The 18-year-old Hamburg Triennial will be directed for the second time by Polish curator Krzysztof Candrowicz, who moved to Hamburg four years ago and set about transforming the it, bringing people and institutions together, and determined to make it more relevant to the viewing public. The 2015 edition was, he says, “The first holistic attempt to create the collaborative framework of the festival. Before, the museums were basically highlighting their own exhibitions, but there was no actual curatorial collective structure.” The determinedly political and environmentally-conscious theme this year was inspired by an amalgamation of many factors, he says, including spending a year “away from structured, mechanised and commercial reality”, travelling around Latin America, Nepal and India. “Breaking Point became, for me, a metaphor for rapid and sometimes unexpected transformation on a personal and global level.”
In July 2016, Diamond Reynolds’ partner was shot dead by a police officer during a traffic-stop in Minnesota. Reynolds used Facebook Live to broadcast the moments after the shooting, creating a video that became widely circulated, amassing over six million views, and which was also played to a jury as evidence in June 2017 – in a court case which saw the officer acquitted of all charges. In November 2016, Thompson invited Reynolds to collaborate on a project that would portray her in a different way to the original, publicly-consumed image. The resulting 35mm film, autoportrait, shows Reynolds apparently deep in thought and seemingly unaware of the camera, and is presented as a large-scale installation without a soundtrack. First exhibited in London’s Chisenhale Gallery in 2017, it’s been picked out of the winner of the £30,000 Deutsche Börse Photography Foundation Prize 2018, over the three other shortlisted artists – Mathieu Asselin, Rafal Milach, and Batia Suter.
KABK’s first photography MA will explore the power of the medium to incite debate, dialogue, and even change
London-based publisher MACK Books is one of the world’s best-respected photobook makers. A leading producer of contemporary books, working with some of the most established artists in the field, MACK has also won acclaim for republishing hard-to-find classics such as Masahisa Fukase’s Ravens and Luigi Ghirri’s Kodachrome, and for supporting and promoting emerging artists, particularly through its prestigious First Book Award. In addition, MACK has published several books compiling writing on photography by artists such as Joan Fontcuberta, Allan Sekula and Victor Burgin. MACK was originally set up as steidlMACK in 2004 and was part of the Steidl publishing house, but its founder, Michael Mack, left the German company to go it alone in 2010. Now MACK’s work to date under both imprints is being showcased at the Centre for Contemporary Photography in Australia, in an exhibition presented by Perimeter Books which features over 200 books and special editions, including MACK’s pioneering experiments in digital publishing via MAPP Editions. In most cases, visitors are able to hold, handle and read these rare and sometimes out-of-print photobooks.