With the fast-rising fashion photographer picked out for BJP’s Ones to Watch issue, we’re posting an article we published on his striking fashion story back in May 2016 – showing Welsh sisters Kyra and Evie sporting high-fashion in the beautiful Welsh valleys
Hadi Uddin grew up surrounded by photography – his father owned a commercial studio and both technical skill and the ways of the darkroom were second nature by the time he took his place by Uddin senior’s side. He’s now found work as a fashion photographer – and a unique vision in his personal work
Casting from the street and creating near-future looks, South African photographer Kristin Lee Moolman is creating “a new African mythology”, say her fans, which has already featured in an exhibition at Somerset House, and in fashion magazines such as Vogue
It was while working as an art director that rising talent Justine Tjallinks decided she wanted to make her own images. Born in a small village in the east of the Netherlands, the 32-year-old moved to the Dutch capital to study at the Amsterdam Fashion Institute before immersing herself in the commercial world, working on several leading fashion publications.
The world-famous photo agency goes to town with four exhibitions, a live residency, a swap shop, a book launch, a series of talks and discussions, and even a t-shirt collection
Born in the Italian South Tyrol in 1967, Marco Pietracupa moved to Milan in the early 1990s, where he studied at the Italian Institute of Photography and swiftly started working in the art and fashion industries. His work has been published by L’Officiel, L’Uomo Vogue, Harper’s Bazaar, Wallpaper and Rolling Stone, and he has also shown at Vice’s Milan Gallery, the Brownstone Foundation in Paris, the Asni Gallery in Addis Ababa, among others. He recently published his first monograph, Shapeshifter, with Yard Press. BJP: How did you get into photography? MP: My passion started a long time ago, when I was very young. I felt the need to communicate in some unique way, with my own language. Photography seemed to me the best medium to express myself. BJP: How did you get into fashion photography? MP: I studied at the Istituto Italiano di Fotografia (Italian Institute of Photography) in Milan, which has a fashion photography course. Fashion’s visual aesthetic was shifting to a style similar to mine at the time and, even though I was new to …
It’s a terrible shock and great sadness to be writing about Ed in the past tense. He was a great friend of mine for nearly 40 years, a man who believed passionately in the power of photography to show how people live, how they protest against the powerful and how people create things that counteract the corporate machine. We worked together on many projects for the Campaign for Nuclear Disarmament (CND) and at the Half Moon Gallery and its magazine Camerawork. Ed was one of the original members of the collective at the Half Moon in Alie Street, Whitechapel, with fellow photographers Jenny Matthews, Mike Goldwater and Paul Trevor. This was to prove to be incredibly dynamic and brilliant group who curated numerous influential photographic exhibitions, many of which were by photographers who have continued to produce important work, as they have themselves. Ed had the idea of laminating the exhibitions, at first because the roof leaked in Alie Street and plastic lamination made them waterproof. He began touring the laminated exhibitions, sending them by …
Spearheaded by Vogue Italia’s senior photo editor, Alessia Glaviano, the inaugural Photo Vogue Festival got off to an impressive start, says curator Federica Chiocchetti
A recent release brings together over 400 images by the German photographer Peter Lindbergh. Drawn from his work in fashion, culture and urban environments, the book’s release coincides with a major retrospective in Rotterdam, The Netherlands. Here BJP investigates a collection curated by Thierry-Maxime Lorio which seeks to posit Lindbergh as the progenitor of a ’different vision on fashion photography’.
Recently, waiting outside a magazine editor’s office, I picked up a publication produced by the newly reinvigorated Spanish luxury brand Loewe. An unassuming grey linen cover is wrapped in part by a colourful folded poster, an almost abstract image of contrasting textiles. Alongside an interview and a quote from Wordsworth, the tall, sober pages contain a 14-image essay that combines black-and-white with colour photographs; constructed studio images with others in a documentary style. Some are peculiar, wet landscapes, contrasting with rich, intimate interiors, a kind-of portrait and some sort of fashion photographs. Schoolboys are playfully balancing bags on their heads like silly helmets or hiding under patterned beach towels in a studio. The emotional measure of the book is gentle, warm and kind, and this overrides the lack of ‘sense’ being made. I am reminded of how I felt when I first saw Julian Germain’s wonderful For Every Minute You Are Angry You Lose Sixty Seconds Of Happiness, published a decade ago. I think this is the loveliest photography book I have seen this year …