Commissioned by the UK’s National Crime Agency, Invisible People is a project by British photographer Rory Carnegie that seeks to raise awareness of modern slavery. While slavery was officially abolished in the UK in 1807, the government estimates that tens of thousands of people are still entrapped by forced labour today. Defined by the Modern Slavery Act of 2015, the term covers victims of human trafficking from both abroad and within the UK, and includes people who are sexually exploited, forced to work in illegal and legal factories and farms, those in domestic servitude, and children coerced into begging, organised theft, and benefit fraud. Due to the hidden nature of modern slavery Carnegie was unable to show real victims of the crime, instead photographing friends, models and actors in reconstructed scenes. Few faces are shown in the images, but Carnegie wanted to demonstrate that modern slavery is an everyday fact of life, and that we may all have walked past slaves in the street or benefitted from their labour. “I wanted to show that the …
Born in Naples, Italy in 1988, Lorenza Demata was raised in Florence and took her first degree in International Cooperation and Conflict Management in the city. She went on to study photography for three years at the Fondazione Studio Marangoni in Florence, graduating in 2016 and moving to London to study for an MA in Photography at the London College of Communication. She recently graduated from the LCC with a final project called It all started when some of us left the country, which compares the movements of people and food – linking the fact that approximately 40% of London’s population is made up of expatriates, and almost 50% of the total consumption of food resources relies on imported fruit and vegetables. BJP: Your BA is in International Cooperation and Conflict Management, why did you switch to photography? Or do you feel you’re still working on similar issues? Lorenza Demata: I have always been interested in social and political issues. When I started my first BA, almost ten years ago, I wanted to understand what was happening …
A year and a half after the vote that decided Britain would – eventually – leave the EU, and the discourse is just as confusing, chaotic, and convoluted as it ever was. One of the many implications to stem from the Brexit dialogue since June 2016 is, of course, the uncertain future for the 2.3 million citizens of other EU countries who have made their home in the UK. This was something that struck London-based photographer Julian Love, and inspired his most recent project The Europeans.
Patricia Karallis and Giada De Agostinis, founding editor and editor of the online photography magazine, pick out their top five of the year – including Vincent Ferrané’s book Milky Way
The editor of Vice Magazine UK picks out his top five of 2017 – including Lewis Bush’s Shadows of the State
The Warsaw-based photographer picks the top five projects from Eastern Europe in 2017 – including Alexander Chekmenev’s Passport
Nadya Sheremetova and Yury Gudkov from the St Petersburg-based photography gallery, publishing house, and creative hub pick out their top five of 2017 – including the second edition of FotoDepartament’s Presence festival
The founder of Firecracker and Global Business Development Manager of Magnum Photos picks out her top five of 2017 – including Megan Doherty’s Instagram feed
The photographer, director of the International Festival of Photography at Valparaiso, Chile, and editor of the South American photo magazine Sueño de la Razón picks his top five of 2017 – including Andres Figueroa’s photobook Bailarines del desierto
“I collect a lot of stuff, and sometimes I like to see it as raw material I could use to tell another story and do something new,” says Thomas Sauvin. Hand-colored, his project with Chinese animator Lei Lei, is a good case in point. A collection of 1168 images which have been scanned, reprinted and repainted in bright, deliberately artificial colours, it’s the opposite of the usual archive work. But it’s part of the Beijing Silvermine Archive, he says, a collection of negatives Sauvin first started up by salvaging strips from a recycling plant in the Chinese city.