Tjallinks decided she wanted to make her own images. Born in a small village in the east of the Netherlands, the 32-year-old moved to the Dutch capital to study at the Amsterdam Fashion Institute before immersing herself in the commercial world, working on several leading fashion publications.