“MY FRIENDS!” writes Çağdaş Erdoğan from the Silivri Prison, Istanbul on 21 September, in a handwritten letter translated by a curator contact and circulated by his publisher Akina Books. “I salute all of you with my heart. Regardless of the illogical times we have been having, I hope you are well. Don’t worry about me. I’m doing well despite the physical and psychological negativities I experienced since the last two weeks.” Erdoğan was taken into custody at the start of September and officially arrested on 13 September, when he was put into pretrial arrest on accusations of membership to a terrorist organisation. In his letter, Erdoğan discusses the reason he was initially apprehended, and discusses some of the reasons he has been given for the terrorism charges.
Turkish photographer Çağdaş Erdoğan has been arrested in Istanbul according to his agency 140journos. The photographer, who was featured in the British Journal of Photography’s Ones to Watch list earlier this year, is thought to have been arrested whilst taking photographs in Istanbul’s central Kadikoy district
The celebrated young fashion photographer opens a solo show in Huis Marseilles on 09 September, but was a BJP One to Watch back in January 2014. “On the one hand, he is quite at home documenting passers-by in the grade II-listed Preston Bus Station, the future of which hangs in the balance, or photographing a British polo contest at Cowdray Park, as he did for Man About Town,” wrote Gemma Padley. “On the other, he has shot campaigns for designers Céline and Marc Jacobs, and has been featured in magazines such as i-D and Paris Vogue. In light of this impressive CV, Hawkesworth’s ability to turn his hand to whatever comes his way seems to know no bounds.”
For Lisa van Casand, photography provides carte blanche to investigate places and people she would otherwise not have access. Her projects often revolve around waarheidsvinding, a peculiarly Dutch term best – if imprecisely – translated as ‘truth-finding’, an interest she attributes to her upbringing. “I grew up with people around me that had quite a variety of strong beliefs,” says the 26-year-old from Eindhoven. “Which is not necessarily a bad thing in itself but it did confuse me at a young age – how people could believe so strongly in opposite things?” Though interested in the idea of photography as evidence and document, it was the fallacy of the tools we use to order reality, and the limitations of seeing, that she often reflects on in her research-led projects. “I am drawn to things that are shrouded in mystery. The bigger the impossibility of reaching the object of investigation, the better,”says the final-year student at the Royal Academy of Art in The Hague. Clarity and knowledge are not the desired outcomes of her research: it’s the …
Since graduating from the documentary photography course at the University of South Wales last year, Lua Ribeira has gone from strength to strength. In addition to the Firecracker Grant, which she was awarded in 2015 while still a student, her work was recently selected by Susan Meiselas to appear in Raw View magazine’s Women Looking at Women issue. She is also making a name for herself commercially and with editorial clients such as Wired; her images have been shown at international festivals, including Photo España in 2014 and Gazebook Festival in 2015, and she has also been awarded a Jerwood Photoworks Grant for future projects in 2018. Thus far, Ribeira is best known for Noises in the Blood, an ongoing investigation into Jamaican dancehall culture,
Born in Paris to parents from Guadeloupe and living in Miami and St Maarten before settling in Los Angeles, twin brothers Jalan and Jibril Durimel draw on a geographically diverse upbringing to create a new wave of fashion photography. “We’re not necessarily ‘cultured’ but we saw a bit more of what the world had to offer,” they say, adding: “more understanding of the intersections of life, is something we’d like to suggest – more exchange between nations – in our future work”.
Born in 1983, Emmanuelle Andrianjafy grew up in Madagascar and worked as an engineer in France before moving to Dakar in 2011. Relocation to Senegal proved quite a shock. “It’s very energetic, very hectic, very loud,” she told BJP for the June Ones to Watch issue. “It’s very different to where I’ve lived before. It’s by the sea but it’s not peaceful; the landscape is harsh and dry. I was tempted to not deal with it and just stay at home.”
Karen Paulina Biswell spent much of her upbringing in Paris, having moved there with her parents when barely a teen in the early 1990s to escape the political unrest and violent clashes plaguing her native Colombia. She now lives back in Colombia, and her provocative project on strong women is going on show at Les Rencontres d’Arles
It’s the biggest, most prestigious photography festival in the world and it’s back – Les Rencontres de la Photographie in Arles opens on 03 July and closes on 24 September. It’s the 48th edition of the festival, which has seen seismic changes in the last few years – the departure of its long-standing director Francois Hebel after the 2014 edition, and the arrival of his replacement, Sam Stourdze, the backing of the influential LUMA Foundation, and the Cosmos-Arles book fair. This history and reputation mean Arles is able to pull in the big names, which this year means including solo shows by Joel Meyerowitz, Michael Wolf, Gideon Mendel, Masahisa Fukase, Alex Majoli and Roger Ballen; plus an exhibition on Surrealism organised by Le Centre Pompidou and including works by Hans Bellmer, Erwin Wurm and Rene Magritte. Arles also uses its might to showcase lesser-known names and regions, however, and one of the themes running through the 2017 edition is Latina!, a celebration of work from South America in four separate shows. Urban Impulses is a group …
Nadine Ijewere has been interested in fashion imagery since she was a girl but it wasn’t until she studied photography at the London College of Fashion that she began to pick up on some of its more unsettling undertones – particularly the stereotypes used in the portrayal of non-Western cultures. The Misrepresentation of Representation, an early project that she completed at university reflected on Orientalism and how it came to rigidly define certain cultures for a Western audience.