All posts filed under: Fine Art

Arles 2017: Sanne De Wilde’s The Island of the Colorblind

Congenital achromatopsia is a hereditary condition in which the eye cannot detect colour – the cones in the retina do not function, leaving the vision to the rods alone, which only detect shades of grey. In most places the disease is rare, occuring in less than one in 30,000 people. But on the Micronesian island of Pingelap it’s much more common, present in more than 5% of the population. It’s an extraordinary phenomenon – and one that immediately gripped Belgian photographer Sanne De Wilde when she heard about it back in 2015

2017-07-18T15:32:08+00:00

Arles 2017: Q&A with Jacob Aue Sobol

Born in Denmark in 1976, Jacob Aue Sobol studied at the Fatamorgana Danish School of Art Photography from 1998-1999. In Autumn 1999, he went to live in the Tiniteqilaaq settlement in Greenland, and mainly stayed with his Greenlandic girlfriend Sabine and her family for the next three years. The resulting book, Sabine, was published in 2004, and nominated for the 2005 Deutsche Börse Photography Prize. In 2005, Aue Sobol travelled with a film crew to Guatemala, to make a documentary about a young Mayan girl’s first journey to the ocean. The following year he returned alone and he met the indigenous Gomez-Brito family, and stayed with them for a month. His story on the family won the Daily Life Stories award in the 2006 World Press Photo.  In 2006 he moved to Tokyo, and shot a series of images that won the 2008 Leica European Publishers Award. I, Tokyo was published by Actes Sud (France), Apeiron (Greece), Dewi Lewis Publishing (Great Britain), Edition Braus (Germany), Lunwerg Editores (Spain) and Peliti Associati (Italy). Sobol became a nominee at Magnum Photos in 2007, and a full member in 2012. Aue …

2017-07-18T15:28:56+00:00

Ones to Watch: Lisa van Casand

For Lisa van Casand, photography provides carte blanche to investigate places and people she would otherwise not have access. Her projects often revolve around waarheidsvinding, a peculiarly Dutch term best – if imprecisely – translated as ‘truth-finding’, an interest she attributes to her upbringing. “I grew up with people around me that had quite a variety of strong beliefs,” says the 26-year-old from Eindhoven. “Which is not necessarily a bad thing in itself but it did confuse me at a young age – how people could believe so strongly in opposite things?” Though interested in the idea of photography as evidence and document, it was the fallacy of the tools we use to order reality, and the limitations of seeing, that she often reflects on in her research-led projects. “I am drawn to things that are shrouded in mystery. The bigger the impossibility of reaching the object of investigation, the better,”says the final-year student at the Royal Academy of Art in The Hague. Clarity and knowledge are not the desired outcomes of her research: it’s the …

2017-07-10T14:00:02+00:00

Ones to Watch: Lua Ribeira

Since graduating from the documentary photography course at the University of South Wales last year, Lua Ribeira has gone from strength to strength. In addition to the Firecracker Grant, which she was awarded in 2015 while still a student, her work was recently selected by Susan Meiselas to appear in Raw View magazine’s Women Looking at Women issue. She is also making a name for herself commercially and with editorial clients such as Wired; her images have been shown at international festivals, including Photo España in 2014 and Gazebook Festival in 2015, and she has also been awarded a Jerwood Photoworks Grant for future projects in 2018. Thus far, Ribeira is best known for Noises in the Blood, an ongoing investigation into Jamaican dancehall culture,

2017-07-10T13:58:57+00:00

Arles 2017: Voies Off

Dating back to 1996, Voies Off is the large and well-respected alternative to the official Rencontres d’Arles programme. Now backed by Leica, Voies Off is staging nearly 150 exhibitions from 03 July – 24 September, all of which are free to enter, plus a week of screenings, masterclasses, awards and portfolio reviews in the opening week, from 03 – 08 September, from its base in the Cour de l’Archevêché courtyard. The courtyard also hosts parties, held every night from midnight in the opening week.

2017-07-06T11:06:25+00:00

Arles 2017: BJP One to Watch Karen Paulina Biswell

Karen Paulina Biswell spent much of her upbringing in Paris, having moved there with her parents when barely a teen in the early 1990s to escape the political unrest and violent clashes plaguing her native Colombia. She now lives back in Colombia, and her provocative project on strong women is going on show at Les Rencontres d’Arles

2017-07-04T10:27:08+00:00

Arles 2017: now open!

It’s the biggest, most prestigious photography festival in the world and it’s back – Les Rencontres de la Photographie in Arles opens on 03 July and closes on 24 September. It’s the 48th edition of the festival, which has seen seismic changes in the last few years – the departure of its long-standing director Francois Hebel after the 2014 edition, and the arrival of his replacement, Sam Stourdze, the backing of the influential LUMA Foundation, and the Cosmos-Arles book fair. This history and reputation mean Arles is able to pull in the big names, which this year means including solo shows by Joel Meyerowitz, Michael Wolf, Gideon Mendel, Masahisa Fukase, Alex Majoli and Roger Ballen; plus an exhibition on Surrealism organised by Le Centre Pompidou and including works by Hans Bellmer, Erwin Wurm and Rene Magritte. Arles also uses its might to showcase lesser-known names and regions, however, and one of the themes running through the 2017 edition is Latina!, a celebration of work from South America in four separate shows. Urban Impulses is a group …

2017-07-03T15:07:15+00:00

Arles 2017: The Promise by Vasantha Yogananthan shortlisted for the Author Book Award

The Promise is book two in Vasantha Yogananthan’s ambitious seven-book project, A Myth of Two Souls. Inspired by the epic story The Ramayana, which was written by the Sanskrit poet Valmiki in around 300 BC, The Myth will retrace The Ramayana’s route from North to South India, and show scenes from everyday life that evoke its imagery. Yogananthan is producing one book for each chapter of the original story; he started the project with a book called Early Times, which helped him win the ICP Infinity Award Emerging Photographer of the Year. Book two, The Promise, has been nominated for the 2017 Author Book Award at Les Rencontres d’Arles (along with image-makers such as Antoine Agata, JH Engstrom, and Roe Ethridge). Throughout The Myth, Yogananthan is working with three different types of image – landscapes, hand-painted staged portraits, and illustrated black-and-white photographs. The hand-painting is done on large-format black-and-white photographs by Indian artist Jaykumar Shankar. In the illustrated photographs, he has been working with two artists specialising in the tradition of Madhubani painting. “In Yogananthan’s hands, The Ramayana story becomes a …

2017-07-18T15:24:34+00:00

Show: Peter Watkins’ The Unforgetting at the Webber Gallery

“It’s a story that starts at its end, in death. We have an evocation of a life which has been lost, which then becomes another kind of life, one whose presence or absence is conjured up in various states of remembrance.” So says Tim Clark, editor-in-chief of the online magazine 1000 Words, who has curated an exhibition of Peter Watkins’ series The Unforgetting at Webber Gallery. It’s a highly autobiographical piece of work, showcasing photographs and sculptures produced after a long inner exploration of a traumatic loss. On the 15th of February 1993, Watkins’ mother walked from Zandvoort beach into the North Sea, to her death. The heart of the artist’s project is his reconciliation to that loss, through an examination of their shared German heritage. “This is a work that explores the machinations of memory in relation to the experience of trauma,” says Watkins. “The culmination of several years work, The Unforgetting is a series made up of remnants, as well as the associated notions of time, recollection and impermanence, all bound up in the objects, places, photographs, and narrative structures …

2017-06-29T12:23:20+00:00

BJP Staff