“I believe that the great strength photography has, and in particular documentary photography, is content. So much of what is published today, seems to me to be content less. I hope my photography illuminates and resonates with viewers and tells how British society was. And, of my more recent work, of how society is,” says Homer Sykes. he has been photographing British society for five decades, including major social and political events, such as The Battle of Lewisham. Now, some of his work is set to be featured in a Burberry show this month.
Long before the public sat up and took notice of the staggering number of refugees risking everything to make their way to Europe, Alessandro Penso had made migration to the continent the focus of his work. Since 2009 he has been documenting the conditions of refugees who have attempted to cross borders in search of safety and the hope of a better future for themselves and their families. Beginning with detention centres in Malta, which many migrants had mistaken for Penso’s homeland of Italy, the photographer then travelled to Bulgaria where, between 2012 and 2013, the number of refugees surged from 1700 to 10,200. He followed migrant agricultural workers in Italy as they moved from one harvest to another. He also accompanied young adults from the Middle East trying to make their way from Greece (which refuses the majority of asylum seekers’ applications), to its neighbouring countries and beyond, capturing the moment when one, Mostafa El Mouzadhir, was deliberately hit by a car in a hate crime, sustaining multiple injuries. When Penso visited him in …
“The recipients of the 2017 Getty Images Editorial Photography Grants are working at the cutting edge of photojournalism, ensuring that often ignored global issues are brought to the forefront of public consciousness,” said Hugh Pinney, Vice President of News, Getty Images. This year’s winners see projects taking place in war torn Mosul, documenting the unrest in Venezuela and refugees seeking new homes in Europe.
The fourth-instalment of the EyeEm Photography Festival and Awards boasts a program of workshops and speakers looking to the future of visual communication
Martin Parr, Bill Brandt, Karen Knorr, Shirley Baker, Brian Griffin, Daniel Meadows, Chris Steele-Perkins, Mark Power, Tom Wood, Roger Mayne, and Tony Ray-Jones are all showing work in a new exhibition hosted by Burberry during London Fashion Week (and beyond). Installed over three floors in Burberry’s new show venue – the 18th century, Grade 2-listed Old Sessions House in Clerkenwell, London – Here We Are will include over 200 images by more than 30 photographers from 18 September-01 October
“Where are ‘we’ going as a collective society?” That’s the question posed by this year’s Getxophoto Festival, back for its 11th edition under the stewardship of new artistic director, Bilbao-born Monica Allende. The festival, which opens on 31 August and runs until 01 October 2017, comprises 20 main exhibitions, many of them outdoors, and a lively programme of activity and events unfurling around the coastal town of Getxo in the Basque country. “‘Transitions’, the theme for the next three instalments of the festival, starts from the idea that we are entering “a period of post-globalisation”, says Allende, a former photo editor at The Sunday Times. “This concept has been on the fringes of debate for some time but is gathering momentum in mainstream discourse. “We see its effects through increased polarisation of political debate around the threats of climate change, the refugee crisis and the rise of nationalist populism. This is a moment of major uncertainties, where the status quo of the state and global free-market agreements are being questioned as solutions for a balanced …
Now in its third year, the Sicilian photo festival is tackling big issues under a theme of “Communication in uncertainty and chaos”. The idea is telling of its locale: a crucial crossing point in the Mediterranean and an entry gateway to Europe, Sicily has been at the centre of the migrant crisis as people cross the sea in search of peace and a better life. The photographs in this series cover ideas of identity, politics, war, nationality, feminism and more.
When Mathias Depardon was released by the Turkish government on 09 June, he had been held in custody for 32 days. Detained on 08 May in Hasankeyf in South East Turkey, the French freelancer had been on his very first day of shooting on assignment for National Geographic. “It was my first day photographing the new settlement of Hasankeyf, 300km from Batman,” he explains, adding that he had been in the region for 10 days and was driving back from Gaziantep when he was stopped.
For over four decades, the documentary photography course has forged a reputation as one of the UK’s leading photography teaching destinations. In fact, the very first photography class can be dated back even further to 1912, when it was introduced by the head of the school of art at Newport Technical Institute. The course, however, was set up in 1973 by Magnum photographer David Hurn as a 12-month Training Opportunities Scheme to ‘re-skill’ miners and steelworkers.
Global business developer for Magnum Photos and founder of Firecracker, Fiona Rogers picks out her top five from the Arles festival and its fringe events – the group show Iran, Year 38; Looking for Lenin by Niels Ackermann; The Incurable Egoist by Masahisa Fukase; Life in Cities by Michael Wolf; and The Island of the Colorblind by Sanne De Wilde