All posts filed under: Architecture

Universite Ibn Zohr de Laayoune|  Academic building| Regroupement d'Architectes El Kabbaj, Kettani, Siana| Laayoune, Morocco| egroupement d'Architectes El Kabbaj, Kettani, Siana|2015/04/25| Paypal : 7KN42986UK329905S

Constructing Vision: Award winning architectural exhibition opens

Photography and architecture form an unlikely alliance. Photography is time, architecture is space. Architecture is volume, photography is flat. Buildings are made to last, where photography is endlessly reproducible, endlessly malleable, in our digital age. Yet since the photograph’s conception, the two have been inseparable. Be it a bitumen-coated plate or a memory card, photography is our primary medium to communicate and digest architecture, constantly transforming how we perceive and value the world. Building Images, an exhibition of the best architectural photography worldwide, explores the complexity and power of this relationship, showcasing a myriad of interpretations and representations some of the world’s most renowned architectural photographers have to offer. The exhibition, which opens on the 4th of February, features the winning images from The Arcaid Images Architectural Photography Awards 2015. Divided into four categories methodology – Building in use, Exteriors, Interiors and Sense of Place – Building Images demonstrates a broad range of photographic styles and approaches to the medium as well as featuring a diverse set of outstanding architectural forms. Work from overall winner …

2016-01-28T17:13:13+00:00

© Vincenzo Montefinese

IPA 2016: Announcing the Single Image runners-up

Last month we announced the winners of the 2016 International Photography Awards, with Juno Calypso winning the Series Award for her project Joyce, and Felicity Hammond winning the Single Image Award for her image Restore to Factory Settings. Competition in the Single Image category was fierce, with over 1500 entries from 92 different countries spanning from portraiture to photojournalism, landscape to fine art. As entries were whittled down to the final few, there was spirited debate among the judging panel, which included TJ Boulting’s Hannah Watson, Magnum Photo’s Emily Graham, Tate’s Emma Lewis and photographer Ewen Spencer. This week we’ll be announcing the runners-up, starting with the Single Image category.   Vincenzo Montefinese Indelible images documenting the ongoing migrant crisis has gripped the world in the past 12 months, so it came as little surprise that this year’s IPA received several strong entries depicting scenes of broken borders and desperate families fleeing conflict. Yet Italian photojournalist Vincenzo Montefinese’s approach was different. His shortlisted image was taken in his hometown – the southern Italian city of Taranto, in which …

2016-01-12T14:06:29+00:00

Live music inside L'Altro Mondo, Rimini, 1967. © Pietro Derossi

The radical architects who designed the discos of post-war Italy

As Italy emerged from World War II in the 1960s and 70s, the country found itself in need of reinvention. With the shadow of Mussolini and fascism looming large, the country set out to rebuild itself economically, culturally and socially. Out of this period of great transformation and uncertainty came the avant-garde designs by architects from the Radical design movement.  These architects, constrained by what they saw as the limits of post-war modern design, wanted to redefine the role of architecture in society. Inspired by the opportunity for experimentation, many viewed discotheques as an ideal vehicle for their creative drives. Innovative architects like Gruppo 9999, Superstudio and UFO designed a number of nightlife spaces that opened across the country. Radical Disco: Architecture and Nightlife in Italy, 1965 – 1975, is currently on show at the ICA until the 10th January and displays photographs from this fruitful, if brief period in Italian culture. As Sumitra Upham, co-curator alongside Catherine Rossi, tells BJP, the architects saw discos as an ideal avenue for the new ideas they wanted …

2016-01-06T17:02:13+00:00

Million Mask March: Anonymous white collars on their lunchbreak

Jonathan Meades, one of our great commentators on the built environment, once wrote: “We are surrounded by the greatest of all free shows. Places.” This idea drives Nicholas Sack’s Lost In The City, a new photobook published by London’s independent publishers Hoxton Mini Press, the eighth instalment of the publisher’s ongoing East London Photo Stories. “This is an ongoing, long term adventure for me really,” Sack says in a bar in the Square Mile, the heart of London’s financial industry, and the locale for his photography series. “I’ve been walking around this area for 30 years taking pictures,” he says. “What attracts me to the Square Mile is this collision of architecture, the old and the new; 17th century Wren churches slap bang next to a modern tower of glass and steel. That’s the joy of London to me, it wasn’t planned in the way that Paris was.” The work of Richard Rogers and Norman Foster, two of the heavyweight architecture triumvirate in the building boom of the 1970s and 80s, can be spotted amongst these arrangements. But Sack …

2015-11-27T11:29:48+00:00

From the series: Union
Trade Union Name:Seafarers International Union
Image Location: HQ Boardroom, Camp Springs, Maryland

Photographing the past, and future, of the union movement

Modern working life is so frenetic, we don’t often get the chance to dwell on how it is evolving, on how secure it is, on what we should do if it might ever become threatened. But who are the people, or groups of people, fighting against this seemingly inevitable trend? Who see, in the ways work once was, something noble, worth trying to protect. Noel Bowler’s new photography series Union, recently published as a photobook by the published by the Berlin-based publisher Kehrer Verlag, takes us inside the meeting rooms, and head offices, of industrial unions, introducing us to the people who try and safeguard the labour rights of ordinary people. Bowler portrays union offices from fourteen countries, ranging from Washington to Warsaw to Bowler’s native Ireland. He invites us to consider office spaces, meeting rooms and boardrooms as empty, dormant chambers, heavy with a sense of suspended conversation. By doing so, Bowler gives us the chance to consider how these beleaguered organisations – which sought to protect the rights of workers in the nineteenth century – have sought …

2015-11-24T13:06:22+00:00

Golden Gate, Berlin, 2010

The morning after the night before: inside Germany’s techno clubs

Long-time fans of electronica, André Giesemann and Daniel Schulz decided to combine their love of the German techno scene and photography in a joint ongoing project. The pair began collaborating in 2009 on Vom Bleiben, which features ghostly images of the insides of clubs after the ravers have left. Their images, taken on a large format camera with a 75mm lens, seek to record the emptiness of these spaces just after the club nights have ended – “the moment when the traces of the event become visible”, says Hamburg-based Giesemann. “Most of these clubs we know, and have experienced. In a way, this series is like an archive of clubs for me and Daniel, who is based in Berlin, since some of the buildings aren’t around any more. Sometimes they only exist for a while as temporary spaces.” In these images, the harsh light, made even more intense by the long exposures used by the pair (sometimes of several minutes), reveals the debris from the activities of the night before. Used beer bottles overflow on bar tops; discarded cigarette packets lie strewn …

2015-10-28T16:36:50+00:00

Philippe Starckʼs Paris apartment, where he lives with his wife Jasmine, a PR consultant

Inside View: Todd Selby

It’s 9am in Todd Selby’s Brooklyn studio, and he sounds like he’s bouncing all over the shop, full of the joys of winter. Since moving to New York from California in 1999, he’s milked the city dry. He’s been a professional photographer since 2001, and the website he began a few years later, TheSelby.com, was originally a local endeavour – a showcase for the area’s creative wonderkids – but he has since expanded his brief. Bustling workspaces and busy living rooms are still celebrated, but Selby has more recently been travelling the globe in pursuit of portraiture in food and fashion. He has also turned his hand to filmmaking, bringing his subjects to life with such joy that their enthusiasm – and Selby’s – bursts from your screen. “I thought of this idea, people in their spaces, and put it on the internet; it was just fun, and then it took off,” he says, jazzed that what was a personal project that saw him photographing his friends’ homes now takes him around the world, allowing him to meet incredible …

2015-11-03T12:53:20+00:00

The private spaces in the most explicit of workplaces

At first glance, the spaces in Elizabeth Moran’s The Armoury resemble theatre stages. They are in fact empty sets once used by porn production company Kink.com. Interested in the conflict between private emotion and public persona in places of work (previous series have included a genetics lab and the architecture of corporate culture), Moran contacted the company asking if she could photograph their backdrops and props. “I moved to San Francisco in 2011 and wanted to continue the series I had been working on about work spaces,” she says. “I began researching companies and the type of industries that reflected San Francisco’s personality. I approached several companies and Kink.com was very interested in the idea. I found myself drawn to an industry where private and public collide, but one that also mirrors its customers’ lives. “What is produced on these sets is a reflection of what is watched privately.” And although people may be absent from the images, there is a sense that something is about to happen, or has recently taken place. In one …

2015-10-07T17:40:05+00:00

House of Chino I © Werner Pawlok

Photographing the disappearing homes of Castro’s Cuba

Werner Pawlok’s Cuba is curiously melancholy. Though his interiors pop with primary colours, golden sunlight and the scuffmarks of generations, they’re all infused with gentle sadness. Life in Cuba is changing: as the country’s relationship with the United States begins to normalise, decades of economic restrictions are beginning to ease. Now Pawlok, who’s been photographing the country since 2004, has returned for a new series of photographs exclusively for LUMAS gallery, Mayfair, London, in advance of the exhibition Viva Cuba!, opening this September. Pawlok’s fascination with Cuba stems from his experiences in East Germany: “I was the first Western photographer who did a series in East Berlin, shooting for Helmut Lang and Weiner magazine,” he says. “What I found were morbid places, they didn’t have the money to do proper renovation. It’s the same situation in Cuba and it’s this atmosphere that I fell in love with.” Pawlok has never been tempted to make a social project out of this work. “It’s much more interesting to take pictures of these empty rooms,” he says. Yet every picture …

2015-09-21T13:07:06+00:00

George Byrne uses Los Angeles to study loneliness

“Photography is a funny game,” says LA-based photographer George Byrne. “It’s a lonely sport – you’re on your own, on an obscure mission to capture something and you don’t often know what you’re looking for but you know when you see it.” Byrne moved from Sydney to Melbourne, then experienced New York for one year before settling in Los Angeles – without much money or knowledge of the city – in 2011. The alien quality of his photographs stems from this personal distance from LA. “A lot of the time I’m shooting in LA I feel like I’m at war,” he says. “It’s like a desert. I’m a very white person and I get burned. I get so much satisfaction out of making pictures that beautify this bizarre landscape because it’s quite difficult to do it. People will keep their window up and the pedal pressed.” Byrne documents the LA streetscape, driving and shooting in sweltering temperatures in search of shadows and symmetry. He frames a pastel narrative of the sun-blasted walls lining the roads. Few …

2015-08-28T13:35:02+00:00

BJP Staff