All posts filed under: Fine Art

dominic-hawgood

POSTmatter relaunches, finding meaning amidst chaos in the digital age

How do you find meaning amidst chaos? Mythologies have always given shape to the world around us, weaving stories to make sense of natural forces, potential futures and other mysterious phenomena. The parallel between the myths and rites of the past, and the alternative belief systems of today’s postdigital age, are explored in POSTmatter’s newly relaunched online format, which will see the digital platform publish two issues per year, developing custom interactive and moving image pieces that put a new spin on the traditional. Separate to each issue, the magazine will also publish original written and visual pieces on varied topics throughout the year. With a primary focus on contemporary art, POSTmatter is the trailblazing force setting out to challenge the outdated separation between online and print, looking at how emerging and established artists alike are being influenced by new technologies, and how they in turn are changing the ways in which we engage with these tools. “I began to wonder why it seemed to be the rule that a magazine’s print output was the …

2016-09-29T13:33:40+00:00

Leica M Monochrom with Leica M-Summicron 35mm f/2.0 ASPH, 1/4,000 sec, ISO 320, handheld

John Brockliss celebrates sea at North Contemporary Fine Art Brighton

BJP

The collective images John has assembled for his latest exhibition, at the Brighton gallery North Contemporary Fine Art, as well as a photobook, titled Restless. Leica M (Typ 240) with Leica Elmarit-M 24mm f/2.8 ASPH, 1/350 sec, ISO 200 His images, many of which are taken at sea or in the face of storms, are a personal exploration of the unique sense of space, power and light of Britain’s coastlines. Born in 1950, John is a UK photographer specialising in maritime, documentary and reportage photography. Leica M9 with Leitz Summicron M 50mm f/2, 1/3,000 sec, ISO 160, f/5.6 After studying photography, fine art and graphic design, he graduated as a graphic designer in 1972, commissioned and art directed photographers throughout his design career John now work exclusively with Leica rangefinder cameras and the light available to him at the time. The exhibition runs until April 16th. Find them at 35 North Contemporary Fine Art, 35 North Road, Brighton, BN1 1YB. The gallery is open Wednesday – Sunday 11 – 5.30pm.

2016-03-31T16:32:32+00:00

"I was born just 5 months after the day of the explosion. I was a very sickly child and I remember feeling like something was wrong, not growing like a normal child. When I was born I was quickly admitted into the intensive care unit. I had cramps and I was very weak. Half of my childhood, I spent in hospital without receiving a diagnosis. I was treated for bronchitis, then pneumonia, and then neuroses."

World Press Photo’s chair of the ‘People’ jury on looking for strong concepts

“This is the only category where you can have a concept for the photography,” says Narda van t’ Veer, founder of the Dutch photo agency UNIT C.M.A and creator of the Amsterdam-based Ravestijn Gallery, and chair of the People category jury in the 2016 World Press Photo competition. “The other categories – the spot news, general news and so on – are mainly about urgent matters. We were interested in series which, though they might be about urgent matters, could also be considered in a conceptual way, in the way that they’re photographed. That is why we chose Exposure by Kazuma Obara.” Kazuma Obara’s image, which won first Prize in the People stories category, traces the life of a girl born in Kiev just after the Chernobyl disaster. The image was shot on 30-year-old colour film found five kilometres from the abandoned nuclear power plant, and the faded, patchy, grey images eloquently evoke a life also been blighted by the disaster. “It is a beautifully illustrated story,” van t’ Veer tells BJP, “and has a very strong concept”. This conceptual …

2016-02-18T13:16:21+00:00

187_9809

Paul Thulin’s Pine Tree Ballads

In the early 1900s, Paul Thulin’s great-grandfather settled on the coast of Maine because it resembled his homeland of Sweden. Thulin’s family has returned to Gray’s Point each summer for over a century. Runner-up in the Series category at BJP‘s International Photography Awards 2016, Thulin’s photographic sequence resonates, he says, “with a subtext of struggle and hope that mirrors my narrative sense of self and heritage.” We talked to Thulin about the creation of his stunning series: How did you first get into photography? My journey into photography started as a way to rebel against my growing contempt and frustration with the limits of language to effectively communicate. In 1996, I returned  from a stressful year of studying Philosophy in a Master’s program at Syracuse University and I remember wanting to escape into the mountains to possibly join a Zen monastery; I wanted to meditate and remain silent in an effort to really just experience the world. This desire led me to discover the writings and images of photographers Minor White, Frederick Sommer, and Emmet Gowin, …

2016-01-27T15:04:18+00:00

From Laróyè, 1980-2000

Finding transcendence through the image: the work of Mario Cravo Neto

The work of Mario Cravo Neto has long been under-appreciated on British shores. Despite long being a celebrated figure of contemporary Brazilian photography at home and abroad – having exhibited extensively in South America and the United States as well as at the Recontre d’Arles – the photographer, who died in 2009, hasn’t been exposed to British audiences to the same extent. The first UK solo exhibition of his work has recently gone on show at London’s Autograph ABP, under the auspices of the gallery director Mark Sealy and guest curator Gabriela Salgado. I visited the gallery as the show was being installed as Salgado explained what makes Mario Cravo Neto such an essential figure in Brazilian art. “MY IDEA FROM NOW ON IS TO DEVELOP THAT TRANSITION BETWEEN THE INERT OBJECT AND THE SACRED OBJECT. IT IS SIMPLY A RELIGIOUS POSITION IN PHOTOGRAPHY THAT I WISH TO ADOPT.” – MARIO CRAVO NETO Cultural tastes may have had a part to play in his long absence from these shores, with Cravo Neto’s idiosyncratic studio portraits …

2016-02-12T11:14:55+00:00

*SMALL 167412_A14

Spot the ball: Robin Maddock’s uncompromising, ambiguous vision of California

From the title of his photographic blog, Ugly Moments Strung Together, you sense that Robin Maddock is prone to critical self-analysis and distrust of aesthetic purity. Despite having two well-received photobooks already published by Trolley (or maybe because of it), Maddock says that he felt disoriented and perplexed when it came to finding inspiration for a new project or approach to work towards. His third book, III, also published by Trolley and shot largely in the harshly-lit urban topography of Los Angeles and San Francisco, is the culmination of this period of introspection and points to a future direction of enquiry that seems at odds with his documentary roots. His first book, Our Kids Are Going To Hell (2009), resulted from his work following police on raids in Hackney. The second, God Forgotten Face (2011), shot in his home town of Plymouth, was already more introspective, even if it remained recognisable as a documentary project, capturing the city as a kind of microcosm of Little England. Or so Maddock thought when he started, thinking of it as a kind of …

2016-01-13T14:44:56+00:00

coffeetable

The mature photography graduate inspired by Picasso and Hockney

Inspired by artists such as David Hockney, Pablo Picasso, Georges Braque and Robert Delaunay, Argentinian graduate Daniel M Cisilino fell in love with collage while studying at the National College of Art & Design (NCAD) in Dublin.     He describes the experience of learning about Hockney’s collages – or joiners as the Yorkshireman calls them – as akin to opening a Pandora’s Box. “I began to see photography in a completely different way. Hockney created photographic works by arranging multiple images in a similar way to a painter who uses brush strokes to create his work. They were not just photographs, they were more encompassing than that. This fascinated me, and I got hooked.”     Cisilino, who completed a certificate in photography and digital imaging at NCAD, set about photographing scenes close to home – his back garden, a bathroom, household paraphernalia – creating hundreds of images he could stitch together digitally. The idea, he explains, was to do away with a single viewpoint in favour of multiple perspectives. His method involved photographing each scene …

2016-01-13T14:33:44+00:00

How London’s new buildings show how the city is facing terminal decline

Cities are places of constant change. It’s the nature of them, and it’s what makes them attractive. But not all change is equal; change can be organic, but it can be pernicious and abnormal. London has always been a city in flux. But, for anyone living in London, the transformations of the past few years are impossible to ignore. Huge swathes of the city have been redeveloped, remarkable buildings demolished, long-standing communities displaced. This current period of activity is unique, for it is is undoing many of the things that make the city unique. As social housing becomes luxury flats, as their inhabitants are forced out to the suburbs, the inner zones of the city become ever more homogenous, expensive and dull. This issue is what underlies Metropole, a project that aims to visualise the changing skyline of London, to imagine how the city will come to look in the future and, most importantly, seeks to recreate the sensation of feeling lost in a city that was once familiar. It’s a project partly inspired by the city symphony movies of the 1920s, films …

2016-02-12T11:21:43+00:00

BJP Staff