“Everyone talks about 1968 as the year of revolution, but America was burning in 1967,” says Mark Sealy. “There were many riots and disturbances that year, but Parks was looking at intimacy, not running across the country shooting riots. He was telling history through these very personal stories.” He’s talking about Gordon Parks, the feted documentary photographer and film-maker (best known for directing Shaft). In particular Sealy is talking about Parks’ work with the Fontenelles, a family living in poverty in Harlem in 1967 that Parks photographed for a 16-page story published in Life in March ’68.
Foto/Industria Biennial returns to Bologna, with 14 exhibitions centring around the idea of identity and illusion in photographs of work, curated by Francois Hébel and including image-makers such as Thomas Ruff, Josef Koudelka, Lee Friedlander, Joan Fontcuberta, Alexander Rodchenko, Mitch Epstein, Yukichi Watabe, John Myers and Michele Borzoni.
Illuminating India: Photography 1857-2017, is the first exhibition to document the history of photography in India, and includes both archive and contemporary work. It includes images by India’s first known photographer Ahmad Ali Khan, pioneering art photographer Marahaja Ram Singh II, the country’s first female photojournalist, Homai Vyarawalla; and award-winning contemporary photographers such Magnum’s Sohrab Hura. It also includes images of India taken by non-Indians, including Henri Cartier-Bresson, Werner Bischof, Margaret Bourke White, Lucien Hervé, Mitch Epstein, Vasantha Yogananthan, and Olivia Arthur.
This October photographers have taken over the popular Art on a Postcard fundraiser run by The Hepatistis C Trust. Over 1000 unique works will be available for £50, with big names such as Jim Goldberg, Martin Parr and Wolfgang Tillmans joining in alongside less-familiar talents. In total 1200 lottery tickets will be available, with the postcards assigned at random to ticket-holders on 30 October. The images will go on show at theprintspace, Shoreditch from 12-24 October, with a private view on 12 October; in addition all the images, and a full list of the participating image-makers can also be seen at www.artonapostcard.com/photo-postcard/ Tickets are bought online at www.artonapostcard.com/shop/ and all money raised will go to The Hepatitis C Trust’s campaign to eliminate hepatitis C from the UK by 2030.
NOOR, the prestigious photo agency and foundation, has signed up three new nominees – Sanne de Wilde, Arko Datto and Leonard Pongo. Hailing from Belgium, India and Belgium/DR Congo respectively, all three are known for their cutting-edge work, rooted in documentary but pushing the aesthetic boundaries of image-making.
“Neverland came via my participation in the Wrzesnia Collection, a long-term photography project and ongoing photographic residency which is creating an ever-growing photo archive on the Wrzesnia Town and Commune. Every year, the Mayor of Wrzesnia Town and Commune invites one photographer, selected by the curator, to spend some time in the town creating a personal series of images that illustrates the district and its inhabitants. I had a very open brief, it was completely up to me how to portray the place. It’s an extraordinary little city, but it also seems very boring and calm on the face of it. I had to work like a journalist, cooperating with the local newspaper and researching every local event, initiative, meeting or story that could be interesting. All these events were an opportunity to meet the people, to spend some time with the community,” says Polish photographer Adam Lach
In the latest book from Jonas Bendiksen, the Norwegian photographer takes us on a global journey of spiritual exploration, seen through the worldview of seven fascinating individuals who literally believe themselves to be the Second Coming of Jesus Christ. It’s an expansive and sumptuously designed book of more than 140 photographs and several thousand words of accompanying textual scriptures, co-published by GOST and Aperture. In it, Bendiksen portrays himself as a photographic apostle, asking why the Bible story of a returning Messiah has remained so potent. “My approach here was to ask, who is this person and who are their followers,” he explains. “By immersing myself in their revelations and spending time with their disciples, I’ve tried to produce images that illustrate the human longing for faith, meaning, and salvation.”
“I meet people with more empathy and more care towards one another in war situations or in conflict around the world than I have ever experienced in Europe. People want to share the little they have with me because I have talked to them and shown an interest in them,” says Jan Grarup. His work has taken him to the sites of the worst conflicts – from obvious examples such as Iraq and Iran, to forgotten areas like the Central African Republic. Each place he visits, he stays to learn about the culture and customs of the people before taking their photographs. In these places of despair and destruction, Grarup often finds hope and resilience. But the Western world needs to be more active and share the responsibility to help these regions return to a peaceful existence.
Titled Afrotopia, the headline show of the 11th Rencontres de Bamako features work from 40 photographers and collectives, drawn from all over the continent and from the African diaspora abroad. Shown at the National Museum of Mali, the exhibition was drawn from over 300 applications by a jury of photography insiders including Rencontres de Bamako artistic director Marie-Ann Yemsi, photographer Sammy Baloji and curator Azu Nwagbogu. It will be on show from 02 December-31 January 2018, after which the exhibition will travel to The Netherlands.
“I believe that the great strength photography has, and in particular documentary photography, is content. So much of what is published today, seems to me to be content less. I hope my photography illuminates and resonates with viewers and tells how British society was. And, of my more recent work, of how society is,” says Homer Sykes. he has been photographing British society for five decades, including major social and political events, such as The Battle of Lewisham. Now, some of his work is set to be featured in a Burberry show this month.