All posts filed under: Fine Art

Leica M Monochrom with Leica M-Summicron 35mm f/2.0 ASPH, 1/4,000 sec, ISO 320, handheld

John Brockliss celebrates sea at North Contemporary Fine Art Brighton

BJP

The collective images John has assembled for his latest exhibition, at the Brighton gallery North Contemporary Fine Art, as well as a photobook, titled Restless. Leica M (Typ 240) with Leica Elmarit-M 24mm f/2.8 ASPH, 1/350 sec, ISO 200 His images, many of which are taken at sea or in the face of storms, are a personal exploration of the unique sense of space, power and light of Britain’s coastlines. Born in 1950, John is a UK photographer specialising in maritime, documentary and reportage photography. Leica M9 with Leitz Summicron M 50mm f/2, 1/3,000 sec, ISO 160, f/5.6 After studying photography, fine art and graphic design, he graduated as a graphic designer in 1972, commissioned and art directed photographers throughout his design career John now work exclusively with Leica rangefinder cameras and the light available to him at the time. The exhibition runs until April 16th. Find them at 35 North Contemporary Fine Art, 35 North Road, Brighton, BN1 1YB. The gallery is open Wednesday – Sunday 11 – 5.30pm.

2016-03-31T16:32:32+00:00

"I was born just 5 months after the day of the explosion. I was a very sickly child and I remember feeling like something was wrong, not growing like a normal child. When I was born I was quickly admitted into the intensive care unit. I had cramps and I was very weak. Half of my childhood, I spent in hospital without receiving a diagnosis. I was treated for bronchitis, then pneumonia, and then neuroses."

World Press Photo’s chair of the ‘People’ jury on looking for strong concepts

“This is the only category where you can have a concept for the photography,” says Narda van t’ Veer, founder of the Dutch photo agency UNIT C.M.A and creator of the Amsterdam-based Ravestijn Gallery, and chair of the People category jury in the 2016 World Press Photo competition. “The other categories – the spot news, general news and so on – are mainly about urgent matters. We were interested in series which, though they might be about urgent matters, could also be considered in a conceptual way, in the way that they’re photographed. That is why we chose Exposure by Kazuma Obara.” Kazuma Obara’s image, which won first Prize in the People stories category, traces the life of a girl born in Kiev just after the Chernobyl disaster. The image was shot on 30-year-old colour film found five kilometres from the abandoned nuclear power plant, and the faded, patchy, grey images eloquently evoke a life also been blighted by the disaster. “It is a beautifully illustrated story,” van t’ Veer tells BJP, “and has a very strong concept”. This conceptual …

2016-02-18T13:16:21+00:00

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Paul Thulin’s Pine Tree Ballads

In the early 1900s, Paul Thulin’s great-grandfather settled on the coast of Maine because it resembled his homeland of Sweden. Thulin’s family has returned to Gray’s Point each summer for over a century. Runner-up in the Series category at BJP‘s International Photography Awards 2016, Thulin’s photographic sequence resonates, he says, “with a subtext of struggle and hope that mirrors my narrative sense of self and heritage.” We talked to Thulin about the creation of his stunning series: How did you first get into photography? My journey into photography started as a way to rebel against my growing contempt and frustration with the limits of language to effectively communicate. In 1996, I returned  from a stressful year of studying Philosophy in a Master’s program at Syracuse University and I remember wanting to escape into the mountains to possibly join a Zen monastery; I wanted to meditate and remain silent in an effort to really just experience the world. This desire led me to discover the writings and images of photographers Minor White, Frederick Sommer, and Emmet Gowin, …

2016-01-27T15:04:18+00:00

From Laróyè, 1980-2000

Finding transcendence through the image: the work of Mario Cravo Neto

The work of Mario Cravo Neto has long been under-appreciated on British shores. Despite long being a celebrated figure of contemporary Brazilian photography at home and abroad – having exhibited extensively in South America and the United States as well as at the Recontre d’Arles – the photographer, who died in 2009, hasn’t been exposed to British audiences to the same extent. The first UK solo exhibition of his work has recently gone on show at London’s Autograph ABP, under the auspices of the gallery director Mark Sealy and guest curator Gabriela Salgado. I visited the gallery as the show was being installed as Salgado explained what makes Mario Cravo Neto such an essential figure in Brazilian art. “MY IDEA FROM NOW ON IS TO DEVELOP THAT TRANSITION BETWEEN THE INERT OBJECT AND THE SACRED OBJECT. IT IS SIMPLY A RELIGIOUS POSITION IN PHOTOGRAPHY THAT I WISH TO ADOPT.” – MARIO CRAVO NETO Cultural tastes may have had a part to play in his long absence from these shores, with Cravo Neto’s idiosyncratic studio portraits …

2016-02-12T11:14:55+00:00

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Spot the ball: Robin Maddock’s uncompromising, ambiguous vision of California

From the title of his photographic blog, Ugly Moments Strung Together, you sense that Robin Maddock is prone to critical self-analysis and distrust of aesthetic purity. Despite having two well-received photobooks already published by Trolley (or maybe because of it), Maddock says that he felt disoriented and perplexed when it came to finding inspiration for a new project or approach to work towards. His third book, III, also published by Trolley and shot largely in the harshly-lit urban topography of Los Angeles and San Francisco, is the culmination of this period of introspection and points to a future direction of enquiry that seems at odds with his documentary roots. His first book, Our Kids Are Going To Hell (2009), resulted from his work following police on raids in Hackney. The second, God Forgotten Face (2011), shot in his home town of Plymouth, was already more introspective, even if it remained recognisable as a documentary project, capturing the city as a kind of microcosm of Little England. Or so Maddock thought when he started, thinking of it as a kind of …

2016-01-13T14:44:56+00:00

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The mature photography graduate inspired by Picasso and Hockney

Inspired by artists such as David Hockney, Pablo Picasso, Georges Braque and Robert Delaunay, Argentinian graduate Daniel M Cisilino fell in love with collage while studying at the National College of Art & Design (NCAD) in Dublin.     He describes the experience of learning about Hockney’s collages – or joiners as the Yorkshireman calls them – as akin to opening a Pandora’s Box. “I began to see photography in a completely different way. Hockney created photographic works by arranging multiple images in a similar way to a painter who uses brush strokes to create his work. They were not just photographs, they were more encompassing than that. This fascinated me, and I got hooked.”     Cisilino, who completed a certificate in photography and digital imaging at NCAD, set about photographing scenes close to home – his back garden, a bathroom, household paraphernalia – creating hundreds of images he could stitch together digitally. The idea, he explains, was to do away with a single viewpoint in favour of multiple perspectives. His method involved photographing each scene …

2016-01-13T14:33:44+00:00

How London’s new buildings show how the city is facing terminal decline

Cities are places of constant change. It’s the nature of them, and it’s what makes them attractive. But not all change is equal; change can be organic, but it can be pernicious and abnormal. London has always been a city in flux. But, for anyone living in London, the transformations of the past few years are impossible to ignore. Huge swathes of the city have been redeveloped, remarkable buildings demolished, long-standing communities displaced. This current period of activity is unique, for it is is undoing many of the things that make the city unique. As social housing becomes luxury flats, as their inhabitants are forced out to the suburbs, the inner zones of the city become ever more homogenous, expensive and dull. This issue is what underlies Metropole, a project that aims to visualise the changing skyline of London, to imagine how the city will come to look in the future and, most importantly, seeks to recreate the sensation of feeling lost in a city that was once familiar. It’s a project partly inspired by the city symphony movies of the 1920s, films …

2016-02-12T11:21:43+00:00

from Pontus © Délio Jasse

Dissecting post-colonial memory with colour and experimental print techniques

The work of Angolan photographer Délio Jasse is colourful and textured, experimenting with analogue photographic printing processes such as cyanotype and platinum. His work has caught the eye of London gallery Tiwani Contemporary, who now represent the 35-year-old. Jasse has previously exhibited at the gallery, which focuses on Africa and the diaspora, as part of the group exhibition The View From Here, and recent exhibitions include a solo show at SMAC Gallery, Cape Town (2014) and group shows at Savvy Contemporary, Berlin (2013) and Calouste Gulbenkian Foundation, Lisbon (2013). Jasse was also one of three finalists in the BES Photo Prize (2014), and is part of the official selections for the Angolan pavilions at the 56th Venice Biennale (2015) and World Expo, Milan (2015). His work draws links between generations and cultures, combining found imagery with his own photography to explore memory. As he tells us, “Photography and memory are deeply connected. Photography can bring you back to a moment in the past, we need a visual hint to remember certain things or faces. At …

2015-11-26T16:17:27+00:00

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BJP & Magnum Photos: Professional Practice Workshops 2016

BJP

Led by leading Magnum photographers and industry professionals, the programme presents incredible training opportunities for early & mid-career photographers. Each workshop is a two-day photographic masterclass that focuses on demystifying the business of the industry, establishing a professional network of industry contacts, understanding the requirements of the market and identifying entry realistic routes into employment. The first day focuses on lectures from key speakers on specific areas of the photographic industry, giving behind the scenes tips and practical advice explaining how to work and succeed in their area of expertise. A second day of portfolio reviews lead by industry specialists will provide photographers with an honest, constructive and critique of existing work. Workshops will be held at the Magnum Print Room in east London. Each workshop is open to 40 applicants on a first come first served basis. WORKSHOP PROGRAMME Editorial photography How to succeed in the editorial market Sat 6 & Sun 7 February 2016 Photography and the art market How to get an exhibition and sell your work Sat 12 & Sun 13 …

2015-11-17T13:09:22+00:00

Autoportrait à l’atelier du Grenier Saint Pierre peignant La Fleur du Paradis © Artcurial

The sexually transgressive work of Pierre Molinier, the forgotten Surrealist

In the 1950s, André Breton, the anarchic poet-founder of Surrealism reached out to the Bordeaux painter and photographer Pierre Molinier. He had become obsessed with the man’s work: sexual, dream-like and utterly transgressive. As it turns out, Molinier was both gay and a transvestite, and through his work employed his body and that of acquaintances to create visions of a hybrid identity, unencumbered by traditional gender notions. Intertwined limbs, many-headed creatures and deformed bodies were not just visual references intended to shock; while Molinier’s tended towards the extreme, his exploration of the erotic foreshadowed work by the likes of Cindy Sherman and Robert Mapplethorpe. Earlier this year, London’s Richard Saltoun Gallery played host to the first UK exhibition of his work for over 20 years, and at this year’s Paris Photo, Artcurial are presenting a collection of Molinier’s work for sale. Nearly 200 works by Molinier, including photographs, drawings and personal correspondences have been compiled for the auction on Friday 13th November by Emmanuelle Arsan, a muse of the artist who drew equal inspiration from him …

2015-11-12T19:39:36+00:00

BJP Staff