Shot on the salt pans of Botswana and reworked in the dark room, Chloe Sell’s latest series is a meditation on the cyclical nature of life
The Polish student has shot to attention with an eye-catching project contrasting contemporary Skopje with its Classical allusions
‘The Travellers’ unearths the everyday lives of Ireland’s largest minority group.
One of the emerging artists exhibiting in the London College of Communications Photography MA show, Gabriela Mazowiecka’s Letting Go investigates Polish levels of trust
Curated by Louise Clements, Derby’s FORMAT17 draws on cutting edge photography to consider the man-made world and our place in it
“I have always been interested in exploring London, I’ve travelled around London and photographed it for years, but it took me a long time to think of what I was doing as one project because London is so disconnected,” says Philipp Ebeling. “You can pop up out of the tube and be somewhere that looks totally different, and is totally different. “There has never been a grand plan for London – there were attempts after the Second World War, and there was talk of a complete renovation a la Haussmann [who remodelled Paris in the late 18th century], but it has never come to anything. You have Harrow, which was part of the Metroland [the new area opened up by the Metropolitan tube line] then grown by a private developer, then you have the Docklands [which were transformed over the 1980s]. It’s something I very much enjoy, but which makes London a hard subject to put together.” He’s risen to the challenge with his new book, London Ends, which traces a ring around London well out of its better-known …
The writer, collector, dealer and curator says so long with an archive of slides and a hammer
Even before the Brussels attacks, the poor, nondescript, seemingly innocuous Brussels district of Molenbeek had become world famous as a hotbed for Islamic State-inspired terrorism. Local photographer Hadrien Duré set out to show the normal people that still call Molenbeek their home.
‘Hen’ translates as a gender-neutral pronoun in Swedish, and is intended to move beyond the binary for those who identify neither as male or female. Hen is also the title of photographer Bex Day’s forthcoming project, which focuses on the older generation in the UK’s trans community. Featuring 50 subjects over the age of 40, Hen tells personal stories and investigates the common themes of loss and discovery that unite its subjects. A deliberately empowering study of individuals often placed at the fringes, it records both light-hearted and disquieting experiences they have had. “When I was younger everyone thought I was a boy and my brother was a girl,” says Day. “My parents never told me ‘You’re a girl so you should dress in pink’; I really wasn’t a stereotypical girl, I was quite boyish and as I got older I felt more and more displaced. “I think, particularly within the trans community, that feeling of displacement can be quite prevalent as well. There’s something about not fitting in, and not succumbing to stereotypes.” Day found potential participants for Hen through online forums, and formed close friendships …
Over thousands of years, the tattoo has been etched into the global imagination, absorbed into every culture, marking the art form’s innate permanence as the ultimate emblem of pride, identity and rite of passage. In his latest series, Everlasting, photographer Tom Brannigan captures the symbolic spirit of the practice, focusing on the roots of body art in maritime history. The work takes inspiration from traditional sailor tattoo designs, employing a playful and at times tongue-in-cheek approach. Brannigan carefully constructs still-life photographs from objects he has collected, to evoke the imagery adopted by seafarers as mementos and talismans that primarily served a superstitious purpose among those living an unpredictable, and often risky, lifestyle. Images of swallows, skulls, daggers, hearts and roses are constructed predominantly with mass produced, toy-like props to reference the often stylised and cartoon-like nature of this genre of tattoos. “I’ve been fascinated by tattoos ever since I was a kid,” says Brannigan. “I’m interested in the language and symbolism of tattoos, and how a design becomes almost a cultural icon when it is repeated over time.” “Everlasting started out of a love …