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20% off Street London symposium for BJP readers

“I’ve tried to create something different to the other Street Photography events out there, this is a kind of AGM for the Street Photography Community,” says Nick Turpin. “There’s a lot of talk about how to take street photographs, we’re moving the conversation on to why to take street photographs. The modern resurgence of street photography is maturing and we want to explore where it is going. Our guest should end the weekend educated, inspired and maybe a little hungover.” Turpin is a well-established street photographer and founded the In-Public street photographers’ collective in 2000. He’s joined forces with Observe Collective’s Jason Reed and Hoxton Mini Press to launch Street London, a street photography symposium taking place just off Brick Lane this weekend at the D&AD Building, 64 Cheshire Street, London E2 6EH. The weekend features a range of talks and events including a photo walk with Dougie Wallace, talks from 16 street photographers, a free print swap, a book fair, and a party. The speakers include: Stephen McLaren, co-author of the best-selling book Street …

2017-08-17T10:29:37+00:00

From the BJP Archive: Thomas Ruff

On the face of it, Thomas Ruff has radically altered course since his first major series brought him to international fame in the mid-1980s. He followed his portraits of fellow students at the Düsseldorf Art Academy (where he was studying photography with the legendary Bernd and Hilla Becher) with photographs of modern architecture in the 1987-1991 series Hauser, and then began working with appropriated images. His 1989 series, Sterne, used astronomical panoramas from the European Southern Observatory, for example, while his Zeitungsfotos made during the 1990s took images culled from newspapers. Over the following decade he has continued working with the vernacular, incorporating source material such as manga comics which he manipulated into colourful abstractions (Substrat), highly pixellated images he downloaded from the internet (Jpegs), and an archive of glass negatives found in a factory archive from the 1930s and 40s (Machines). But while Ruff is happy to admit his techniques change from series to series, the concept behind his work has remained consistent. In an interview for his latest catalogue he told Hans Ulrich …

2017-08-16T13:40:17+00:00

Unseen Amsterdam returns 22-24 September – and announces a year-long programme

For three days this autumn, from 22 to 24 September, the Dutch capital will host the sixth edition of Unseen Amsterdam. With an extensive and exclusive programme, the event prides itself on incubating and exhibiting photography from both established and emerging artists. This year is no different: the old gasworks factory, the Westergasfabriek will host more than 53 international galleries with new additions from Mexico and Lebanon, showing over 160 artists and about 80 ‘premieres’ – brand-new work that will make its debut at the fair, featuring projects by Todd Hido, Gregory Halpern, Peggy Franck and Ricardo Cases. Founded in 2012, the event has always been keen to embrace elements and experiments beyond its primary identity as a fair. This year the Unseen Photo Fair & Festival has become Unseen Amsterdam, drawing together the fair, book market, speakers programme, onsite projects and exhibitions, talent awards, city programme, magazine and website under one umbrella. This change is a move to becoming a multi-faceted photography platform that will function throughout the year with smaller events abroad. A …

2017-08-16T11:53:20+00:00

Getxophoto Festival probes post-global society from 31 August

“Where are ‘we’ going as a collective society?” That’s the question posed by this year’s Getxophoto Festival, back for its 11th edition under the stewardship of new artistic director, Bilbao-born Monica Allende. The festival, which opens on 31 August and runs until 01 October 2017, comprises 20 main exhibitions, many of them outdoors, and a lively programme of activity and events unfurling around the coastal town of Getxo in the Basque country. “‘Transitions’, the theme for the next three instalments of the festival, starts from the idea that we are entering “a period of post-globalisation”, says Allende, a former photo editor at The Sunday Times. “This concept has been on the fringes of debate for some time but is gathering momentum in mainstream discourse. “We see its effects through increased polarisation of political debate around the threats of climate change, the refugee crisis and the rise of nationalist populism. This is a moment of major uncertainties, where the status quo of the state and global free-market agreements are being questioned as solutions for a balanced …

2017-08-15T15:31:54+00:00

Rifles, surveillance and civilians in Kratsman’s The Resolution of the Suspect

“I have to be scared, because the moment I’m not scared it might be dangerous.” Miki Kratsman has found himself in a number of difficult and dangerous situations over the course of his 33 year career photographing the Israeli-Palestinian conflict. In that time, he has repeatedly changed his approach to create different narratives, showing not only the danger in the region, but those brave enough to stand up to the attacks, the pernicious nature of surveillance and latterly creating a Facebook community to share news of what has happened to the subjects of his photographs.

2017-08-15T10:31:50+00:00

Pittsburgh 1950, a long-lost portfolio by Elliot Erwitt

Elliot Erwitt was just 22 years old when he was commissioned to shoot Pittsburgh, Pennsylvania by the legendary Roy Stryker in 1950. Stryker had won fame and lasting respect for his work with the Farm Security Administration in the 1930s, commissioning photographers such as Dorothea Lange and Walker Evans to shoot America’s rural heartland at the height of the Depression; by 1950 he was working with a new organisation, the Pittsburgh Photographic Library, charged with shooting the formerly industrial, notoriously polluted city as it transformed into a modern metropolis. Stryker had met Erwitt when the youngster was still studying in New York, and had commissioned him to work on a Standard Oil project alongside photographers such as Berenice Abbott, Gordon Parks and Russell Lee. The young image-maker must have impressed him because, when invited to document Pittsburgh by the Allegheny Conference on Community Development, Stryker commissioned Erwitt and – unusually for him – gave him free reign to shoot what he liked. Erwitt shot on the project for a year, until he was drafted into …

2017-08-14T15:36:22+00:00

Obituary – Arlene Gottfried, celebrated chronicler of NYC

“Arlene had a unique vision of the world around her,” says gallerist Daniel Cooney. “She was kind and compassionate and she had a wonderful sense of humour, and all of it came through in her work. That’s what made her images so beautiful and unique.” Born in the Coney Island district of New York and growing up in the Crown Heights district of Brooklyn, Arlene Gottfried studied at the Fashion Institute of Technology in New York and initially found work with an advertising agency before going freelance for publications such as The New York Times Magazine, Life, and Newsweek. But her true passion was for portraits shot on the fly, and often on the street, and it was for this work that she became celebrated.

2017-08-14T11:45:48+00:00

China to open its first publicly-funded contemporary photo gallery in Lianzhou

Lianzhou has developed a reputation as an important international location for Chinese photography, having hosted an annual photography festival since 2005. Now it is hoped that the opening of a brand new museum of photography this December will cement Lianzhou as a destination for national and international photographic excellence.

2017-08-08T12:49:52+00:00

Robert Ellis’ Proverbs records age-old knowledge in a rapidly-changing Uganda

Uganda’s population is one of the youngest in the world, with 77% of the population under the age of 30, and 52% less than 15 years old. It’s also one of the fastest-growing, with a population grown rate of 3.3%, compared to a world average of 1.2%. It’s a dynamic that, as Irish photographer Robert Ellis points out, means the country is poised for rapid change.

2017-08-10T12:02:34+00:00

Political unrest in Thailand, in Harit Srikhao’s Whitewash

“Just a few days after the opening, soldiers entered the gallery and removed some of the photographs,” says Harit Srikhao, a runner-up in this year’s BJP Breakthrough Awards. The Thai photographer, whose series Whitewash uses the military crackdown in 2010 as its starting point, questions government control, censorship and propaganda. “You are able to talk about politics in public, but if you talk ‘bluntly’, you would be arrested,” says Srikhao.

2017-08-10T12:03:33+00:00

BJP Staff