Bristol’s Centrespace gallery will host a solo exhibition by London-based photographer, curator Lola Paprocka, whose publication Blokovi was awarded first prize for Unveil’d Photobook Award 2016. Shot mainly on medium format, the project is a photographic series exploring the New Belgrade apartment blocks and their residents during 2015. “The conversation started with my friend, Mima Bulj, who wanted me to capture her hometown from the perspective of an ‘outsider,’” Paprocka tells BJP. “Mima was born in Belgrade and lived there till she was eight years old, before moving to New Zealand with her family. I was born in Poland before moving to the UK in my late teens, so we have always shared a feeling of being stuck somewhere between the Eastern and Western worlds.” “The book combines both portraiture and images of Brutalist estates – both are real interests of mine,” says Pabrocka. “I was keen to include some social documentation in there too, to capture spontaneous interactions with strangers on the streets. But, these social interactions would always come secondary; the Brutalist architecture would inform the …
Markel Redondo first photographed Spain’s abundance of abandoned housing developments in 2010. Now, eight years later, he has retraced his footsteps
A new three-volume collection documents the architectural images of American photographer, Julius Shulman. The tome forms the first major publication of Shulman’s work, detailing buildings by the likes of Frank Lloyd-Wright, Pierre Koenig and Raphael Soriano.
On the opening of Museum Of Machines, a major new exhibition on Dayanita Singh at Mast Gallery, Bologna, the exhibition curator Urs Stahel writes of the iconic Indian photographer’s ability to “shape internal and external life, society and personal history, presence and absence, fullness and emptiness, reality and dream into a fragmented whole, a new and unique body of image and poetry.”
A little-known series of photographs of the state of Nevada, shot in the year 1977 by the late American landscape and architectural photographer Lewis Baltz, is about to go on show for the first time.
David Lurie’s Cape Town-based project Writing the City, a documentary series focusing on the effects of urbanization, social marginalization and economic disparities in his native South Africa, is about to go on show in a solo exhibition in London.
During pilgrimages to his native Hale County, Alabama, William Christenberry has recorded the changing appearance of the region’s natural landscape and vernacular architecture in diverse formats and media since the early 1960s. The work is shown for the first time at New York’s Pace/MacGill Gallery, in an about to launch exhibition.
For his latest conceptual art project, Swiss photographer Roger Eberhard has travelled five continents and visited 32 cities where he booked the standard double room at the local Hilton hotel.
When Alnis Stakle first took up photography, he was faced with a rigid conception of the medium. In Latvia in the 1990s it was largely considered a commercial craft, he says, with any more artistic ambitions restricted to banal nudes and sunsets. But for Stakle photography is “a kind of religion”, which has the power to change our relationship to the world.
In the eighteenth century, the Kings of Siam found an ingenious way of excluding a courtier they didn’t like. They would present the offending socialite with a white elephant, a rare and unusual creature, one very difficult to make space for. No-one would dare decline a gift from the King. And so the recipient would be lumbered with something they could not maintain. They would invariably be ruined by the cost of trying to keep the white elephant, and would then be forced to take their leave of the Kings’ circles. Siam is now modern-day Thailand, but the idea of the white elephant has endured, entering our modern parlance. Shadman Shahid, a documentary photographer born and raised in Dhaka, Bangladesh, and a graduate of the city’s revered Pathshala South Asian Media Academy photography course, used the term to describe a remarkable discovery in China; a “ghost-city” called Chenggong, designed for more than a 100,000 people but standing silent, unpopulated, empty but for tiny pockets of life. “I was born and raised in a city where …